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V2 Institute For The Unstable Media
V2_, Lab for the Unstable Media, founded in 1981, is an interdisciplinary center for art and media technology in Rotterdam, the Netherlands.Stephen Wilson, ''Information Arts: Intersections of Art, Science, and Technology'', MIT Press, 2002, p. 862. V2- presents, produces, archives and publishes about art made with new technologies and encourages the debate on these issues. It offers a platform where artists, scientists, developers of software and hardware, researchers and theorists from various disciplines can share their findings. It was the main organizer of the Dutch Electronic Art Festival, which grew out of the Manifestations for the Unstable Media that V2_ organized since 1987. Over the years V2_ has collaborated with many artists and theorists, including for instance: Stelarc, Orlan, Symbiotica, Dick Raaymakers, Michel Waisvisz, Francisco López, Brian Massumi, Manuel de Landa, Paul Virilio, Rafael Lozano-Hemmer, Knowbotic Research, Achille Mbembe, and Rem Koolhaas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
V2 Lab
V, or v, is the twenty-second and fifth-to-last letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''vee'' (pronounced ), plural ''vees''. History The letter V ultimately comes from the Phoenician letter ''waw'' by way of U. See U for details. During the Late Middle Ages, two minuscule glyphs of U developed which were both used for sounds including and modern . The pointed form "v" was written at the beginning of a word, while a rounded form "u" was used in the middle or end, regardless of sound. So whereas "valour" and "excuse" appeared as in modern printing, "have" and "upon" were printed as "haue" and "vpon". The first distinction between the letters "u" and "v" is recorded in a Gothic script from 1386, where "v" preceded "u". By the mid-16th century, the "v" form was used to represent the consonant and "u" the vowel sound, giving us the modern letter V. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian Massumi
Brian Massumi (; born 1956) is a Canadian philosopher and social theorist. Massumi's research spans the fields of art, architecture, cultural studies, political theory and philosophy. His work explores the intersection between power, perception, and creativity to develop an approach to thought and social action bridging the aesthetic and political domains. He is a retired professor in the Communications Department of the Université de Montréal. Overview Massumi was instrumental in introducing the work of French philosophers Gilles Deleuze and Félix Guattari to the English-speaking world through his translation of their key collaborative work ''A Thousand Plateaus'' (1987) and his book ''A User's Guide to Capitalism and Schizophrenia: Deviations from Deleuze and Guattari'' (1992). His 1995 essay "The Autonomy of Affect", later integrated into his most well-known work, ''Parables for the Virtual: Movement, Affect, Sensation'' (2002), is credited with playing a central role in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rem Koolhaas
Remment Lucas Koolhaas (; born 17 November 1944) is a Dutch architect, architectural theorist, urbanist and Professor in Practice of Architecture and Urban Design at the Graduate School of Design at Harvard University. He is often cited as a representative of Deconstructivism and is the author of ''Delirious New York: A Retroactive Manifesto for Manhattan''. He is seen by some as one of the significant architectural thinkers and urbanists of his generation, by others as a self-important iconoclast. In 2000, Rem Koolhaas won the Pritzker Prize. In 2008, ''Time'' put him in their top 100 of '' The World's Most Influential People''. He was elected to the American Philosophical Society in 2014. Early life and career Remment Koolhaas was born on 17 November 1944 in Rotterdam, Netherlands, to Anton Koolhaas (1912–1992) and Selinde Pietertje Roosenburg (born 1920). His father was a novelist, critic, and screenwriter. His maternal grandfather, Dirk Roosenburg (1887–1962), was a mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Achille Mbembe
Joseph-Achille Mbembe, known as Achille Mbembe (; born 1957), is a Cameroonian historian, political theorist, and public intellectual who is a research professor in history and politics at the Wits Institute for Social and Economy Research at the University of the Witwatersrand. He is well known for his writings on colonialism and its consequences and is a leading figure in new wave French critical theory.Achille Mbembe to deliver a second "Thinking Africa" Public Lecture , Rhodes University, 5 July 2012 Biography Mbembe was born near in Cameroon in 1957. He obtained his |
Knowbotic Research
Knowbotic Research is a German-Swiss electronic art group, established in 1991. Its members are Yvonne Wilhelm, Christian Hübler and Alexander Tuchacek. They hold a professorship for Art and Media at the University of the Arts in Zurich. History Yvonne Wilhelm (born 1962), Christian Huebler (born 1962), Alexander Tuchacek (born 1962) are based in Zurich Switzerland. The Knowbotic Research group has experimented with the intersection of technology, information and knowledge, interface, immersive virtual reality and networked agency. In their work ''Simulation Mosaik Data Klaenge'' from 1993, they experimented with so called intelligent agent, applications which can conglomerate diaphanous information by themselves (also called knowbots) and intelligent virtual spaces (flexible information-environments distributed in electronic networks). Knowbotic Research KR+cF has regularly invited people from non-art fields to participate in their projects, such as scientists, philosophers an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rafael Lozano-Hemmer
Rafael Lozano-Hemmer (born 1967 in Mexico City) is a Mexican-Canadian electronic artist who works with ideas from architecture, technological theater and performance. Lozano-Hemmer lives and works in Montreal and Madrid. Biography Rafael Lozano-Hemmer was born in Mexico City in 1967. He emigrated to Canada in 1985 to study at the University of Victoria in British Columbia and then received his Bachelor of Science in physical chemistry from Concordia University in Montreal. The son of Mexico City nightclub owners, Lozano-Hemmer was drawn to science but could not resist joining the creative activities of his friends. Initially he worked in a molecular recognition lab in Montreal and published his research in Chemistry journals. Though he did not pursue the sciences as a direct career, it has influenced his work in many ways, providing conceptual inspiration and practical approaches to create his work. Lozano-Hemmer's work can be considered a blend of interactive art and performanc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Virilio
Paul Virilio (; 4 January 1932 – 10 September 2018) was a French cultural theorist, urbanist, architect and aesthetic philosopher. He is best known for his writings about technology as it has developed in relation to speed and power, with diverse references to architecture, the arts, the city and the military. According to two biographers, Virilio was a "historian of warfare, technology and photography, a philosopher of architecture, military strategy and cinema, and a politically engaged provocative commentator on history, terrorism, mass media and human-machine relations." Biography Paul Virilio was born in Paris in 1932 to an Italian communist father and a Catholic Breton mother. He grew up in the northern coastal French region of Brittany. The Second World War made a big impression on him as the city of Nantes fell victim to the German blitzkrieg, became a port for the German navy, and was bombarded by British and American planes. The "war was his university". After training ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manuel De Landa
Manuel DeLanda (born 1952) is a Mexican- American writer, artist and philosopher who has lived in New York since 1975. He is a lecturer in architecture at the Princeton University School of Architecture and the University of Pennsylvania School of Design, where he teaches courses on the philosophy of urban history and the dynamics of cities as historical actors with an emphasis on the importance of self-organization and material culture in the understanding of a city. DeLanda also teaches architectural theory as an adjunct professor of architecture and urban design at the Pratt Institute and serves as the Gilles Deleuze Chair and Professor of Philosophy at the European Graduate School. He holds a BFA from the School of Visual Arts (1979) and a PhD in media and communication from the European Graduate School (2010). DeLanda was previously a visiting professor at the University of Southern California School of Architecture, where he taught an intensive two-week course in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco López (musician)
Francisco López is an avant-garde experimental musician and sound artist. He has released a large amount of sound pieces with record labels from more than fifty countries and realized hundreds of concerts and sound installations worldwide; including some of the main international museums, galleries and festivals, such as: P.S.1 Contemporary Art Center (New York City), London Institute of Contemporary Arts, Paris Museum of Modern Art, National Auditorium of Music, Reina Sofia Museum of Modern Art, Barcelona Museum of Contemporary Art, Buenos Aires Museum of Modern Art, International Film Festival Rotterdam, Sónar, Darwin Fringe Festival, Kitakyushu Municipal Museum of Art. For the Spanish Pavilion of the Expo 2008, López presented a "double sonic intervention", consisting of both an indoor sound installation and an outdoor performance. In 2006, López won the First Prize for the Sound Art Competition of the Museo de Arte Contemporáneo de Castilla y León. He has received h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rotterdam
Rotterdam ( , , , lit. ''The Dam on the River Rotte'') is the second largest city and municipality in the Netherlands. It is in the province of South Holland, part of the North Sea mouth of the Rhine–Meuse–Scheldt delta, via the ''"New Meuse"'' inland shipping channel, dug to connect to the Meuse first, but now to the Rhine instead. Rotterdam's history goes back to 1270, when a dam was constructed in the Rotte. In 1340, Rotterdam was granted city rights by William IV, Count of Holland. The Rotterdam–The Hague metropolitan area, with a population of approximately 2.7 million, is the 10th-largest in the European Union and the most populous in the country. A major logistic and economic centre, Rotterdam is Europe's largest seaport. In 2020, it had a population of 651,446 and is home to over 180 nationalities. Rotterdam is known for its university, riverside setting, lively cultural life, maritime heritage and modern architecture. The near-complete destruction ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Waisvisz
Michel Waisvisz ( ; 8 July 1949, Leiden – 18 June 2008, Amsterdam) was a Dutch composer, performer and inventor of experimental electronic musical instruments. He was the artistic director of STEIM in Amsterdam from 1981, where he collaborated with musicians and artists from all over the world. Biography His involvement with STEIM goes back until 1969, when it had been co-founded by his mentor and friend Dick Raaymakers. He has been a member of Amsterdam's Electric Music Theatre scene of the 1970s, performing intensively and raising critical voices against the upcoming high-tech culture. He co-founded and organised the first sound festival in the Netherlands: The Claxon Sound Festival. Waisvisz had a passionate dedication to a physical, bodily approach to electronic music which he has expressed in the use and presentation of his many developments of hardware and software instruments. From his point of view electronic music is created in direct musical interaction with individ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dick Raaymakers
Dick Raaijmakers (Maastricht, 1 September 1930 – The Hague, 4 September 2013), also known as Dick Raaymakers or Kid Baltan, was a Dutch composer, theater maker and theorist. He is considered a pioneer in the field of electronic music and tape music, but has also produced numerous musical theater pieces and theoretical publications. Raaijmakers studied piano at the Royal Conservatory of The Hague. From 1954 to 1960, he worked at Koninklijke Philips Electronics N.V. in Eindhoven in the electro-acoustic field. Under the pseudonym Kid Baltan, a anadrome of "Dik Natlab" – Raaijmakers' nickname, he realized three tests of popular music with the help of electronic means. in the world). This work has been collected and re-released under the name Popular Electronics. Early Dutch electronic music from Philips Research Laboratories, 1956-1963. From 1960 to 1962, he was affiliated with the University of Utrecht as a researcher. From 1963 to 1966, he worked with Jan Boerman in a self-esta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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