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Valamthala
Veekku Chenda (വീക് ചെണ്ട) or "Acchan Chenda" (അച്ഛൻ ചെണ്ട) is a type of Chenda or drum used to keep the "thalam" or the basic rhythm while playing the Chenda. The "Chenda Vattam" of the "Veekku Chenda" is always the "Valam Thala" or the "Right Head" which is made of multiple layer of skin to produce a bass sound. The meaning of "Veekku" in Malayalam language is "beating hard". The artist produce sound on "Veekku Chenda" by hitting the drum using a stick without twisting or rolling his wrist. The Chenda is a cylindrical percussion instrument used widely in the state of Kerala, and Tulu Nadu of Karnataka State in India. In Tulu Nadu it is known as ''chande''. It has a length of two feet and a diameter of one foot. Both ends are covered (usually with animal's skin) with the "Chenda Vattam". The animal skin is usually of a cow (Heifer), in a traditional Chenda other skins are not used (skin of bull, ox etc. are not used), to have a quality ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chenda Melam
The Chenda ( ml, ചെണ്ട, ) is a cylindrical percussion instrument originating in the state of Kerala and widely used in Tulu Nadu of Karnataka and Tamil Nadu in India. In Tulu Nadu (Coastal Karnataka), it is known as ''chende''. It is greatly identified as a cultural element in Kerala and Tulu Nadu. This instrument is famous for its loud and rigid sound. A Chenda has two sides, the left side called "Edamthala" (ഇടം തല)(Left Head) and the right side "Valamthala" (വലം തല)(Right Head). The "Edamthala" is made of only one/two layer of cow skin and the "Valamthala" will have a five/seven layer skin, so as to have a Bass (sound), bass sound. The skin are dried in the shade and fastened on wooden rings (Chenda Vattam, ചെണ്ട വട്ടം) made of the trunk of a locally available palm tree (Eeranpana) or bamboo, using a gum prepared from the seed of a tree called "pananchi maram". The circular frame is kept in a vessel, boiled for an entire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chenda
The Chenda ( ml, ചെണ്ട, ) is a cylindrical percussion instrument originating in the state of Kerala and widely used in Tulu Nadu of Karnataka and Tamil Nadu in India. In Tulu Nadu (Coastal Karnataka), it is known as ''chende''. It is greatly identified as a cultural element in Kerala and Tulu Nadu. This instrument is famous for its loud and rigid sound. A Chenda has two sides, the left side called "Edamthala" (ഇടം തല)(Left Head) and the right side "Valamthala" (വലം തല)(Right Head). The "Edamthala" is made of only one/two layer of cow skin and the "Valamthala" will have a five/seven layer skin, so as to have a bass sound. The skin are dried in the shade and fastened on wooden rings (Chenda Vattam, ചെണ്ട വട്ടം) made of the trunk of a locally available palm tree (Eeranpana) or bamboo, using a gum prepared from the seed of a tree called "pananchi maram". The circular frame is kept in a vessel, boiled for an entire day and then ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uruttu Chenda
Uruttu Chenda (ഉരുട്ട് ചെണ്ട) is a type of "Chenda" or drum used to play variations in Chenda music. It is used to lead the orchestra. It is called the ""Pramanavadhya"" (Leading instrument). The "Chenda Vattam" of the "Uruttu Chenda" is always the "Edam Thala" or the "Left Head" which is made of soft, single cow skin. The meaning of "uruttu" in Malayalam language is "rolling". The artist produce sound on "Uruttu Chenda" by rolling his right hand wrist. During the first beat the palm holding the stick will face the artist (in), then during the second beat (using the same right hand) the palm would face the opposite side (out). This is done by rolling the wrist. The Chenda is a cylindrical percussion instrument used widely in the state of Kerala, and Tulu Nadu of Karnataka State in India. In Tulu Nadu it is known as ''chande''. It has a length of two feet and a diameter of one foot. Both ends are covered (usually with animal's skin) with the "Chenda Vatta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drums
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching Drum stick, drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a snare drum stand, stand * A bass drum, played with a percussion mallet, beater moved by a foot-operated pedal * One or more Tom drum, tom-toms, including Rack tom, rack toms and/or floor tom, floor toms * One or more Cymbal, cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock music, rock and pop music, pop to blues and jazz. __TOC__ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Musical Instruments
Indian musical instruments can be broadly classified according to the Hornbostel–Sachs system into four categories: chordophones (string instruments), aerophones (wind instruments), membranophones (drums) and idiophones (non-drum percussion instruments). Chordophones Plucked strings Bowed strings * Chikara * Dhantara * Dilruba * Ektara violin * Esraj * Kamaicha * Kingri (string instrument) * Mayuri Vina or Taus * Onavillu * Behala (violin type) * Pena (musical instrument) * Pinaka vina * Pulluvan Veena - one stringed violin * Ravanahatha * Sarangi * Classical Sarangi * Sarinda * Tar Shehnai * Villu Paatu - arched bow instrument + Behala - Bengal Murshidabad Violin Persian "Behaaleh" (Restless) Other string instruments * Gethu or Jhallari – struck tanpura * Gubguba or Jamuku (khamak) * Pulluvan kutam * Santoor – Hammered dulcimer Aerophones Single reed *Pepa *Pungi or Been Double reed * Kuzhal * Mukhavina * Nadaswaram * Shehnai * Sundari * Ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Music Instruments
Carnatic most often refers to: *Carnatic region, Southern India *Carnatic music, the classical music of Southern India Carnatic may also refer to: *Carnatic Wars, a series of military conflicts in India during the 18th century *, a ''Bangor''-class minesweeper of the Royal Indian Navy, that served in World War II *, a 74-gun third rate ship of the line of the Royal Navy, launched at Deptford in 1783 *, a 74-gun third rate ship of the line of the Royal Navy, launched at Portsmouth Dockyard in 1823 * – one of several vessels of that name *Carnatic Hall, built by slave trader, now closed university residence {{disambiguation, ship ca:Carnàtic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kathakali
Kathakali ( ml, കഥകളി) is a major form of classical Indian dance. It is a "story play" genre of art, but one distinguished by the elaborately colourful make-up and costumes of the traditional male actor-dancers. It is native to the Malayalam-speaking southwestern region of Kerala and is almost entirely practiced and appreciated by Malayali people. Kathakali's roots are unclear. The fully developed style of Kathakali originated around the 17th century, but its roots are in the temple and folk arts (such as Krishnanattam and religious drama of the kingdom of the Zamorin of Calicut) southwestern Indian peninsula), which are traceable to at least the 1st millennium CE. A Kathakali performance, like all classical dance arts of India, synthesizes music, vocal performers, choreography and hand and facial gestures together to express ideas. However, Kathakali differs in that it also incorporates movements from ancient Indian martial arts and athletic traditions of South Ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanyarkali
Kanniyar Kali (Malayalam: കണ്യാർകളി) is a folk dance ritual performed in Temples of villages in Alathur and Chittur Taluk of Palakkad district of Kerala. The event is usually a part of Vishu celebrations of the village and usually succeeds the Vela ( Village Fair) and is usually performed during the months of April and May. It is an agricultural festival dance of Nair community. Kanniyar Kali, despite the name of the Virgin, does not have anything to do with the Kannaki cult. Kanniyar Kali is in no way connected with the Kaniyar community, a community of authentic astrologers of Kerala. The Dance The dance is performed at night and ends at dawn and is conducted for four consecutive nights .In certain villages it is conducted only for three consecutive nights. The dances start every night with the men of the community gathering in the temples and performing a rhythmic circular dance called vattakali (vattakali literally means a circular dance). The vatt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pandi Melam
Pandi melam is a classical percussion concert or melam (ensemble) led by the ethnic Kerala instrument called the chenda and accompanied by ilathalam (cymbals), kuzhal and Kombu. A full-length Pandi, a melam based on a thaalam ( taal) with seven beats, lasts more than two-and-a-half hours, and is canonically performed outside temples. It has basically four stages, each of them with rhythmic cycles (thaalavattam) totalling 56, 28, 14 and seven respectively. The most celebrated Pandi Melam is staged inside a temple compound at the ''Vadakkunnathan'' shrine's precincts in the central Kerala town of Thrissur. For the last several years, Peruvanam Kuttan Marar is the lead conductor for this symphony of drums known as ''Elanjithara Melam''. Elsewhere, like in the pooram festivals of Aarattupuzha and Peruvanam near Thrissur and the rest of central and northern Kerala, it is performed outside temples. Another ensemble called Panchari Melam, which is similar to Pandi going by the kin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panchari Melam
Panchari Melam is a percussion ensemble, performed during temple festivals in Kerala, India. Panchari Melam (or simply panchari), is one of the major forms of Chenda Melam (ethnic drum ensemble), and is the best-known and most popular in the ''kshetram vadyam'' (temple percussion) genre. Panchari Melam, comprising instruments like Chenda, Ilathalam, Kombu and Kuzhal, is performed during many temple festivals in central Kerala, where it is presented in arguably the most classical manner. Panchari is also traditionally performed, albeit with a touch of subtle regional difference, in north Kerala (Malabar) and south-central Kerala (Kochi). Of late, its charm has led to its performance even in temples in Kerala's deep south. Panchari is a six-beat thaalam ( taal) with equivalents like Roopakam in south Indian Carnatic music and Daadra in the northern Hindustani classical. Another Chenda Melam which comes close to Panchari in prominence and grammatical soundness, is Pandi Melam, pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thayambaka
Thayambaka or tayambaka is a type of solo chenda performance that developed in the south Indian state of Kerala, in which the main player at the centre improvises rhythmically on the beats of half-a-dozen or a few more chenda and ilathalam players around. Performance A thayambaka performance on the chenda has thus its focus on the stick-and-palm rolls produced on the itantala (treble) of the chenda, while the rhythm is laid by his fellow instrumentalists on the (bass) and ( cymbals).Simon Broughton, Mark Ellingham. ''World Music'', vol. 2, p. 97 (contributor Rolf Killius). Rough Guides, 2000. Thayambaka, believed to have flourished during the feudal era, spans an average of 90 minutes. It begins at a slow pace before scaling on to a medium tempo and eventually culminating in high, frenzied speed. It has a skeletal pattern on which the performance progresses, but the main performer has the liberty to improvise and innovate to showcase his grip of rhythm, finesse of techniqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panchavadyam
Panchavadyam (Malayalam: പഞ്ചവാദ്യം), literally meaning an orchestra of five instruments, is basically a temple art form that has evolved in Kerala. Of the five instruments, four — timila, maddalam, ilathalam and idakka — belong to the percussion category, while the fifth, kombu, is a wind instrument. Much like any chenda melam, panchavadyam is characterised by a pyramid-like rhythmic structure with a constantly increasing tempo coupled with a proportional decrease in the number of beats in cycles. However, in contrast to a chenda melam, panchavadyam uses different instruments (though ilathalam and kompu are common to both), is not related very closely to any temple ritual and, most importantly, permits much personal improvisation while filling up the rhythmic beats on the timila, maddalam and idakka. Panchavadyam bases itself on the seven-beat thripuda (also spelt thripuda) thaalam ( taal) but amusingly sticks to the pattern of the eight-beat chempata ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
