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Vaksin (instrument)
Vaccine (or sometimes ''vaksin'') are rudimentary single-note trumpets found in Haiti and, to a lesser extent, the Dominican Republic as well as Jamaica. They consist of a simple tube, usually bamboo, with a mouthpiece at one end. They are thus also referred to as ''banbou'' or ''bambú'', as well as ''bois bourrique'' (or ''bwa bourik''), ''granboe'', ''fututo'', or ''boom pipe''. They are not to be confused with other Haitian handmade trumpets called ''konè'' or ''klewon'', made of a yard-long white metal tube with a flared horn, called ''kata''. Vaccine players are known as ''banboulyès''. Origins Haitian ethnographer Jean Bernard traces the vaksin back to indigenous precolonial peoples of Haiti. However both Thompson and Holloway draw links to the single-note Bakongo bamboo trumpets called ''disoso'', themselves originated in Mbuti hocketing music. Gillis also likens them to trumpets used in Bambara ''broto'' music along the Niger, and Jamaican Kumina. Constru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kumina
Kumina is an Afro-Jamaican religion. Kumina has practices that include secular ceremonies, dance and music that developed from the beliefs and traditions brought to the island by Kongo people, Kongo Atlantic slave trade, enslaved people and Indentured servitude, indentured labourers, from the Congo Basin, Congo region of West Central Africa, during the Slavery Abolition Act 1833, post-emancipation era. It is mostly associated with the Saint Thomas Parish, Jamaica, parish of St. Thomas in the east of the island. However, the practice spread to the parishes of Portland Parish, Portland, Saint Mary Parish, Jamaica, St. Mary and Saint Catherine Parish, St. Catherine, and the city of Kingston, Jamaica, Kingston. Kumina also gives it name to a drumming style, developed from the music that accompanied the spiritual ceremonies, that evolved in urban Kingston. The Kumina drumming style has a great influence on Rastafari#Music, Rastafari music, especially the Nyabinghi drums, Nyabinghi drumm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alan Lomax
Alan Lomax (; January 31, 1915 – July 19, 2002) was an American ethnomusicologist, best known for his numerous field recordings of folk music of the 20th century. He was also a musician himself, as well as a folklorist, archivist, writer, scholar, political activist, oral historian, and film-maker. Lomax produced recordings, concerts, and radio shows in the US and in England, which played an important role in preserving folk music traditions in both countries, and helped start both the American and British folk revivals of the 1940s, 1950s, and early 1960s. He collected material first with his father, folklorist and collector John Lomax, and later alone and with others, Lomax recorded thousands of songs and interviews for the Archive of American Folk Song, of which he was the director, at the Library of Congress on aluminum and acetate discs. After 1942, when Congress terminated the Library of Congress's funding for folk song collecting, Lomax continued to collect independentl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold Courlander
Harold Courlander (September 18, 1908 – March 15, 1996) was an American novelist, folklorist, and anthropologist and an expert in the study of Haitian life. The author of 35 books and plays and numerous scholarly articles, Courlander specialized in the study of African, Caribbean, Afro-American, and Native American cultures. He took a special interest in oral literature, cults, and Afro-American cultural connections with Africa. Life and work Courlander was born in Indianapolis, Indiana, the son of the painter David Courlander of Detroit, Michigan. Courlander received a B.A. in English from the University of Michigan in 1931. At the University of Michigan, he received three Avery Hopwood Awards (one in drama and two in literary criticism). He attended graduate school at the University of Michigan and Columbia University. He spent time in the 1930s on a farm in Romeo, Michigan. There, he built a one-room log cabin in the woods where he spent much of his time writing. With th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Haiti
The music of Haiti combines a wide range of influences drawn from the many people who have settled on this Caribbean island. It reflects French, African rhythms, Spanish elements and others who have inhabited the island of Hispaniola and minor native Taino influences. Styles of music unique to the nation of Haiti include music derived from rara parading music, twoubadou ''ballads'', mini-jazz ''rock bands'', rasin movement, hip hop Creòle, the wildly popular compas, and méringue as its basic rhythm. Haiti did not have recorded music until 1937 when Jazz Guignard was recorded non-commercially. One of the most current popular Haitian artists is Wyclef Jean. His music is somewhat hip hop mixed with worldbeat. Haitian music is influenced mostly by European colonial ties and African migration (through slavery). In the case of European colonization, musical influence has derived primarily from the French. One of Haiti's musical traditions is known to outsiders simply as compas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ostinato
In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's '' Boléro'' and the ''Carol of the Bells'', and popular songs such as Donna Summer and Giorgio Moroder's "I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's "Baba O'Riley" (1971), and The Verve's " Bitter Sweet Symphony" (1997). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an os ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petwo
The Petwo ( ht, Petwo), also spelled Petro and alternatively known as , are a family of lwa (loa) spirits in the religion of Haitian Vodou. They are regarded as being volatile and "hot", in this contrasting with the Rada lwa, which are regarded as sweet-tempered and "cool." Description The Petwo are also known as the Dompete. They are considered one of the ('nations') of lwa spirits in the religion. Various commentators have described the Petwo as a "pantheon" of deities. Along with the Rada, they are one of the two main groups of lwa worshipped by practitioners in Port-au-Prince. The Petwo spirits are considered to be volatile and hot-tempered, exhibiting bitter, aggressive, and forceful characteristics. In this they contrast with the Rada lwa, who are deemed sweet-natured and dependable. The Petwo lwa are kept separate from the Rada lwa, both spatially, by placing their altars in different parts of the (temple), and temporally, by invoking them at different stages in a ritual. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simbi
A Simbi (also Cymbee, Sim'bi, pl. Bisimbi) is a water spirit in traditional Kongo spirituality. In Haitian Vodoun context, they are a large and diverse family of serpents known as loa. Hoodoo In Central Africa's Kongo region, "...bisimbi inhabit rocks, gullies, streams, and pools, and are able to influence the fertility and well being of those living in the area." "What are bisimbi? They have other names, too. Some are called python, lightning gourd or calabash, mortar or a sort of pot. The explanation of their names is that they are water spirits (nkisi mia mamba). The names of some of these minkisi are: Na Kongo, Ma Nzanza, Nkondi and Londa. There is a significant amount of Kongo culture that continues today in the African American community, because 40 percentage of Africans taken during thtransatlantic slave tradecame from Central Africa's Congo Basin. Simbi (Bisimbi, plural) spirits are also revered in the United States in the African American community in the practice o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bambara People
The Bambara ( bm, ߓߡߊߣߊ߲, italics=no, ''Bamana'' or ''Banmana'') are a Mandé ethnic group native to much of West Africa, primarily southern Mali, Guinea, Burkina Faso and Senegal. They have been associated with the historic Bambara Empire. Today they make up the largest Mandé ethnic group in Mali, with 80% of the population speaking the Bambara language, regardless of ethnicity. Ethnonym According to the ''Encyclopedia of Africa'', "Bambara" means "believer" or "infidel"; the group acquired the name because it resisted Islam after the religion was introduced in 1854 by Tukulor conqueror El Hadj Umar Tall." History The Bamana originated as a royal section of the Mandinka people. They are founders of the Mali Empire in the 13th Century. Both Manding and Bambara are part of the Mandé ethno-linguistic group, whose divergence is dated to at least about 7,000 years ago, and branches of which are associated with sites near Tichitt (now subsumed by the Sahara in sout ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haiti
Haiti (; ht, Ayiti ; French: ), officially the Republic of Haiti (); ) and formerly known as Hayti, is a country located on the island of Hispaniola in the Greater Antilles archipelago of the Caribbean Sea, east of Cuba and Jamaica, and south of The Bahamas and the Turks and Caicos Islands. It occupies the western three-eighths of the island which it shares with the Dominican Republic. To its south-west lies the small Navassa Island, which is claimed by Haiti but is disputed as a United States territory under federal administration."Haiti" ''Encyclopædia Britannica''. Haiti is in size, the third largest country in the Caribbean by area, and has an estimated population of 11.4 million, making it the most populous country in the Caribb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verna Gillis
Verna Gillis (born 1942) is an American freelance record producer, who has gained recognition for her work promoting and producing music from various cultural backgrounds. Gillis holds a Ph.D. in ethnomusicology. She was an assistant professor at Brooklyn College from 1974 to 1980 and at Carnegie Mellon University from 1988 to 1990. Gillis has been the subject of a number of press articles, with ''The New York Times'' describing her as "the closest thing world music has to a doyenne". Life and career From 1972 to 1978, Gillis recorded traditional music in Afghanistan, Iran, Kashmir, Haiti, the Dominican Republic, Peru, Surinam, and Ghana. In 1979, she opened Soundscape, the first multi-cultural performance space in New York City, on west 52nd Street which she directed for the next five years. Gillis, Soundscape and the music played there is the subject of a web based project by WKCR Radio 89.9 NY. From 1984, Gillis worked on career development with international musicians inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hocket
In music, hocket is the rhythmic linear technique using the alternation of notes, pitches, or chords. In medieval practice of hocket, a single melody is shared between two (or occasionally more) voices such that alternately one voice sounds while the other rests. History In European music, hocket or hoquet was used primarily in vocal and choral music of the 13th and early 14th centuries. It was a predominant characteristic of music of the Notre Dame school, during the ''ars antiqua'', in which it was found in sacred vocal music and string compositions. In the 14th century, this compositional device was most often found in secular vocal music. Although the term is in reference to this secular music of the 13th and 14th centuries in France, the technique under other names could be heard in different types of music across the world as early as the 11th century. As alternating or trading melodies between instruments had well been developed earlier in time to eventually influence the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
