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United Sound Systems
United Sound Systems is a recording studio and locally designated historic district in Detroit, Michigan, United States. Many popular music artists over the last seventy years have recorded at the facility, including blues musicians like John Lee Hooker (he recorded "Boogie Chillen'" there in 1948), and funk bands like Funkadelic. The studio was also the site of the first recording for Berry Gordy's Tamla label in 1959, starting what would become Motown Records. The building is threatened by a planned highway service drive expansion by the Michigan Department of Transportation. The studio ownership changed in 2009 and eventually reopened in 2014. It was designated a local historic district by the City of Detroit in 2015. Others who have recorded at the studio include Johnnie Ray, Dizzy Gillespie, Jackie Wilson, Dan Schafer and Alberta Adams. History There is currently a debate within collector forums and Detroit music historians about the origins of United. The issues revolve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inter-racial Goodwill Program
Interracial topics include: * Interracial marriage, marriage between two people of different races ** Interracial marriage in the United States *** 2009 Louisiana interracial marriage incident * Interracial adoption, placing a child of one racial group or ethnic group with adoptive parents of another racial or ethnic group * Interracial personals, advertisements * Interracial pornography, a form of visual pornography depicting sexual activity between performers of different racial groups * Miscegenation, the mixing of different racial groups ** Anti-miscegenation laws in the United States * Commission on Interracial Cooperation, an organization in the southern United States in the early 20th century * Multiracial, people with an identifiable heritage from more than a single racial group * First interracial kiss on television See also * * Exogamy * Transracial (other) Transracial may refer to: * Transracial adoption, placing a child of one racial or ethnic group with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sisters Are Doin' It For Themselves
"Sisters Are Doin' It for Themselves" is a song by British pop duo Eurythmics and American singer Aretha Franklin. A modern feminist anthem, it was written by Eurythmics members Annie Lennox and David A. Stewart and featured on both Eurythmics' '' Be Yourself Tonight'' (1985) and Franklin's ''Who's Zoomin' Who?'' (1985) albums. The duo originally intended to perform with Tina Turner, who was unavailable at the time and so they flew to Detroit and recorded with Franklin instead. The track also features three of Tom Petty's Heartbreakers: Stan Lynch on drums, Benmont Tench on organ, and Mike Campbell on lead guitar, plus session bassist Nathan East. Reception Released as a single by RCA Records in October 1985, "Sisters Are Doin' It for Themselves" was highly successful, reaching number 9 on the UK Singles Chart and number 18 on the US ''Billboard'' Hot 100. The song was nominated for a Grammy Award for Best R&B Performance by a Duo or Group with Vocals. '' Cash Box'' said ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marv Johnson
Marvin Earl Johnson (October 15, 1938 – May 16, 1993) was an American R&B singer, songwriter and pianist. He was influential in the development of the Motown style of music, primarily for the song " Come to Me," which was the first record issued by Tamla Records, the precursor to the famous label. Despite his early success in the United States, Johnson ultimately enjoyed more popularity overseas than in his native country. His music was especially popular in the United Kingdom and Australia. Biography Johnson was born in Detroit. His early musical influences included gospel and blues, but he began his singing career with a doo-wop group, the Junior Serenaders, in the mid-1950s. He was discovered by Berry Gordy while performing at a carnival; Gordy had already decided to form his first record label, Tamla, and Johnson's recording of the song " Come to Me" became the label's first single, released in May 1959. The fledgling label did not have national distribution, so the song ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Come To Me (Marv Johnson Song)
"Come to Me" is the debut single by Americans, American singer Marv Johnson. It is notable as the first single to be released by what would eventually become known as Motown, on the newly formed Tamla Records label. It also became Johnson's first hit single after the song was nationally distributed by United Artists Records, United Artists. It was recorded at United Sound Systems. Background In 1958, Marv Johnson was singing with a local group the Serenaders in Detroit. It was while performing at a carnival in Michigan that Johnson was noted by rising record label impresario Berry Gordy, who was looking to sign acts into his fledgling company. Originally the label was to be called Tammy Records, which he named after the Debbie Reynolds hit, "Tammy (song), Tammy", that is until a record label of the same name took notice, forcing Gordy to alter the name to Tamla Records. After discovering Johnson, he convinced him to sign with Tamla and in February 1959, the 20-year-old Johnson co- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boogie Chillen
Boogie is a repetitive, swung note or shuffle rhythm,Burrows, Terry (1995). ''Play Country Guitar'', p.42. Dorling Kindersley Limited, London. . "groove" or pattern used in blues which was originally played on the piano in boogie-woogie music. The characteristic rhythm and feel of the boogie was then adapted to guitar, double bass, and other instruments. The earliest recorded boogie-woogie song was in 1916. By the 1930s, Swing bands such as Benny Goodman, Glenn Miller, Tommy Dorsey and Louis Jordan all had boogie hits. By the 1950s, boogie became incorporated into the emerging rockabilly and rock and roll styles. In the late 1980s and the early 1990s country bands released country boogies. Today, the term "boogie" usually refers to dancing to pop, disco, or rock music. History The boogie was originally played on the piano in boogie-woogie music and adapted to guitar. Boogie-woogie is a style of blues piano playing characterized by an up-tempo rhythm, a repeated melodic patte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Roach
Maxwell Lemuel Roach (January 10, 1924 – August 16, 2007) was an American jazz Jazz drumming, drummer and composer. A pioneer of bebop, he worked in many other styles of music, and is generally considered one of the most important drummers in history. He worked with many famous jazz musicians, including Clifford Brown, Coleman Hawkins, Dizzy Gillespie, Charlie Parker, Miles Davis, Duke Ellington, Thelonious Monk, Abbey Lincoln, Dinah Washington, Charles Mingus, Billy Eckstine, Stan Getz, Sonny Rollins, Eric Dolphy, and Booker Little. He was inducted into the ''DownBeat'' Hall of Fame in 1980 and the ''Modern Drummer'' Hall of Fame in 1992. In the mid-1950s, Roach co-led a pioneering quintet along with trumpeter Clifford Brown. In 1970, he founded the percussion ensemble M'Boom. He made numerous musical statements relating to the civil rights movement. Biography Early life and career Max Roach was born to Alphonse and Cressie Roach in the Township of Newland, Pasquotank County, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommy Potter
Charles Thomas Potter (September 21, 1918 – March 1, 1988) was an American jazz double bass player, best known for having been a member of Charlie Parker's "classic quintet", with Miles Davis, between 1947 and 1950. Born in Philadelphia, Pennsylvania, United States, Potter had first played with Parker in 1944, in Billy Eckstine's band with Dizzy Gillespie, Lucky Thompson and Art Blakey. Retrieved 28 June 2013. Potter also performed and recorded with many other notable jazz musicians, including Earl Hines, Artie Shaw, Bud Powell, Count Basie, Sonny Rollins, Stan Getz, Max Roach, Eddie Heywood, Tyree Glenn, Harry "Sweets" Edison, Buck Clayton and Charles Lloyd (jazz musician), Charles Lloyd. Discography * ''Tommy Potter's Hard Funk'', (East-West Recor ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Jordan
Irving Sidney "Duke" Jordan (April 1, 1922 – August 8, 2006) was an American jazz pianist. Biography Jordan was born in New York and raised in Brooklyn where he attended Boys High School. An imaginative and gifted pianist, Jordan was a regular member of Charlie Parker's quintet during 1947–48, which also featured Miles Davis. He participated in Parker's Dial sessions in late 1947 that produced "Dewey Square", "Bongo Bop", "Bird of Paradise", and the ballad "Embraceable You". These performances are featured on '' Charlie Parker on Dial''. Jordan had a long solo career from the mid-1950s onwards, although for a period in the mid-1960s he drove a taxi in New York. After periods accompanying Sonny Stitt and Stan Getz, he performed and recorded in the trio format. His composition, "Jordu", became a jazz standard when trumpeter Clifford Brown adopted it into his repertoire. Beginning in 1978, he lived in Copenhagen, Denmark, having recorded an extensive sequence of albums fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Savoy Records
Savoy Records is an American record company and label established by Herman Lubinsky in 1942 in Newark, New Jersey. Savoy specialized in jazz, rhythm and blues, and gospel music. In September 2017, Savoy was acquired by Concord Bicycle Music. History In the 1940s, Savoy recorded some of the biggest names in jazz: Charlie Parker, Erroll Garner, Dexter Gordon, J. J. Johnson, Fats Navarro, and Miles Davis. In 1948, it began buying other labels: Bop, Discovery, National, and Regent. It also reissued music from Jewel Records. In the early 1960s, Savoy briefly recorded several avant-garde jazz artists. These included Paul Bley, Ed Curran, Bill Dixon, Mark Levin, Charles Moffett, Perry Robinson, Joseph Scianni, Archie Shepp, Sun Ra, Marzette Watts, and Valdo Williams. After Lubinsky's death in 1974, Clive Davis, then manager of Arista Records, acquired Savoy's catalogue. After that, Joe Fields of Muse Records purchased the catalogue from Arista. In 1986, Malaco Records acquired Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was an extremely brilliant virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname "Yardbird" early in his career on the road with Jay McShann. This, and the shortened form "Bird", continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise". Parker was an icon for the hipster ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
