Ut Queant Laxis
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Ut Queant Laxis
"" or "" is a Latin hymn in honor of John the Baptist, written in Horatian Sapphics with text traditionally attributed to Paulus Diaconus, the eighth-century Lombard historian. It is famous for its part in the history of musical notation, in particular solmization. The hymn belongs to the tradition of Gregorian chant. It is not known who wrote the melody. Guido of Arezzo possibly composed it,Ut queant laxis
in ''Encyclopédie Larousse''
but he more likely used an existing melody. A variant of the melody appears in an eleventh-century musical setting of Horace's poem ''Ode to Phyllis'' (
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Metre (poetry)
In poetry, metre ( Commonwealth spelling) or meter ( American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comin ...
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Giovanni Battista Doni
Giovanni Battista Doni (bap. 13 March 1595 – 1647) was an Italian musicologist and humanist who made an extensive study of ancient music. He is known, among other works, for having renamed the note "Ut" to "Do" in solfège. In his day, he was a well-known lawyer, classical scholar, critic and musical theorist, and from 1640 to 1647 he occupied the ''Chair of Eloquence'' at the University of Florence and was a prominent member of the city's Accademia della Crusca, the premier academic philologic society of Florence and Italy at the time. They had published the first Italian-language dictionary and grammar in 1612. Life Born in Florence, he studied Greek, rhetoric, poetry and philosophy at the Universities of Florence and Bologna and both mathematics and jurisprudence at the University of Rome. Later he studied jurisprudence at Bourges in France and it is claimed that he worked for some time with the famous legal scholar Jacques Cujas who was a prominent member of the legal huma ...
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Open Syllable
A syllable is a unit of organization for a sequence of speech sounds typically made up of a syllable nucleus (most often a vowel) with optional initial and final margins (typically, consonants). Syllables are often considered the phonological "building blocks" of words. They can influence the rhythm of a language, its prosody, its poetic metre and its stress patterns. Speech can usually be divided up into a whole number of syllables: for example, the word ''ignite'' is made of two syllables: ''ig'' and ''nite''. Syllabic writing began several hundred years before the first letters. The earliest recorded syllables are on tablets written around 2800 BC in the Sumerian city of Ur. This shift from pictograms to syllables has been called "the most important advance in the history of writing". A word that consists of a single syllable (like English ''dog'') is called a monosyllable (and is said to be ''monosyllabic''). Similar terms include disyllable (and ''disyllabic''; also ''bis ...
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Order Of Saint Benedict
The Benedictines, officially the Order of Saint Benedict ( la, Ordo Sancti Benedicti, abbreviated as OSB), are a Christian monasticism, monastic Religious order (Catholic), religious order of the Catholic Church following the Rule of Saint Benedict. They are also sometimes called the Black Monks, in reference to the colour of their religious habits. They were founded by Benedict of Nursia, a 6th-century monk who laid the foundations of Benedictine monasticism through the formulation of his Rule of Saint Benedict. Despite being called an order, the Benedictines do not operate under a single hierarchy but are instead organised as a collection of autonomous monasteries. The order is represented internationally by the Benedictine Confederation, an organisation set up in 1893 to represent the order's shared interests. They do not have a superior general or motherhouse with universal jurisdiction, but elect an Abbot Primate to represent themselves to the Holy See, Vatican and to the worl ...
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Hemistich
A hemistich (; via Latin from Greek , from "half" and "verse") is a half-line of verse, followed and preceded by a caesura, that makes up a single overall prosodic or verse unit. In Latin and Greek poetry, the hemistich is generally confined to drama. In Greek tragedy, characters exchanging clipped dialogue to suggest rapidity and drama would speak in hemistichs (in ''hemistichomythia''). The Roman poet Virgil employed hemistichs in the ''Aeneid'' to indicate great duress in his characters, where they were incapable of forming complete lines due to emotional or physical pain. In neo-classicism, the hemistich was frowned upon (e.g. by John Dryden), but Germanic poetry employed the hemistich as a basic component of verse. In Old English and Old Norse poetry, each line of alliterative verse was divided into an "a-verse" and "b-verse" hemistich with a strong caesura between. In ''Beowulf,'' there are only five basic types of hemistich, with some used only as initial hemistichs ...
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Solfège
In music, solfège (, ) or solfeggio (; ), also called sol-fa, solfa, solfeo, among many names, is a music education method used to teach aural skills, Pitch (music), pitch and sight-reading of Western classical music, Western music. Solfège is a form of solmization, though the two terms are sometimes used interchangeably. Syllables are assigned to the notes of the Scale (music), scale and enable the musician to Gordon music learning theory#Audiation, audiate, or mentally hear, the pitches of a piece of music being seen for the first time and then to sing them aloud. Through the Renaissance music, Renaissance (and much later in some shapenote publications) various interlocking 4, 5 and 6-note systems were employed to cover the octave. The tonic sol-fa method popularized the seven syllables commonly used in English-speaking countries: ''do'' (or ''doh'' in tonic sol-fa),''Oxford English Dictionary'' 2nd Ed. (1998) ''re'', ''mi'', ''fa'', ''so(l)'', ''la'', and ''ti'' (or ''si'') ...
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Do (musical Note)
C or Do is the first note and semitone of the C major scale, the third note of the A minor scale (the relative minor of C major), and the fourth note (G, A, B, C) of the Guidonian hand, commonly pitched around 261.63  Hz. The actual frequency has depended on historical pitch standards, and for transposing instruments a distinction is made between written and sounding or concert pitch. It has enharmonic equivalents of B and D. In English the term ''Do'' is used interchangeably with C only by adherents of fixed Do solfège; in the movable Do system Do refers to the tonic of the prevailing key. Frequency Historically, concert pitch has varied. For an instrument in equal temperament tuned to the A440 pitch standard widely adopted in 1939, middle C has a frequency around 261.63 Hz (for other notes see piano key frequencies). Scientific pitch was originally proposed in 1713 by French physicist Joseph Sauveur and based on the numerically convenient frequency of 256  ...
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Hexachord
In music, a hexachord (also hexachordon) is a six-note series, as exhibited in a scale (hexatonic or hexad) or tone row. The term was adopted in this sense during the Middle Ages and adapted in the 20th century in Milton Babbitt's serial theory. The word is taken from the gr, ἑξάχορδος, compounded from ἕξ (''hex'', six) and χορδή (''chordē'', string f the lyre whence "note"), and was also the term used in music theory up to the 18th century for the interval of a sixth ("hexachord major" being the major sixth and "hexachord minor" the minor sixth). Middle Ages The hexachord as a mnemonic device was first described by Guido of Arezzo, in his ''Epistola de ignoto cantu''. In each hexachord, all adjacent pitches are a whole tone apart, except for the middle two, which are separated by a semitone. These six pitches are named ''ut'', ''re'', ''mi'', ''fa'', ''sol'', and ''la'', with the semitone between ''mi'' and ''fa''. These six names are derived from the fir ...
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Stanza
In poetry, a stanza (; from Italian language, Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or Indentation (typesetting), indentation. Stanzas can have regular rhyme scheme, rhyme and Metre (poetry), metrical schemes, but they are not required to have either. There are many different : Stanzaic form, forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse, Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to ''strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of ...
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Scale (music)
In music theory, a scale is any set of musical notes ordered by fundamental frequency or pitch. A scale ordered by increasing pitch is an ascending scale, and a scale ordered by decreasing pitch is a descending scale. Often, especially in the context of the common practice period, most or all of the melody and harmony of a musical work is built using the notes of a single scale, which can be conveniently represented on a staff with a standard key signature. Due to the principle of octave equivalence, scales are generally considered to span a single octave, with higher or lower octaves simply repeating the pattern. A musical scale represents a division of the octave space into a certain number of scale steps, a scale step being the recognizable distance (or interval) between two successive notes of the scale. However, there is no need for scale steps to be equal within any scale and, particularly as demonstrated by microtonal music, there is no limit to how many notes can ...
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Dimeter
In poetry, a dimeter is a metrical line of verse with two feet. The particular foot The foot ( : feet) is an anatomical structure found in many vertebrates. It is the terminal portion of a limb which bears weight and allows locomotion. In many animals with feet, the foot is a separate organ at the terminal part of the leg made ... can vary. Consider Thomas Hood's " Bridge of Sighs:", in which the first line of a pair is of two feet, each composed of three syllables, and the subsequent line is of two feet, each of two syllables. :Take her up \\ tenderly, :Lift her \\ with care, :Fashioned so \\ slenderly, :Young and \\ so fair. Also, the first line of William Wordsworth's "We Are Seven": :A simp \\ le Child References Types of verses {{Poetry-stub ...
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