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Urumi (drum)
The ''urumi'' (; also known as ''urumee'') is a double-headed hourglass-shaped drum from the state of Tamil Nadu, South India. Two skin heads are attached to a single hollow, often intricately carved wooden shell. The preferred wood is jackwood, although other woods like rosewood may be used. Both left and right heads are usually made from cow hide that is stretched around a thin metal ring (sometimes lizard skin is used for the right head). The outer circumference of each head is perforated with approximately seven to eight holes. The two heads are held in tension by a continuous rope that is woven around the drum in a V-shape pattern. Additional small coils of string or metal are tied around each pair of ropes near the left head. These coils can be slide horizontally along the length of the drum, increasing or decreasing the tension between the heads as necessary. For example, during the monsoon season the drum heads will slacken so much that the instrument becomes unplayable. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mayilattam
Mayilattam (Tamil: மயிலாட்டம்) is an artistic and religious form of dance performed in the Hindu temples of Tamil Nadu in reverence to Lord Subrahmanya. Mayilattam performers wear costumes from head to toe like peacock with beak, that can be opened and closed using a thread, and perform specific dances. The performers dance on a tall piece of wood attached at the end of their feet. This art requires extensive training and practise. This dance is performed in all Murugan (Lord Subrahmanya Kartikeya ( sa, कार्त्तिकेय, Kārttikeya), also known as Skanda, Subrahmanya, Shanmukha (), and Murugan ( ta, முருகன்), is the Hindu god of war. He is the son of Parvati and Shiva, the brother of Ganesha ...) temples as a tradition during festivals. Due to the difficulties in practise and less amount of wages for the dancers, the number of Mayilattam performers is decreasing. References Tamil dance styles {{Hindui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamil Music
Music of Tamil Nadu has a long tradition and history going back thousands of years. Music is a very important aspect of marriage and temple festival Tamil people. Ancient music The tradition of Tamil music goes back to the earliest period of History of Tamil Nadu, Tamil history. Many poems of the Sangam literature, the classical Tamil literature of the early common era, were set to music. There are various references to this ancient musical tradition found in the ancient Sangam books such as ''Ettuthokai'' and ''Pathupattu''. The early narrative poem ''Silappatikaram'', belonging to the post-Sangam period also mentions various forms of music practiced by the Tamil people. Music was also utilised in the compositions of the Tamil Nayanars, Saiva saints such as Appar, Thirugnana Sambanthar and Manikkavasagar during the Hindu revival period between the sixth and the tenth centuries CE. The musical poet (''sandakkavi'') Arunagirinathar further embellished the Tamil musical traditi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Membranophones
A membranophone is any musical instrument which produces sound primarily by way of a vibrating stretched membrane. It is one of the four main divisions of instruments in the original Hornbostel-Sachs scheme of musical instrument classification. According to Sachs, material, shape, skin(s), skin fastening, playing positions, and manner of playing. Hornbostel-Sachs The Hornbostel-Sachs scheme of musical instrument classification divides membranophones in a numeric taxonomy based on how the sound is produced: *21: by hitting the drumskin with a hand or object (most common form, including the timpani and snare drum) *22: by pulling a knotted string attached to the drumskin (common in Indian drums, and can be considered an example of a chordophone as well) *23: by rubbing the drumskin with a hand or object (common in Irish traditional music, an example is the bodhran) *24: by modifying sounds through a vibrating membrane (unusual form, including the kazoo) Length and breadth Me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Musical Instruments
Indian musical instruments can be broadly classified according to the Hornbostel–Sachs system into four categories: chordophones (string instruments), aerophones (wind instruments), membranophones (drums) and idiophones (non-drum percussion instruments). Chordophones Plucked strings Bowed strings * Chikara * Dhantara * Dilruba * Ektara violin * Esraj * Kamaicha * Kingri (string instrument) * Mayuri Vina or Taus * Onavillu * Behala (violin type) * Pena (musical instrument) * Pinaka vina * Pulluvan Veena - one stringed violin * Ravanahatha * Sarangi * Classical Sarangi * Sarinda * Tar Shehnai * Villu Paatu - arched bow instrument + Behala - Bengal Murshidabad Violin Persian "Behaaleh" (Restless) Other string instruments * Gethu or Jhallari – struck tanpura * Gubguba or Jamuku (khamak) * Pulluvan kutam * Santoor – Hammered dulcimer Aerophones Single reed *Pepa *Pungi or Been Double reed * Kuzhal * Mukhavina * Nadaswaram * Shehnai * Sundari * Ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yearbook For Traditional Music
The ''Yearbook for Traditional Music'' is a peer-reviewed academic journal covering research on folk music and dance. It is published by the International Council for Traditional Music, once a year in December. The editor-in-chief is Kati Szego. The ''Yearbook'' was established in 1949 as the ''Journal of the International Folk Music Council'', obtaining its current title in 1981. The journal is abstracted and indexed in the Arts & Humanities Citation Index and Current Contents ''Current Contents'' is a rapid alerting service database from Clarivate Analytics, formerly the Institute for Scientific Information and Thomson Reuters. It is published online and in several different printed subject sections. History ''Cur .../Arts & Humanities. References External links * Dance research Publications established in 1949 Music journals Annual journals English-language journals Cambridge University Press academic journals {{music-journal-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Udukai
The udukkai, udukai or udukku (Tamil: உடுக்கை) is a member of the family of membranophone percussion instruments of India and Nepal used in folk music and prayers in Tamil Nadu. The drums are an ancient design of hourglass drums similar to the northern damaru and southern idakka. Its shape is similar to other Indian hourglass drums, having a small snare stretched over one side. They are played with the bare hand, and the pitch may be tered by squeezing the lacing in the middle. It is made of wood or brass and is very portable. It originated in Tamil Nadu as well. Other members in the family include thehuruk, hurkî, hurko, hudko or hudka, utukkai. Another non-hourglass drum that is also referred to as udukkai is the damru (while in the hands of Shiva). Hudukkâ Known from xiii th century , this is a drum barrel converted hourglass by adding membranes wide overhanging ends. The kuddukâ is similar but does not grelotet is played with the stick. It is still used i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sangilikaruppan
Karuppu Sami (Tamil: கருப்பசாமி, IAST: Karuppasāmi) is one of the regional Tamil male deities popular among the rural social groups of Tamil Nadu and parts of Kerala. He is one of the 21 associated folk-deities, and is hence one among the demigods or kaval deivams in Dravidian folk religion. He is sometimes considered to be a form of Shiva among Shaivas. Muthu karuppasamy Temples and shrines Karuppu Sami temple is mostly found in the outskirts of the Village. Usually, the whole village contributes to the maintenance of the temple. These temples/shrines do not have traditional Gopurams and have large statues of Gods with large eyes, holding weapons like bow and arrow, swords, sickle and other weapons. There could also be statues of 7 Kannimar goddesses/Saptha Kanniyar (7 virgins) and animals, often a hunting dog, a lion and horse alongside the main idol of Karuppu Sami. Karuppu Sami worship is based on an ancient ancestral clan-based worship system, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parai
The parai is a traditional Tamil frame drum about 35 centimeters in diameter, used in the parai attam dance. It consists of a shallow ring of wood, covered on one side with a stretched cow hide that is glued to the wooden frame. The preferred wood is neem wood, although other types may be used. The shell is made up of three pieces of wood each in the shape of an arc, held together by three metal plates. The parai is played with two sticks. Technique The parai is slung by a strap over one shoulder (weak or off-hand side) and is held vertically by pushing it towards the performer's body. This harness allows the drummer to play while standing, walking, or dancing. It is played with two sticks: a long, thin flat bamboo stick (approx. 28 cm) called ''Sindu Kuchi'' or ''Sundu Kuchi'' (Tamil:சுண்டு குச்சி) and a short, thick stick (approx. 18 cm) that may be of any wood, called ''Adi Kucchi'' (Tamil:அடி குச்சி). The short stick is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madurai Veeran (Hinduism)
Madurai Veeran, also known as Veeran, is a Tamil folk deity popular in southern Tamil Nadu, India. His name literally means, "warrior of Madurai". Legend According to the ''Maduraiveeraswamikathai'', Veeran was born to royal parents and was abandoned, and later adopted by a couple from the Arunthathiyar community. He grew up among them and became a guard in the court of Bommanna Nayakan. When on duty as a guard of the chieftain's daughter Bommi, he fell in love with her. At night, he sneaked up to her room, and the two eloped. During their escape, Bommanna Nayakan led an army after Veeran, and the latter defeated the army and killed Bommanna. The two then fled to Tiruchi, where Veeran was requested by the local king to defeat bandits terrorising his people, which he did so successfully and famously. His fame brought him to Madurai, which was also troubled by bandits. Thirumala Nayakar requested Veeran to help him. Veeran then met Vellaiyammal, a royal dancer, who was att ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaval Deivam
The village deities of Southern India are the numerous spirits and other beings venerated as part of the Dravidian folk tradition in villages throughout South India. These deities, mainly goddesses, are intimately associated with the well-being of the village, and can have either benevolent or violent tendencies. These deities are presently in various stages of syncretism or assimilation with mainstream Hindu traditions. These deities have been linked back to common Indus Valley civilisation imagery, and are hypothesised to represent the prevailing Dravidian folk religion at the time. The worship of these deities at many times do not conform to the common tenets of Vedic traditions, especially in customs of animal sacrifice, the inclusion of the priesthood class, and iconography. Origins and history In general, scholars see the village deities of South India as continuations of religious traditions followed in the subcontinent before the arrival of the Indo-Aryans. In the e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hourglass Drum
Hourglass drums are a sub-category of membranophone, or drum, characterized by an hourglass shape. They are also known as ''waisted drums''. Drumheads are attached by laces, which may be squeezed during a performance to alter the pitch. The category also includes pellet drums such as the ''damaru'', although not all pellet drums are hourglass shaped (such as the Korean ''do'', ''nodo'', ''noedo'', and ''yeongdo'', which are barrel shaped). Hourglass drums exists in most regions of the world, but have very different construction methods, dimensions, purposes and playing methods. The label of hourglass drum is hence as generic as the label for bowed instrument or reed instrument. Thus the designation of Hourglass drum is used as a category in general instrument construction and does not refer to any particular uniform instrument. See also *Batá drum (Cuba, West Africa) *Damaru (Indian subcontinent) * Dekki (Sri Lanka) * Dhad sarangi (India, Pakistan) *Galgo (Korea) *Idakka (India) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
