Vadim Muntagirov
Vadim Muntagirov is a Russian ballet dancer. He is currently a principal dancer at The Royal Ballet in London and previously a lead principal dancer at the English National Ballet. Early life Muntagirov, was born in Chelyabinsk, Russia. His parents and elder sister are ballet dancers. At age nine, he entered Perm State Choreographic College, where his parents and sister trained, and trained there for six years. In 2006, after he won a scholarship at the Prix de Lausanne, despite not speaking English, he chose to relocate to London and trained at The Royal Ballet School. He planned to stay for a year, but Gailene Stock, then-director of the school, convinced him to continue his training there. He graduated in 2009. Career In 2009, after Muntagirov graduated, he joined the English National Ballet as First Artist. During his first season, he danced Albrecht in ''Giselle'' and the Prince in ''Cinderella''. In 2010, Muntagirov was promoted to First Soloist. He was chosen to perfo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Alina Cojocaru
Alina Cojocaru (born 27 May 1981) is a Romanian ballet dancer. She was previously a principal dancer with The Royal Ballet and a lead principal with the English National Ballet. Early years Alina Cojocaru was born and raised in Bucharest, Romania. She has one sister. From a young age she studied gymnastics. Later she began ballet classes, despite never having seen a live ballet. Training At the age of 7 or 8 she began gymnastic classes, progressing at the age of 9 to a Bucharest ballet school which acted as a feeder for the Romanian State Ballet school. Later the same year she took and passed the entrance exam for the school and a few months later was chosen (with 8 other Romanian students) by the director of the Kiev Ballet school to take part in a student exchange. She left her family to train at the school, and did not speak any Ukrainian. Initially, Cojocaru and the other Romanian students were taught separately, before being integrated with the other students in t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Paris Opera Ballet
The Paris Opera Ballet () is a French ballet company that is an integral part of the Paris Opera. It is the oldest national ballet company, and many European and international ballet companies can trace their origins to it. It is still regarded as one of the four most prominent ballet companies in the world, together with the Bolshoi Ballet in Moscow, the Mariinsky Ballet in Saint Petersburg and the Royal Ballet in London.Pourquoi les ballets de l'Opéra de Paris font partie des spectacles favoris des fêtes article by Martine Robert, 27 December 2013, Les Echos. The position of director of dance is currently vacant, but [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Two Pigeons
''The Two Pigeons'' (original French title: ''Les deux pigeons'') is a fable by Jean de la Fontaine (Book IX.2) that was adapted as a ballet with music by André Messager in the 19th century and rechoreagraphed to the same music by Frederick Ashton in the 20th. Fable La Fontaine ascribed the fable to the Persian author Bidpai and had found it in an abridged version titled "The Book of Enlightenment or the Conduct of Kings". The original is of some length, embroidered as it is with many an exquisite flower of rhetoric upon the trellis of its exposition. In essence it differs little from La Fontaine's abbreviated version. Two pigeons (or doves in Elizur Wright's American translation) live together in the closest friendship and 'cherish for each other/The love that brother hath for brother.' One of them yearns for a change of scene and eventually flies off on what he promises will be only a three-day adventure. During this time he is caught in a storm with little shelter, ensnared, at ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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La Fille Mal Gardée (Ashton)
''La fille mal gardée'' (English: ''The Wayward Daughter'', literal translation: "The Poorly Guarded Girl"), Frederick Ashton's Royal Ballet production, began in 1959 when British choreographer Frederick Ashton created a new version of '' La fille mal gardée'' for the Royal Ballet of London. This production premiered on 28 January 1960, with Nadia Nerina as Lise, David Blair as Colas, Stanley Holden as the Widow Simone, and Alexander Grant as Alain. Since its inception Ashton's staging has become a celebrated classic of the ballet repertory. Background Originally Ashton intended to use the 1864 score of Peter Ludwig Hertel, as it had been used for nearly every revival of the ballet since the late 19th century, but after close inspection of this music Ashton decided it would not suit his plans for the revival. At the suggestion of the ballet historian and musicologist Ivor Guest, Ashton studied the 1828 score by Ferdinand Hérold, and found the light, simple music more ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Manon (ballet)
''L'histoire de Manon'', generally referred to as ''Manon'', is a ballet choreographed by Kenneth MacMillan to music by Jules Massenet and based on the 1731 novel ''Manon Lescaut'' by Abbé Prévost. The ballet was first performed by The Royal Ballet in London in 1974 with Antoinette Sibley and Anthony Dowell in the leading roles. It continues to be performed and recognised internationally. Background Kenneth MacMillan had been thinking about choreographing a ballet about the story of Manon Lescaut for some time. Three years into his artistic directorship of The Royal Ballet, he wanted to create a large-scale operatic ballet that would provide exciting roles both for the company's principal dancers and the ''corps de ballet''.Parry, p. 428 On the last night of the company's summer season in 1973, MacMillan left a copy of Prévost's novel in Antoinette Sibley's dressing room, with a note informing her that it would "come in handy for March 7, '74". As the copy of ''Manon Lescaut' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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La Bayadère
''La Bayadère'' ("the temple dancer") ( ru. «Баядерка», ''Bayaderka'') is a ballet, originally staged in four acts and seven tableaux by French choreographer Marius Petipa to the music of Ludwig Minkus. The ballet was staged especially for the benefit performance of the Russian ''Prima ballerina'' Ekaterina Vazem, who created the principal role of Nikiya. ''La Bayadère'' was first presented by the Imperial Ballet at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia, on . From the first performance the ballet was universally hailed by contemporary critics as one of the choreographer Petipa's supreme masterpieces, particularly the scene from the ballet known as ''The Kingdom of the Shades'', which became one of the most celebrated pieces in all of classical ballet. By the turn of the 20th century, ''The Kingdom of the Shades'' scene was regularly extracted from the full-length work as an independent showpiece, and it has remained so to the present day. Nea ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Romeo And Juliet (Prokofiev)
''Romeo and Juliet'' (russian: Ромео и Джульетта, Romeo i Dzhulyetta), Op. 64, is a ballet by Sergei Prokofiev based on William Shakespeare's play ''Romeo and Juliet''. First composed in 1935, it was substantially revised for its Soviet premiere in early 1940. Prokofiev reused music from the ballet in three suites for orchestra and a solo piano work. Background and premiere Based on a synopsis created by Adrian Piotrovsky (who first suggested the subject to Prokofiev) and Sergey Radlov, the ballet was composed by Prokofiev in September 1935 to their scenario which followed the precepts of "drambalet" (dramatised ballet, officially promoted at the Kirov Ballet to replace works based primarily on choreographic display and innovation). Following Radlov's acrimonious resignation from the Kirov in June 1934, a new agreement was signed with the Bolshoi Theatre in Moscow on the understanding that Piotrovsky would remain involved. However, the ballet's original happy en ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Akane Takada
is a Japanese ballerina and a principal dancer with the Royal Ballet in London. Her lead roles have included the title role in ''Giselle'', Nikiya in La Bayadère, Kitri in '' Don Quixote'', and Aurora in '' The Sleeping Beauty''. Early life and education Akane Takada was born 18 April 1990 in Tokyo. She is from the Higashishinkoiwa neighborhood in Katsushika, and began ballet training at the Hiromi Takahashi Ballet Studio in nearby Edogawa at the age of three. When she was twelve years old, a serious knee ligament injury dislocated her patella and interrupted her training for over a year while she physically grew enough to make corrective surgery possible. After winning a scholarship from ballet equipment company Chacott at the National Ballet Association competition, she studied at the Bolshoi Ballet Academy from 2006 to 2008, initially taking the classes for international dancers, but eventually joining the Russian classes. She won both a scholarship and an Audience ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Sleeping Beauty (ballet)
''The Sleeping Beauty'' ( rus, Спящая красавица, Spyashchaya krasavitsa ) is a ballet in a prologue and three acts, first performed in 1890. The music was composed by Pyotr Ilyich Tchaikovsky (Opus 66). The score was completed in 1889, and is the second of his three ballets. The original scenario was conceived by Ivan Vsevolozhsky, and is based on Charles Perrault's '' La Belle au bois dormant''. The choreographer of the original production was Marius Petipa. The premiere performance took place at the Mariinsky Theatre in St. Petersburg on January 15, 1890. The work has become one of the classical repertoire's most famous ballets. History Tchaikovsky was approached by the Director of the Imperial Theatres in St. Petersburg, Ivan Vsevolozhsky on 25 May 1888 about a possible ballet adaptation on the subject of the story of ''Undine''. It was later decided that Charles Perrault's '' La Belle au bois dormant'' would be the story for which Tchaikovsky would co ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Prix Benois De La Danse
The Benois de la Danse is a ballet competition held annually in Moscow. Founded by the International Dance Association in 1991, it takes place each year on or around April 29 and it's judged by a jury. The members of this jury change every year and it consists of only top ballet personages. Statuettes are given to the winners in the categories of lifelong achievement, ballerina, danseur, choreographer, composer and designer. The Benois de la Danse earns a cash prize of $1,000,000, as well as exceptional events occurring during the previous year on stages around the world. These include dancing roles of all kinds as well as choreographic accomplishments. History The idea for the Benois de la Danse was initiated in Moscow and the founders succeeded in obtaining the patronage of UNESCO in the autumn of 1992. Its scheduling at the end of April is meant to coincide with the birthday of the great Alexandre Benois (1870–1960) for whom it is named. French sculptor Igor Ustinov desi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Nutcracker
''The Nutcracker'' ( rus, Щелкунчик, Shchelkunchik, links=no ) is an 1892 two-act ballet (""; russian: балет-феерия, link=no, ), originally choreographed by Marius Petipa and Lev Ivanov with a score by Pyotr Ilyich Tchaikovsky (Op. 71). The libretto is adapted from E. T. A. Hoffmann's 1816 short story "The Nutcracker and the Mouse King". Although the original production was not a success, the 20-minute suite that Tchaikovsky extracted from the ballet was. The complete ''Nutcracker'' has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of ''The Nutcracker''. The ballet's score has been used in several film adaptations of Hoffmann's story. Tchaikovsky's score has become one of his most famous compositions. Among other things, the score is ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |