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Ustad Abdul Karim Khan
Ustad Abdul Karim Khan (Devanagari: उस्ताद अब्दुल करीम ख़ान, Persian language, Persian: ) (11 November 1872 – 27 October 1937)Profile of Ustad Abdul Karim Khan on veethi.com website Updated 19 February 2014. Retrieved 9 January 2022 was an Hindustani classical music, Indian classical singer and, along with his cousin Abdul Wahid Khan, the founder of the Kirana gharana, Kairana gharana of classical music. Early life and background Abdul Karim Khan was born on 11 November 1872 in Kairana, Kirana town in Shamli, Uttar Pradesh into a family with music tradition which traced its roots to musician brothers Ghulam Ali and Ghulam Maula. His father, Kale Khan, was the grandson of Ghulam Ali. Abdul Karim Khan received ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Classical Music
Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sitar and sarod. Its origins from the 12th century CE, when it diverged from Carnatic music, the classical tradition in South India. Hindustani classical music arose in the Ganga-Jamuni Tehzeeb, a period of great influence of Perso-Arabic arts in the subcontinent, especially the Northern parts. This music combines the Indian classical music tradition with Perso-Arab musical knowledge, resulting in a unique tradition of gharana system of music education. History Around the 12th century, Hindustani classical music diverged from what eventually came to be identified as Carnatic classical music.The central notion in both systems is that of a melodic musical mode or '' raga'', sung to a rhythmic cycle or '' tala''. It is melodic music, with no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Classical Music
Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sitar and sarod. Its origins from the 12th century CE, when it diverged from Carnatic music, the classical tradition in South India. Hindustani classical music arose in the Ganga-Jamuni Tehzeeb, a period of great influence of Perso-Arabic arts in the subcontinent, especially the Northern parts. This music combines the Indian classical music tradition with Perso-Arab musical knowledge, resulting in a unique tradition of gharana system of music education. History Around the 12th century, Hindustani classical music diverged from what eventually came to be identified as Carnatic classical music.The central notion in both systems is that of a melodic musical mode or '' raga'', sung to a rhythmic cycle or '' tala''. It is melodic music, with no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kairana
Kairana is a city and a municipal board in Shamli district of the Indian state of Uttar Pradesh. It is approximately from Shamli city. Demographics As of 2011 Indian Census, Kairana had a total population of 89,000, of which 47,047 were males and 41,953 were females. Population within the age group of 0 to 6 years was 16,074. The total number of literates in Kairana was 34,441, which constituted 38.7% of the population with male literacy of 45.4% and female literacy of 31.2%. The effective literacy rate of 7+ population of Kairana was 47.2%, of which male literacy rate was 55.2% and female literacy rate was 38.2%. The Scheduled Castes and Scheduled Tribes population was 5,087 and 8 respectively. Kairana had 13951 households in 2011. India census, Kairana had a population of 73,046. Male population is 38,849 and female population is 34,197. In Kairana, 21.7% of the population was in the age group of 0–6 years. In Kairana, the population of literates was 21,539, which const ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pensive
Pensive (February 5, 1941 – May 20, 1949) was a bright chestnut Thoroughbred racehorse that in 1944 won the first two legs of the U.S. Triple Crown. Pensive also began only the second sire line "hat trick" in the Kentucky Derby, as his son Ponder won the 1949 Derby, and Ponder's son Needles won the 1956 edition. Background He was sired by Hyperion, out of Penicuik II (by Buchan). Pensive was brought to the United States still ''in utero'' by Arthur B. Hancock, who then sold the mare to the owner of Calumet Farm, Warren Wright. Wright had inherited Calumet from his father, William Monroe Wright, president of the Calumet Baking Powder Company. Pensive began his training under Calumet's future Hall of Fame trainer Ben A. Jones. Racing career At two, Pensive raced five times, winning twice. His three losses all came in stakes races. At three, he ran a checkered season, winning and losing fairly equally. He beat older horses in the Rowe Memorial Handicap, but lost to an old ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thumri
Thumri () is a vocal genre or style of Indian music. The term "thumri" is derived from the Hindi verb ''thumuknaa'', which means "to walk with a dancing gait in such a way that the ankle-bells tinkle." The form is, thus, connected with dance, dramatic gestures, mild eroticism, evocative love poetry and folk songs, especially from Uttar Pradesh, though there are regional variations. The text is romantic or devotional in nature, the lyrics are usually in Uttar Pradesh dialects of Hindi called Awadhi and Brij Bhasha. Thumree is characterized by its sensuality, and by a greater flexibility with the ''raga''. ''Thumri'' is also used as a generic name for some other, even lighter, forms such as Dadra, Hori, Kajari, Sawani, Jhoola, and Chaiti, even though each of them have their own structure and content — either lyrical or musical or both—and so the exposition of these forms vary. Like Indian classical music itself, some of these forms have their origin in folk literature and m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vilambit
''Vilambit'' (Hindi: ; also called ''vilambit laya'') is an introductory slow tempo, or ''laya'', between 10 and 40 beats per minute, used in the performance of a raga in Hindustani classical music. For major ragas, the vilambit portion generally takes up two-thirds or more of the performance, and is followed by a short drut to conclude the performance. Vocalists use a slower definition of time than instrumentalists (Gottlieb 1977a:41). See also *Khyal *Madhyalaya Madhya laya or Madhyalaya is a medium tempo of a rhythm in Indian classical music. Medium tempo, a speed between 80 and 160 mātrās per minute. While Madhya laya is sometimes confused with Vilambit and vice versa, it is about two beats per second. ... Hindustani music terminology Formal sections in music analysis {{India-music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miraj
Miraj (Pronunciation: iɾəd͡z ) is a city in Sangli District and also in Maharashtra, India, that was founded in the early 10th century. It was an important jagir of the Adil Shahi court of Bijapur. Shivaji Maharaj stayed in Miraj for two months during his South India Campaign. Because of its location, Miraj has been held as a strategic bastion. It was the capital of Miraj Senior and is an important junction on the central railway network. The Pathwardhan family were the hereditary rulers of Miraj until independence. The city is part of the Sangli-Miraj-Kupwad Municipal Corporation formed in 1999. The city is recognised for Hindustani classical music and medical services. Miraj is an emerging medical hub in India. The town has an unbelievable doctor patient ratio. Some of the doctors and institutions are well known all over India. Many medical tourists visit from the adjoining districts of North Karnataka and Goa, as well as all over India and from Arab countries. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poona
Pune (; ; also known as Poona, (List of renamed Indian cities and states#Maharashtra, the official name from 1818 until 1978) is one of the most important industrial and educational hubs of India, with an estimated population of 7.4 million As of 2021, Pune Metropolitan Region is the largest in Maharashtra by area, with a geographical area of 7,256 sq km. It has been ranked "the most liveable city in India" several times. Pune is also considered to be the cultural and educational capital of Maharashtra. Along with the municipal corporation area of Pimpri-Chinchwad Municipal Corporation, PCMC, Pune Municipal Corporation, PMC and the three Cantonment Board, cantonment towns of Pune Camp, Camp, Khadki, and Dehu Road, Pune forms the urban core of the eponymous Pune Metropolitan Region (PMR). Situated {{convert, 560, m, 0, abbr=off Height above sea level, above sea level on the Deccan Plateau, Deccan plateau, on the right bank of the Mutha River, Mutha river,{{cite web , last=Nala ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kesarbai Kerkar
Kesarbai Kerkar (13 July 1892 – 16 September 1977) was an Indian classical vocalist of the Jaipur-Atrauli gharana. A protege of Ustad Alladiya Khan (1855–1946), the founder of the gharana, from age sixteen, she went on to become one of the most noted khayal singers of the second half of the 20th century. She was awarded the Sangeet Natak Akademi Award in 1953, followed by Padma Bhushan is the third highest civilian award in India, in 1969. Biography Early life and training Born in the tiny village of Keri (also spelled "Querim"), in a family from Ponda ''taluka'' of North Goa, Goa (then a Portuguese colony), at the age of eight Kerkar moved to Kolhapur, where she studied for eight months with Abdul Karim Khan. Upon her return to Goa, she studied with the vocalist Ramkrishnabuwa Vaze (1871–1945), during his visits to Lamgaon. Meanwhile, Mumbai (then Bombay) under British Raj, was fast developing as a business and trade centre of the country. Several musicians and si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sawai Gandharva
Ramachandra Kundgolkar Saunshi, popularly known as Pandit Sawai Gandharva (19 January 1886 – 12 September 1952), was a popular Hindustani classical music, Hindustani Classical vocalist from Karnataka. He was a master in the genre of Kirana Gharana style. He was the first and foremost disciple of Abdul Karim Khan, Ustad Abdul Karim Khan and guru of Bharat Ratna, Bharat Ratna laureate Bhimsen Joshi. Pt. Gandharva is most well known for popularizing the stylings of the Kirana Gharana through his accomplished disciples, including Pt. Bhimsen Joshi, Gangubai Hangal, Dr. Gangubai Hangal, Firoz Dastur, and Basavaraj Rajguru. Early life and background Ramchandra Kundgolkar was born into Marathi people, Marathi family on 19 January 1886, in Kundgol, 19 km. from Dharwad, Karnataka, he grew to be known as Rambhau. His father, Ganesh Saunshi, was a local clerk employed by Ranganagowda Nadiger, a landlord. Early on, Pt. Gandharva did not show interest in academics but progressed i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mysore Palace
The Mysore Palace, also known as Amba Vilas Palace, is a historical palace and a royal residence (house). It is located in Mysore, Karnataka. It used to be the official residence of the Wadiyar dynasty and the seat of the Kingdom of Mysore. The palace is in the centre of Mysore, and faces the Chamundi Hills eastward. Mysore is commonly described as the 'City of Palaces', and there are seven palaces including this one. However, the Mysore Palace refers specifically to the one within the new fort. The land on which the palace now stands was originally known as ''mysuru'' (literally, "citadel"). Yaduraya built the first palace inside the Old Fort in the 14th century, which was set ablaze and reconstructed multiple times. The Old Fort was built of wood and thus easily caught fire, while the current fort was built of stone, bricks and wood. The current structure was constructed between 1897 and 1912, after the Old Palace burnt down, the current structure is also known as the New F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sargam (music)
Sargam refers to singing the notes, mostly commonly used in Indian music, instead of the words of a composition, with use of various ornamentations such as meend, gamak, kan and khatka, as part of a khyal performance. at the This is generally done in medium-tempo as a bridge between the and portions. As an example, one could sing PmRSnSRRSRnSPnmPgmnnPmgmRSnS in |
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