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V Queen Elisabeth Music Competition
The 5th edition of the Queen Elisabeth Music Competition took place in 1953. It was the inaugural edition of its musical composition, composition competition. Palmares Jury ** Jean Absil ** Nadia Boulanger ** Marcel Cuvelier ''(chairman)'' ** Sem Dresden ** Camargo Guarnieri ** Léon Jongen ** Gian Francesco Malipiero ** Frank Martin (composer), Frank Martin ** Aloys Mooser ** Andrzej Panufnik ** Marcel Poot ** Domingo Santa Cruz References Queen Elisabeth Music Competition Queen Elisabeth Competition, 05 1953 in Belgium {{classical-music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Queen Elisabeth Music Competition
The Queen Elisabeth Competition ( nl, Koningin Elisabethwedstrijd, french: Concours musical international Reine Élisabeth) is an international competition for career-starting musicians held in Brussels. The competition is named after Queen Elisabeth of Belgium (1876–1965). It is a competition for classical violinists (from 1937 to present), pianists (1938 to present), singers (1988 to present) and cellists (2017 to present). It also used to hold international competitions for composers from 1953 to 2012. The current Patron is Queen Mathilde of Belgium. Since its foundation it has been considered one of the most challenging and prestigious competitions for instrumentalists. In 1957 the Queen Elisabeth Competition was one of the founding members of the World Federation of International Music Competitions. History Eugène Ysaÿe, Belgian concert-violinist, wanted to set up an international music competition for young virtuosi showcasing their all-round skill, but died befo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nadia Boulanger
Juliette Nadia Boulanger (; 16 September 188722 October 1979) was a French music teacher and conductor. She taught many of the leading composers and musicians of the 20th century, and also performed occasionally as a pianist and organist. From a musical family, she achieved early honours as a student at the Conservatoire de Paris but, believing that she had no particular talent as a composer, she gave up writing music and became a teacher. In that capacity, she influenced generations of young composers, especially those from the United States and other English-speaking countries. Among her students were many important composers, soloists, arrangers, and conductors, including Grażyna Bacewicz, Burt Bacharach, Daniel Barenboim, Lennox Berkeley, İdil Biret, Elliott Carter, Aaron Copland, John Eliot Gardiner, Philip Glass, Roy Harris, Quincy Jones, Dinu Lipatti, Igor Markevitch, Astor Piazzolla, Virgil Thomson, and George Walker. Boulanger taught in the U.S. and England, workin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Poot
Marcel Poot (7 May 1901 in Vilvoorde, Belgium – 12 June 1988 in Brussels) was a Belgian composer, professor, and musician. Personal life His father, Jan Poot, was Director of the (Flemish Theatre) in Brussels. Early life Born to the director (at the time) of the Royal Flemish Theatre in Brussels, Poot, although pressured to go into music from an early age by his father, was not particularly apt at the art. The following autobiographical information has been contributed by Poot himself: "Although I was very mediocre, I began studying music at an early age. My father had me join the clarinetists of a local band in which he was saxophonist. Less apt than my young friends, I soon had to give up this position. From then on dates my unpopularity in Vilvorde. My father, however was determined to make me a musician. We then tried the piano. The town organist, Gerard Nauwelaerts, taught me scales and the Czerny exercises. This did not amuse me at all. But the laborious study conti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrzej Panufnik
Sir Andrzej Panufnik (24 September 1914 – 27 October 1991) was a Polish composer and conductor. He became established as one of the leading Polish composers, and as a conductor he was instrumental in the re-establishment of the Warsaw Philharmonic orchestra after World War II. After his increasing frustration with the extra-musical demands made on him by the country's regime, he defected to the United Kingdom in 1954, and took up British citizenship. In 1957, he became chief conductor of the City of Birmingham Symphony Orchestra, a post he relinquished after two years to devote all his time to composition. Biography Childhood and studies Panufnik was born in Warsaw, the second son of a violinist mother and an amateur (but renowned) violin-maker father. From an early age he was torn between an interest in music and a fascination with the mechanics of aeroplanes. His grandmother gave him piano lessons, but although he showed talent his studies were erratic. As a schoolboy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Martin (composer)
Frank Martin (15 September 1890 – 21 November 1974) was a Swiss composer, who spent much of his life in the Netherlands. Childhood and youth Born into a Huguenot family in the Eaux-Vives quarter of Geneva, the youngest of the ten children of a Calvinist pastor named Charles Martin, Frank Martin started to improvise on the piano prior to his formal schooling. At the age of nine he had already written a few songs without external musical instruction. At 12, he attended a performance of Johann Sebastian Bach's '' St. Matthew Passion'' and was deeply affected by it. Respecting his parents' wishes, he studied mathematics and physics for two years at Geneva University, but at the same time was also studying piano, composition and harmony with his first music teacher Joseph Lauber (1864–1953), a Geneva composer and by that time a leading figure of the city's musical scene. In the 1920s, Martin worked closely with Émile Jaques-Dalcroze from whom he learned much about rhythm a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gian Francesco Malipiero
Gian Francesco Malipiero (; 18 March 1882 – 1 August 1973) was an Italian composer, musicologist, music teacher and editor. Life Early years Born in Venice into an aristocratic family, the grandson of the opera composer Francesco Malipiero, Gian Francesco Malipiero was prevented by family troubles from pursuing his musical education in a consistent manner. His father separated from his mother in 1893 and took Gian Francesco to Trieste, Berlin and eventually to Vienna. The young Malipiero and his father broke up their relationship bitterly, and in 1899 Malipiero returned to his mother's home in Venice, where he entered the Venice ''Liceo Musicale'' (now the Conservatorio di Musica Benedetto Marcello di Venezia).John C.G. Watherhouse (1993). "Gian Francesco Malipiero (1883–1973)". In Symphonies nos.3 and 4 · Sinfonia del mare (pp. 3–5) D booklet Germany: Naxos. After stopping counterpoint lessons with the composer, organist and pedagogue Marco Enrico Bossi, Malipiero continu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camargo Guarnieri
Mozart Camargo Guarnieri (February 1, 1907 – January 13, 1993) was a Brazilian composer. Name Guarnieri was born in Tietê, São Paulo, and registered at birth as Mozart Guarnieri, but when he began a musical career, he decided his first name was too pretentious. Thus he adopted his mother's maiden name Camargo as a middle name, and thenceforth signed himself M. Camargo Guarnieri. In 1948, he legally changed his name to Mozart Camargo Guarnieri, but continued to sign only the initial of his first name. Guarnieri's Italian father, Michele Guarneri, a lover of classical music, named one of Camargo's brothers Rossine (a Portuguese misspelling of Rossini), and two others Verdi and Bellini. Life Guarnieri studied piano with Ernani Braga and and composition with at the Conservatório Dramático e Musical de São Paulo. In 1938, a fellowship from the Council of Artistic Orientation allowed him to travel to Paris, where he studied composition and aesthetics with Charles Koechlin a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sem Dresden
Samuel "Sem" Dresden (April 20, 1881 in Amsterdam – July 30, 1957 at The Hague) was a Dutch conductor, composer, and teacher. Life Dresden was born into a Jewish diamond-broking family and initially studied musical theory with Fred Roeske and composition with Bernard Zweers. On the strength of a promising piano piece, he was sent to study composition and conducting under Hans Pfitzner at the Stern Conservatory in Berlin between 1903–5 and was there encouraged to take an interest in Impressionist music. After returning to the Netherlands, he was until 1914 a choral conductor, as choirmaster at Laren, North Holland, Laren, Amsterdam and Tiel. It was during this period that he married the noted alto Jacoba Dhont, by whom he was to have two sons. Then until 1926 he directed the nine-member Madrigal Society, which earned an international reputation for its painstaking performances of Renaissance, Baroque and contemporary choral music, and afterwards, from 1928 to 1940, a larger cham ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Absil
Jean Absil (23 October 1893 – 2 February 1974) was a Belgian composer, organist, and professor at the Brussels Conservatoire. Biography Absil was born in Bonsecours, Hainaut, Belgium. His teacher there was Alphonse Oeyen, organist at the basilica of Bonsecours. From 1913 he studied organ and harmony at the Brussels Conservatoire, but upon graduating, decided to concentrate on composition instead. In 1922 Absil won the Belgian Prix de Rome and in 1934 the Prix Rubens, which allowed him to travel to Paris. Here, he met fellow contemporary composers Ibert, Milhaud, and Honegger. Absil gained international prominence with the premiere of his first piano concerto (op. 30), composed for the 1938 Queen Elizabeth Competition for Piano (Ysaye), for which it was the compulsory piece for all finalists. Only one of those, Moura Lympany, who won second prize (after Emil Gilels), performed the piece entirely from memory mistake free. From 1930 onwards, Absil taught harmony at the Brussels ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Composition
Musical composition can refer to an original piece or work of music, either vocal or instrumental, the structure of a musical piece or to the process of creating or writing a new piece of music. People who create new compositions are called composers. Composers of primarily songs are usually called songwriters; with songs, the person who writes lyrics for a song is the lyricist. In many cultures, including Western classical music, the act of composing typically includes the creation of music notation, such as a sheet music "score," which is then performed by the composer or by other musicians. In popular music and traditional music, songwriting may involve the creation of a basic outline of the song, called the lead sheet, which sets out the melody, lyrics and chord progression. In classical music, orchestration (choosing the instruments of a large music ensemble such as an orchestra which will play the different parts of music, such as the melody, accompaniment, counte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Cohn
James Cohn (February 12, 1928 – June 12, 2021) was a Newark, New Jersey-born American composer. After taking violin and piano lessons in his native town, he studied composition with Roy Harris, Wayne Barlow and Bernard Wagenaar, and majored in Composition at Juilliard, graduating in 1950. He wrote solo, chamber, choral and orchestral works, among them 3 string quartets, 5 piano sonatas and 8 symphonies. He was awarded a Queen Elisabeth of Belgium Prize for his Symphony No. 2 (premiered at Brussels) and an A.I.D.E.M. prize for his Symphony No. 4 (premiered in Florence at the Maggio Musicale). His Symphony No. 3 and Variations on "The Wayfaring Stranger" were premiered by the Detroit Symphony Orchestra under Paul Paray. The Detroit Free Press observed in the Symphony No. 3 "an economy of means . . . but no yielding of inventiveness or imaginative composition. Indeed, the work throughout is marked strongly by individuality, and comes as a refreshing experience in modern music." ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yiannis Papaioannou
Yiannis Papaioannou ( gr, Ιωάννης Ανδρέου Παπαιωάννου; 6 January 1910, Kavala – 19 May 1989, Athens) was a Greek composer and teacher of the Modern Era. He studied piano with Marika Laspopoulou and composition with Alekos Kontis at the Hellenic Conservatory in Athens (1922–34), as well as the piano and orchestration with Emilios Riadis in Thessaloniki (1928–29). In 1949 he visited major European music centres on a UNESCO grant and became familiar with new developments in music composition. In particular, in Paris he attended Arthur Honegger's class. Between 1951 and 1961 he taught music at an Athens high school and from 1953 he was professor of counterpoint and composition at the Hellenic Conservatory. He was the first president of both the Greek section of the International Society for Contemporary Music The International Society for Contemporary Music (ISCM) is a music organization that promotes contemporary classical music. The organiz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
