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Sawai Gandharva
Ramachandra Kundgolkar Saunshi, popularly known as Pandit Sawai Gandharva (19 January 1886 – 12 September 1952), was a popular Hindustani classical music, Hindustani Classical vocalist from Karnataka. He was a master in the genre of Kirana Gharana style. He was the first and foremost disciple of Abdul Karim Khan, Ustad Abdul Karim Khan and guru of Bharat Ratna, Bharat Ratna laureate Bhimsen Joshi. Pt. Gandharva is most well known for popularizing the stylings of the Kirana Gharana through his accomplished disciples, including Pt. Bhimsen Joshi, Gangubai Hangal, Dr. Gangubai Hangal, Firoz Dastur, and Basavaraj Rajguru. Early life and background Ramchandra Kundgolkar was born into Marathi people, Marathi family on 19 January 1886, in Kundgol, 19 km. from Dharwad, Karnataka, he grew to be known as Rambhau. His father, Ganesh Saunshi, was a local clerk employed by Ranganagowda Nadiger, a landlord. Early on, Pt. Gandharva did not show interest in academics but progressed i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sawai Gandharva Music Festival
The Sawai Gandharva Bhimsen Mahotsav (formerly known as the Sawai Gandharva Sangeet Mahotsav and simply known as Sawai) is an annual Indian Classical music festival held in Pune since 1953. The festival is hosted by the Arya Sangeet Prasarak Mandal (ASPM) and initiated by Bhimsen Joshi as a memorial music conference commemorating the life and work of Joshi's guru, Sawai Gandharva, the festival's namesake. While Joshi was leading the organisation of the festival, performing artists received personal invitations from him to perform at it. With an emphasis on Hindustani Classical Khayal music, instrumentalists, dancers, dhrupadiyas, Bhakti musicians, Ghazal musicians, Qawwaliyas, and Carnatic musicians frequent the concert lineup. A younger artist's debut performance at the festival connotes their "arrival" and promise to the Classical music scene of India (most recently including Rahul Deshpande, Kaushiki Chakrabarty, and Mahesh Kale). Since its inception, the festival has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kundgol
Kundgol also spelled as Kundagola is a panchayat town in Dharwad district in the Indian state of Karnataka. Introduction Kundgol is Located in Dharwad District of Karnataka is about 14 km south-west of Hubli and 32 km south-west of Dharwad. This town is the birthplace of Rambhau Kundgolkar (popular as Pandit Sawai Gandharva), a well known Hindustani musician. Gangubai Hangal, Bhimsen Joshi were his disciples. History Kundagol also comes under the core area of Western Chalukya Empire. The existence of ''11th century'' Shri Shambhulingeshwara temple supports this claim. Prior to 1948, Kundgol was a non-contiguous part of the princely state of Jamkhandi. Hindustani music and Kundgol * Pandit Sawai Gandharva Rambhau Kundgolkar, popularly known as Sawai Gandharva, was born here in 1886. * Bharat Ratna Pandit Bhimsen Joshi Pandit Bhimsen Joshi travelled all over the country looking for an elusive guru. Finally a musician advised him to return home as the best gu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dharwad
Dharwad (), also known as Dharwar, is a city located in the north western part of the Indian state of Karnataka. It is the headquarters of the Dharwad district of Karnataka and forms a contiguous urban area with the city of Hubballi. It was merged with Hubballi in 1962 to form the twin cities of Hubballi–Dharwad, Hubballi-Dharwad. It covers an area of and is located northwest of Bangalore, on National Highway 48 (India), NH-48, between Bangalore and Pune. Etymology The word "Dharwad" is derived from the Sanskrit word 'dwarawata', 'dwara' meaning "door" and 'wata' or 'wada' meaning "town". It means a place of rest in a long travel or a small habitation. For centuries, Dharwad acted as a resting place for travellers and a gateway between the ''Malenadu'' (western mountains) and the ''Bayalu Seeme'' (plains). History The Chalukyas ruled Dharwad during the 12th century. A stone inscription indicates that there was a ruler by the name of BhaskaraDeva in 1117. In the 14th century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krishnarao Phulambrikar
Krishnarao Ganesh Phulambrikar (1898–1974), popularly known as Master Krishnarao, was an Indian vocalist, classical musician and composer of Hindustani music. He was credited with the creation of three Hindustani ragas and several bandishes. Phulambrikar, a recipient of the Sangeet Natak Akademi Fellowship, was also the music composer of several movies, including Dharmatma, a 1935 Hindi film starring Bal Gandharva, a renowned Marathi singer and Padosi, a 1941 directorial venture of V. Shantaram. The Government of India awarded him the third highest civilian honour of the Padma Bhushan, in 1971, for his contributions to music. Biography Krishnarao Phulambrikar was born in 1898 at Devachi Alandi, a town in the periphery of Pune, in the western Indian state of Maharashtra to the Deshastha Brahmin couple Ganesh Phulambrikar and Mathura bai. He also ventured into Marathi theatre as a child artist by performing as an actor-singer in ''Sant Sakhu'', a musical drama produced by '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Govindrao Tembe
Govind Sadashiv Tembe, popularly known as Govindrao Tembe (5 June 1881 – 9 October 1955), was a harmonium player, stage actor, and music composer. Early life and background He grew up in Kolhapur and became attached to music early in life. He was largely self-taught as an harmonium player. He has acknowledged the debt oDeval Clubfor his initial forays into Hindustani classical music."माझा संगीत व्यासंग" (My Study of Music) 1939 Tembe learnt his art from Bhaskarbuwa BakhaleBook in Marathi by V H Deshpande "आलापिनी" (Alapini) 1979 and, although he never received direct guidance from Alladiya Khan of Jaipur Gharana, Tembe considered Khansaheb as his guru. Career He used to accompany Pt. Bhaskarbuwa Bakhale, and would also often perform solo, but later gave up harmonium for most part of his career. He composed music for the drama Manapman in 1910, and also for the first Marathi talkie ''Ayodhyecha Raja'' (1932). He also acted in bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bal Gandharva
Narayan Shripad Rajhans, popularly known as Bal Gandharva, (26 June 1888 – 15 July 1967) was a famous Marathi singer and a stage actor. He was known for his roles in female characters in Marathi plays, since women were not allowed to act on stage during his time. Bal Gandharva got his name after a singing performance in Pune. Lokmanya Tilak, a social reformer and a freedom fighter of Indian independence movement was in the audience, and after the performance, reportedly patted Rajhans on the back and said that Narayan was a ''"Bal Gandharva"'' ( Young Gandharva). Personal life Narayan Shripad Rajhans was born into a Deshastha Brahmin family to Shripad Rajhans and his wife Annapurnabai Rajhans. He was born in Nagthane village of Palus taluka of Sangli district in what is now the state of Maharashtra. Bal Gandharva married twice. At a very young age, he was married to Lakshmibai, a lady of his own Deshastha Brahmin community and hailing from a respectable family of similar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marathi Theatre
Marathi theatre is theatre in the Marathi language, mostly originating or based in the state of Maharashtra in India, and elsewhere with Marathi diaspora. Starting in the middle of the 19th century, it flourished in the 1950s and 1960s. Today, it continues to have a marked presence in the State of Maharashtra with a loyal audience base, when most theatre in other parts of India have had tough time facing the onslaught of cinema and television. Its repertoire ranges from humorous social plays, farces, historical plays, musical, to experimental plays and serious drama of the 1970s onwards, by Vijay Tendulkar, P. L. Deshpande, Mahesh Elkunchwar and Satish Alekar, which have influenced theatre throughout India. In the post- independence era, Bengali theatre, and Marathi theatre have been at the forefront of innovations and significant dramaturgy in Indian theatre. History Ancient and medieval period The region of Maharashtra, has had long theatrical tradition, one of the early refe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cheez (music)
Bandish, cheez or gat is a fixed, melodic composition in Hindustani vocal or instrumental music. It is set in a specific raga, performed with rhythmic accompaniment by a tabla or pakhawaj, a steady drone, and melodic accompaniment by a sarangi, violin or harmonium. There are different ways of systematizing the parts of a composition. A bandish provides the literature element in the music, for standard structured singing. In the past many gharanas protected their bandishes from moving out of the family with gross incoherent vocal renditions. In the realm of vocal music, it is often known as ''cheez''. Etymology The word ''bandish'' is derived from the Hindi language Hindi (Devanāgarī: or , ), or more precisely Modern Standard Hindi (Devanagari: ), is an Indo-Aryan language spoken chiefly in the Hindi Belt region encompassing parts of northern, central, eastern, and western India. Hindi has been de ..., and literally means "binding together". Sections '' Sthāyī'' or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhairavi (Hindustani)
Bhairavi (Hindi: भैरवी, ur, , Sindhi: راڳ ڀيروي) is a Hindustani Classical heptatonic ( Sampurna) raga of Bhairavi thaat. In Western musical terms, raga Bhairavi employs the notes of the Phrygian mode, one of the traditional European church modes. Many Indians growing up during 1980s and 1990s will instantly recognize raag Bhairavi as it is the dominant note in popular Doordarshan video 'Mile sur mera tumhara'. Theory Raga Bhairavi is often referred to as the queen of morning Ragas. It produces a rich, devotional atmosphere especially suitable for the genres of Bhajan and the light classical form of Thumri. The Rishabh and Dhaivat used here are oscillating which is strongly recommended in this Raga and it makes the Raag mood intense. Rishabh and Pancham are occasionally skipped in Aaroh like: S G m d P or G m d N S'. But in Avroh, Rishabh and Pancham are Deergh like S' N d P or P m G m r r S. In Avroh, Gandhar is skipped like: G m r S. Madhyam is an impor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ustad Abdul Karim Khan
Ustad Abdul Karim Khan (Devanagari: उस्ताद अब्दुल करीम ख़ान, Persian language, Persian: ) (11 November 1872 – 27 October 1937)Profile of Ustad Abdul Karim Khan on veethi.com website Updated 19 February 2014. Retrieved 9 January 2022 was an Hindustani classical music, Indian classical singer and, along with his cousin Abdul Wahid Khan, the founder of the Kirana gharana, Kairana gharana of classical music. Early life and background Abdul Karim Khan was born on 11 November 1872 in Kairana, Kirana town in Shamli, Uttar Pradesh into a family with music tradition which traced its roots to musician brothers Ghulam Ali and Ghulam Maula. His father, Kale Khan, was the grandson of Ghulam Ali. Abdul Karim Khan received ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tala (music)
A tala ( IAST ''tāla'') literally means a 'clap, tapping one's hand on one's arm, a musical measure'. It is the term used in Indian classical music similar to musical meter, that is any rhythmic beat or strike that measures musical time. The measure is typically established by hand clapping, waving, touching fingers on thigh or the other hand, verbally, striking of small cymbals, or a percussion instrument in the Indian subcontinental traditions. Along with ''raga'' which forms the fabric of a melodic structure, the ''tala'' forms the life cycle and thereby constitutes one of the two foundational elements of Indian music. ''Tala'' is an ancient music concept traceable to Vedic era texts of Hinduism, such as the '' Samaveda'' and methods for singing the Vedic hymns. The music traditions of the North and South India, particularly the ''raga'' and ''tala'' systems, were not considered as distinct till about the 16th century. There on, during the tumultuous period of Islamic rul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tarana
''Tarana'' is a type of composition in Hindustani classical vocal music in which certain words (e.g. "odani", "todani", "tadeem" and "yalali") based on Persian and Arabic phonemes are rendered at a medium (''madhya laya'') or fast (''drut laya'') rate. It was invented by Amir Khusro (1253-1325 CE), and is similar to the Qalbana form of Sufi poetry. In modern times, the singer Amir Khan helped popularize it and researched its origins and the syllables used. Nissar Hussain Khan was a tarana singer. Tarana was also used by Sikh tenth Guru Gobind Singh in his compositions. Form A second, contrasting melody, usually with higher notes, is introduced once before returning to the main melody. The tarana may include a Persian quatrain, and may use syllables from sitar or tabla A tabla, bn, তবলা, prs, طبلا, gu, તબલા, hi, तबला, kn, ತಬಲಾ, ml, തബല, mr, तबला, ne, तबला, or, ତବଲା, ps, طبله, pa, ਤਬਲਾ, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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