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Valle Dei Templi
The Valle dei Templi (; scn, Vaddi di li Tempri), or Valley of the Temples, is an archaeological site in Agrigento (ancient Greek ''Akragas''), Sicily. It is one of the most outstanding examples of ancient Greek art and architecture, and is one of the main attractions of Sicily. The term "valley" is a misnomer, the site being located on a ridge outside the town of Agrigento. Overview The Valley includes remains of seven temples, all in Doric style. The ascription of the names, apart from that of the ''Olympeion'', are a mere tradition established in Renaissance times. The temples are: *Temple of Concordia, Agrigento, Temple of Concordia, whose name comes from a Latin inscription found nearby, and which was built in the 5th century BC. Turned into a church in the 6th century AD, it is now one of the best preserved in the Valley. *Temple of Juno, Agrigento, Temple of Juno, also built in the 5th century BC. It was burnt in 406 BC by the Carthaginians. *Temple of Heracles, Agri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agrigento
Agrigento (; scn, Girgenti or ; grc, Ἀκράγας, translit=Akrágas; la, Agrigentum or ; ar, كركنت, Kirkant, or ''Jirjant'') is a city on the southern coast of Sicily, Italy and capital of the province of Agrigento. It was one of the leading cities of Magna Graecia during the Fifth-century Athens, golden age of Ancient Greece BC. History Akragas was founded on a plateau overlooking the sea, with two nearby rivers, the Sant'Anna (river), Hypsas and the Acragas, after which the settlement was originally named. A ridge, which offered a degree of natural fortification, links a hill to the north called Colle di Girgenti with another, called Rupe Atenea, to the east. According to Thucydides, it was founded around 582-580 BC by Ancient Greece, Greek colonists from Gela in eastern Sicily, with further colonists from Crete and Rhodes. The founders (Oikistes, ''oikistai'') of the new city were Aristonous and Pystilus. It was the last of the major Greek colonies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asclepius
Asclepius (; grc-gre, Ἀσκληπιός ''Asklēpiós'' ; la, Aesculapius) is a hero and god of medicine in ancient Religion in ancient Greece, Greek religion and Greek mythology, mythology. He is the son of Apollo and Coronis (lover of Apollo), Coronis, or Arsinoe (Greek myth), Arsinoe, or of Apollo alone. Asclepius represents the healing aspect of the medical arts; his daughters, the "Asclepiades", are: Hygieia ("Health, Healthiness"), Iaso (from ἴασις "healing, recovering, recuperation", the goddess of recuperation from illness), Aceso (from ἄκεσις "healing", the goddess of the healing process), Aegle (mythology), Aegle (the goddess of good health) and Panacea (the goddess of universal remedy). He has several sons as well. He was associated with the Roman/Etruscan god Vediovis and the Egyptian Imhotep. He shared with Apollo the epithet ''Paean'' ("the Healer"). The rod of Asclepius, a snake-entwined staff, (similar to the caduceus) remains a symbol of medi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entablature
An entablature (; nativization of Italian , from "in" and "table") is the superstructure of moldings and bands which lies horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave (the supporting member immediately above; equivalent to the lintel in post and lintel construction), the frieze (an unmolded strip that may or may not be ornamented), and the cornice (the projecting member below the pediment). The Greek and Roman temples are believed to be based on wooden structures, the design transition from wooden to stone structures being called petrification. Overview The structure of an entablature varies with the orders of architecture. In each order, the proportions of the subdivisions (architrave, frieze, cornice) are defined by the proportions of the column. In Roman and Renaissance interpretations, it is usually approximately a quarter of the height of the column. Varian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cella
A cella (from Latin for small chamber) or naos (from the Ancient Greek, Greek ναός, "temple") is the inner chamber of an ancient Greek temple, Greek or Roman temple in classical antiquity. Its enclosure within walls has given rise to extended meanings, of a Monastery, hermit's or monk's cell, and since the 17th century, of a Cell (biology), biological cell in plants or animals. Greek and Roman temples In ancient Greek temple, Greek and Roman temples the cella was a room at the center of the building, usually containing a cult image or statue representing the particular deity venerated in the temple. In addition, the cella may contain a table to receive supplementary votive offerings such as votive statues of associated deities, precious and semi-precious stones, helmets, spear and arrow heads, swords, and war trophy, war trophies. No gatherings or sacrifices took place in the cella as the altar for sacrifices was always located outside the building along the axis and tempora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tympanum (architecture)
A tympanum (plural, tympana; from Greek and Latin words meaning "drum") is the semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch. It often contains pedimental sculpture or other imagery or ornaments. Many architectural styles include this element. Alternatively, the tympanum may hold an inscription, or in modern times, a clock face. History In ancient Greek, Roman and Christian architecture, tympana of religious buildings often contain pedimental sculpture or mosaics with religious imagery. A tympanum over a doorway is very often the most important, or only, location for monumental sculpture on the outside of a building. In classical architecture, and in classicising styles from the Renaissance onwards, major examples are usually triangular; in Romanesque architecture, tympana more often has a semi-circular shape, or that of a thinner slice from the top of a circle, and in Gothic architecture they ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metope (architecture)
In classical architecture, a metope (μετόπη) is a rectangular architectural element that fills the space between two triglyphs in a Doric order, Doric frieze, which is a decorative band of alternating triglyphs and metopes above the architrave of a building of the Doric order. Metopes often had painted or sculptural decoration; the most famous example are the 92 metopes of the Parthenon marbles some of which depict the battle between the Centaurs and the Lapiths. The painting on most metopes has been lost, but sufficient traces remain to allow a close idea of their original appearance. In terms of structure, metopes may be carved from a single block with a triglyph (or triglyphs), or they may be cut separately and slide into slots in the triglyph blocks as at the Temple of Aphaea. Sometimes the metopes and friezes were cut from different stone, so as to provide color contrast. Although they tend to be close to square in shape, some metopes are noticeably larger in heigh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triglyph
Triglyph is an architectural term for the vertically channeled tablets of the Doric frieze in classical architecture, so called because of the angular channels in them. The rectangular recessed spaces between the triglyphs on a Doric frieze are called metopes. The raised spaces between the channels themselves (within a triglyph) are called ''femur'' in Latin or ''meros'' in Greek. In the strict tradition of classical architecture, a set of guttae, the six triangular "pegs" below, always go with a triglyph above (and vice versa), and the pair of features are only found in entablatures of buildings using the Doric order. The absence of the pair effectively converts a building from being in the Doric order to being in the Tuscan order. The triglyph is largely thought to be a tectonic and skeuomorphic representation in stone of the wooden beam ends of the typical primitive hut, as described by Vitruvius and Renaissance writers. The wooden beams were notched in three separate plac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entasis
In architecture, entasis is the application of a convex curve to a surface for aesthetic purposes. Its best-known use is in certain orders of Classical columns that curve slightly as their diameter is decreased from the bottom upward. It also may serve an engineering function regarding strength. Etymology The word we apply to the design principle is used by the Roman architectural historian Vitruvius, and derives from the Greek word έντείνω (''enteino''), "to stretch or strain tight". Creating the illusion of greater strength or perception of height may have been an objective in the application of entasis. Examples Examples of this design principle may be found in cultures throughout the world, from ancient times to contemporary architecture. The first use of entasis is probably in the Later Temple of Aphaia at Aigina, in the 490s B.C. It also may be observed among Classical period Greek column designs, for example, in the Doric order temples in Segesta, Selinus, Agrigen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fluting (architecture)
Fluting in architecture consists of shallow grooves running along a surface. The term typically refers to the grooves (flutes) running vertically on a column shaft or a pilaster, but need not necessarily be restricted to those two applications. If the hollowing out of material meets in a point, the point (sharp ridge) is called an arris. If the raised ridge between two flutes is blunt, the ridge is a . Purpose Fluting promotes a play of light on a column which helps the column appear more perfectly round than a smooth column. As a strong vertical element it also has the visual effect of minimizing any horizontal joints. Greek architects viewed rhythm as an important design element. As such, fluting was often used on buildings and temples to increase the sense of rhythm. It may also be incorporated in columns to make them look thinner, lighter, and more elegant. There is debate as to whether fluting was originally used in imitation of ancient woodworking practices, mimicking ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peristasis (architecture)
The peristasis ( grc-gre, περίστασις) was a four-sided porch or hallway of columns surrounding the cella in an ancient Greek peripteral temple. This allowed priests to pass round the cella (along a pteron) in cultic processions. If such a hall of columns surrounds a patio or garden, it is called a peristyle rather than a peristasis. In ecclesial architecture, it is also used of the area between the baluster of a Catholic church and the high altar (what is usually called the sanctuary or chancel In church architecture, the chancel is the space around the altar, including the choir and the sanctuary (sometimes called the presbytery), at the liturgical east end of a traditional Christian church building. It may terminate in an apse. Ove ...). References Ancient Greek architecture Ancient Roman architecture Architectural elements {{Architecturalelement-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greece
Ancient Greece ( el, Ἑλλάς, Hellás) was a northeastern Mediterranean civilization, existing from the Greek Dark Ages of the 12th–9th centuries BC to the end of classical antiquity ( AD 600), that comprised a loose collection of culturally and linguistically related city-states and other territories. Most of these regions were officially unified only once, for 13 years, under Alexander the Great's empire from 336 to 323 BC (though this excludes a number of Greek city-states free from Alexander's jurisdiction in the western Mediterranean, around the Black Sea, Cyprus, and Cyrenaica). In Western history, the era of classical antiquity was immediately followed by the Early Middle Ages and the Byzantine period. Roughly three centuries after the Late Bronze Age collapse of Mycenaean Greece, Greek urban poleis began to form in the 8th century BC, ushering in the Archaic period and the colonization of the Mediterranean Basin. This was followed by the age of Classical G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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