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Vajra Bodhi Sea
The Vajra () is a legendary and ritual weapon, symbolising the properties of a diamond (indestructibility) and a thunderbolt (irresistible force). The vajra is a type of club with a ribbed spherical head. The ribs may meet in a ball-shaped top, or they may be separate and end in sharp points with which to stab. The vajra is the weapon of Indra, the Vedic king of the devas and heaven. It is used symbolically by the dharmic traditions of Hinduism, Buddhism, and Jainism, often to represent firmness of spirit and spiritual power. According to Hinduism, the vajra is considered one of the most powerful weapons in the universe. The use of the vajra as a symbolic and ritual tool spread from Hinduism to other religions in India and other parts of Asia. Etymology According to Asko Parpola, the Sanskrit () and Avestan both refer to a weapon of the Godhead, and are possibly from the Proto-Indo-European root ''*weg'-'' which means "to be(come) powerful". It is related to Proto- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indra
Indra (; Sanskrit: इन्द्र) is the king of the devas (god-like deities) and Svarga (heaven) in Hindu mythology. He is associated with the sky, lightning, weather, thunder, storms, rains, river flows, and war. volumes/ref> Indra's myths and powers are similar to other Indo-European deities such as Jupiter, Perun, Perkūnas, Zalmoxis, Taranis, Zeus, and Thor, part of the greater Proto-Indo-European mythology. Indra is the most referred deity in the ''Rigveda''. He is celebrated for his powers, and as the one who killed the great evil (a malevolent type of asura) named Vritra, who obstructed human prosperity and happiness. Indra destroys Vritra and his "deceiving forces", and thereby brings rains and sunshine as the saviour of mankind. He is also an important deity worshipped by the Kalash people, indicating his prominence in ancient Hinduism. Indra's significance diminishes in the post-Vedic Indian literature, but he still plays an important role in various m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukonvasara
Ukonvasara, or Ukonkirves, is the symbol and magical weapon of the Finnish thunder god Ukko, similar to Thor's Mjölnir. Ukonvasara means hammer of Ukko; similarly, Ukonkirves means axe of Ukko. It was said that Ukko created lightning with Ukonvasara. Ukko's hammer was probably originally a boat-shaped stone axe. When stone tools were abandoned with the advent of metalworking, the origins of stone weapons became a mystery. Stone axes, so-called thunderstones (''ukonvaaja'' in Finnish), were found in the ground, especially after drenching rains washed away dirt. They were believed to be weapons of Ukko, stone heads of the striking lightning. Shamans collected and held stone-axes because they were believed to hold the power to both heal and damage. Modern Pagan Finns sometimes carry hammer or axe pendants around their necks, much like Christians sometimes wear crosses. Etymology According to Asko Parpola, the Sanskrit and Avestan both refer to a weapon of the Godhead, and ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dadhichi
Dadhichi (), also rendered Dadhyanga and Dadhyancha, is a sage in Hinduism. He is best known for his sacrifice in the Puranas, where he gives up his life so that his bones could be used to manufacture the Vajra, the diamond-like celestial thunderbolt of the deity Indra, in order to slay Vritra. Literature In the Bhagavata Purana, Dadhichi is described as the son of the sage Atharvan and his wife, Chitti. Atharvan is said to be the author of Atharvaveda, which is one of the four Vedas. Chitti was the daughter of the sage Kardama. The names of Dadhichi's wife and son were Suvarcas and Pippalada, respectively. After the death of Dadhichi, when Suvarcas was about to ascend the funeral pyre, she heard an ''aśarīriṇī vāṇī'' (a celestial voice) that informed her that she was pregnant. Suvarcas removed the foetus from her womb with a stone, and placed it near a banyan tree, proceeding to end her life. Her child, Pippalada, became a famous rishi, associated with the Pippal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Puranas
Purana (; sa, , '; literally meaning "ancient, old"Merriam-Webster's Encyclopedia of Literature (1995 Edition), Article on Puranas, , page 915) is a vast genre of Indian literature about a wide range of topics, particularly about legends and other traditional lore. The Puranas are known for the intricate layers of symbolism depicted within their stories. Composed originally in Sanskrit and in Languages of India, other Indian languages,John Cort (1993), Purana Perennis: Reciprocity and Transformation in Hindu and Jaina Texts (Editor: Wendy Doniger), State University of New York Press, , pages 185-204 several of these texts are named after major Hindu gods such as Vishnu, Shiva, Brahma, and Adi Shakti. The Puranic genre of literature is found in both Hinduism and Jainism. The Puranic literature is encyclopedic, and it includes diverse topics such as cosmogony, cosmology, genealogies of gods, goddesses, kings, heroes, sages, and demigods, folk tales, pilgrimages, temples, medic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief Of King Rama VI's Privy Seal
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vajrapani
(Sanskrit; Pali: Vajirapāṇi, meaning, "Vajra in ishand") is one of the earliest-appearing bodhisattvas in Mahayana Buddhism. He is the protector and guide of Gautama Buddha and rose to symbolize the Buddha's power. Vajrapāni is also called Chana Dorji and Chador and extensively represented in Buddhist iconography as one of the earliest three protective deities or bodhisattvas surrounding the Buddha. Each of them symbolizes one of the Buddha's virtues: Manjushri manifests all the Buddhas' wisdom, Avalokiteśvara manifests all the Buddhas' immense compassion, and Vajrapāni protects Buddha and manifests all the Buddhas' power as well as the power of all five tathāgatas (Buddhahood of the rank of Buddha). Vajrapāni is one of the earliest Dharmapalas of Mahayana Buddhism and also appears as a deity in the Pali Canon of the Theravada school. He is worshiped in the Shaolin Monastery, in Tibetan Buddhism and in Pure Land Buddhism (where he is known as Mahasthamaprapta a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddhaghoṣa
Buddhaghosa was a 5th-century Indian Theravada Buddhist commentator, translator and philosopher. He worked in the Great Monastery (''Mahāvihāra'') at Anurādhapura, Sri Lanka and saw himself as being part of the Vibhajjavāda school and in the lineage of the Sinhalese Mahāvihāra. His best-known work is the ''Visuddhimagga'' ("Path of Purification"), a comprehensive summary of older Sinhala commentaries on Theravada teachings and practices. According to Sarah Shaw, in Theravada this systematic work is "the principal text on the subject of meditation." The interpretations provided by Buddhaghosa have generally constituted the orthodox understanding of Theravada scriptures since at least the 12th century CE. He is generally recognized by both Western scholars and Theravadins as the most important philosopher and commentator of the Theravada, but is also criticised for his departures from the canonical texts. Name The name Buddhaghosa means "Voice of the Buddha" (''Buddha' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph T
Ralph (pronounced ; or ,) is a male given name of English, Scottish and Irish origin, derived from the Old English ''Rædwulf'' and Radulf, cognate with the Old Norse ''Raðulfr'' (''rað'' "counsel" and ''ulfr'' "wolf"). The most common forms are: * Ralph, the common variant form in English, which takes either of the given pronunciations. * Rafe, variant form which is less common; this spelling is always pronounced , as are all other English spellings without "l". * Raife, a very rare variant. * Raif, a very rare variant. Raif Rackstraw from H.M.S. Pinafore * Ralf, the traditional variant form in Dutch, German, Swedish, and Polish. * Ralfs, the traditional variant form in Latvian. * Raoul, the traditional variant form in French. * Raúl, the traditional variant form in Spanish. * Raul, the traditional variant form in Portuguese and Italian. * Raül, the traditional variant form in Catalan. * Rádhulbh, the traditional variant form in Irish. Given name Middle Ages * Ral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vritra
Vritra () is a danava in Hinduism. He serves as the personification of drought, and is an adversary of the king of the devas, Indra. As a danava, he belongs to the race of the asuras. Vritra is also known in the Vedas as Ahi (Sanskrit: ', lit. "snake"). He appears as a human-like serpent blocking the course of the Rigvedic rivers, and is slain by Indra with his newly-forged vajra. Name ''Vritra'' literally means "cover, obstacle", in reference of him holding back the waters. It stems from Proto-Indo-Iranian ''*wr̥trás'', from the Proto-Indo-European root ''*wer-'' "to cover, to obstruct". The Indo-Iranian word is also found in Avestan as '' vərəθraγna'' (Vedic ''vṛtraghná''), literally "(one who) slays obstacles". Functionally, he is related to Jörmungandr of Norse myth, Typhon of Greek myth, and Veles of Slavic myth. Literature Vedas According to the Rig Veda, Vritra kept the waters of the world captive until he was killed by Indra, who destroyed all th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tvastar
Tvashtr ( sa, त्वष्टृ, Tvaṣṭṛ) is a Vedic artisan god or fashioner. He is also mentioned in later literature of Hinduism like the ''Harivamsa''. Sometimes, Tvashtr is identified with another deity named Vishvakarma. In Hindu Literature In the ''Rigveda'', Tvashtr is stated to be a skillful craftsman who created many implements, including Indra's bolt, the axe of Brahmanaspati, and a cup for divine food and drink. He is stated to be the creator of forms, and is often stated to be the crafter of living beings and wombs. He is also considered a universal father, and an ancestor of humans through his daughter Saranyu. He is the father of Bṛhaspati, and likely Indra's father as well. He wields a metal axe, and rides a chariot pulled by two fallow bay mares. He is the guardian of Soma, and his son Vishvarupa is the guardian of cows. Indra has a conflict with his likely father Tvashtr, with him stealing Tvashtr's soma and trying to possess Vishvarupa’s cattle. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vedas
upright=1.2, The Vedas are ancient Sanskrit texts of Hinduism. Above: A page from the '' Atharvaveda''. The Vedas (, , ) are a large body of religious texts originating in ancient India. Composed in Vedic Sanskrit, the texts constitute the oldest layer of Sanskrit literature and the oldest scriptures of Hinduism. There are four Vedas: the Rigveda, the Yajurveda, the Samaveda and the Atharvaveda. Each Veda has four subdivisions – the Samhitas (mantras and benedictions), the Aranyakas (text on rituals, ceremonies, sacrifices and symbolic-sacrifices), the Brahmanas (commentaries on rituals, ceremonies and sacrifices), and the Upanishads (texts discussing meditation, philosophy and spiritual knowledge).Gavin Flood (1996), ''An Introduction to Hinduism'', Cambridge University Press, , pp. 35–39A Bhattacharya (2006), ''Hindu Dharma: Introduction to Scriptures and Theology'', , pp. 8–14; George M. Williams (2003), Handbook of Hindu Mythology, Oxford University Press, , p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rigveda
The ''Rigveda'' or ''Rig Veda'' ( ', from ' "praise" and ' "knowledge") is an ancient Indian collection of Vedic Sanskrit hymns (''sūktas''). It is one of the four sacred canonical Hindu texts (''śruti'') known as the Vedas. Only one Shakha of the many survive today, namely the Śakalya Shakha. Much of the contents contained in the remaining Shakhas are now lost or are not available in the public forum. The ''Rigveda'' is the oldest known Vedic Sanskrit text. Its early layers are among the oldest extant texts in any Indo-European language. The sounds and texts of the ''Rigveda'' have been orally transmitted since the 2nd millennium BCE. Philological and linguistic evidence indicates that the bulk of the ''Rigveda'' Samhita was composed in the northwestern region of the Indian subcontinent (see) Rigvedic rivers), most likely between 1500 and 1000 BCE, although a wider approximation of 19001200 BCE has also been given. The text is layered, consisting of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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