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Undertone Singing
Undertone singing is a set of singing techniques in which the vocalist makes use of vibrations of the vocal apparatus in order to produce subharmonic tones below the bass tone and extend the vocal range below the limits of the modal voice. In particular, the sound is produced via constricting the larynx in order to produce oscillations in the vocal cords and vestibular folds (or "''false vocal cords''") at certain frequencies of the vocal cords - corresponding to integer divisions of the frequency produced by the vestibular folds, such as 1:2, 1:3, and 1:4 ratios. This will produce the corresponding subharmonic to that frequency. For example, in a 1:2 ratio, each second vibration of the vocal folds, the vestibular fold will complete a single vibration cycle which will result in an subharmonic produced an octave below the bass tone produced by the vocal cords. This technique is found in certain Tibetan forms of Buddhist Chant, as practised by monks of the Gyuto Order, as well as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subharmonic
In music, the undertone series or subharmonic series is a sequence of notes that results from inverting the intervals of the overtone series. While overtones naturally occur with the physical production of music on instruments, undertones must be produced in unusual ways. While the overtone series is based upon arithmetic multiplication of frequencies, resulting in a harmonic series, the undertone series is based on arithmetic division. Nattiez shows the undertone series on E, as Riemann (''Handbuch der Harmonielehre'', 10th ed., 1929, p. 4) and D'Indy (''Cours de composition musicale'', vol. I, 1912, p. 100) had done. Terminology The hybrid term ''subharmonic'' is used in music in a few different ways. In its pure sense, the term ''subharmonic'' refers strictly to any member of the subharmonic series (, , , , etc.). When the subharmonic series is used to refer to frequency relationships, it is written with f representing some highest known reference frequency (, , , , etc. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocal Range
Vocal range is the range of pitches that a human voice can phonate. A common application is within the context of singing, where it is used as a defining characteristic for classifying singing voices into voice types. It is also a topic of study within linguistics, phonetics, and speech-language pathology, particularly in relation to the study of tonal languages and certain types of vocal disorders, although it has little practical application in terms of speech. Singing and the definition of vocal range While the broadest definition of "vocal range" is simply the span from the lowest to the highest note a particular voice can produce, this broad definition is often not what is meant when "vocal range" is discussed in the context of singing. Vocal pedagogists tend to define the vocal range as the total span of "musically useful" pitches that a singer can produce. This is because some of the notes a voice can produce may not be considered usable by the singer within performance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modal Voice
Modal voice is the vocal register used most frequently in speech and singing in most languages. It is also the term used in linguistics for the most common phonation of vowels. The term "modal" refers to the resonant mode of vocal folds; that is, the optimal combination of airflow and glottal tension that yields maximum vibration. In linguistics, modal voice is the only phonation found in the vowels and other sonorants (consonants such as ''m, n, l,'' and ''r)'' of most of the languages of the world, but a significant minority contrasts modal voice with other phonations. Among obstruents (consonants such as ''k, g, t͡ʃ/ch, d͡ʒ/j, s,'' and ''z),'' it is very common for languages to contrast modal voice with voicelessness, but in English, many supposedly-voiced obstruents do not usually have modal voice. In speech pathology, the modal register is one of the four identifiable registers within the human voice. It is above the vocal fry register and overlapping the lower part of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larynx
The larynx (), commonly called the voice box, is an organ in the top of the neck involved in breathing, producing sound and protecting the trachea against food aspiration. The opening of larynx into pharynx known as the laryngeal inlet is about 4–5 centimeters in diameter. The larynx houses the vocal cords, and manipulates pitch and volume, which is essential for phonation. It is situated just below where the tract of the pharynx splits into the trachea and the esophagus. The word ʻlarynxʼ (plural ʻlaryngesʼ) comes from the Ancient Greek word ''lárunx'' ʻlarynx, gullet, throat.ʼ Structure The triangle-shaped larynx consists largely of cartilages that are attached to one another, and to surrounding structures, by muscles or by fibrous and elastic tissue components. The larynx is lined by a ciliated columnar epithelium except for the vocal folds. The cavity of the larynx extends from its triangle-shaped inlet, to the epiglottis, and to the circular outlet at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocal Folds
In humans, vocal cords, also known as vocal folds or voice reeds, are folds of throat tissues that are key in creating sounds through vocalization. The size of vocal cords affects the pitch of voice. Open when breathing and vibrating for speech or singing, the folds are controlled via the recurrent laryngeal branch of the vagus nerve. They are composed of twin infoldings of mucous membrane stretched horizontally, from back to front, across the larynx. They vibrate, modulating the flow of air being expelled from the lungs during phonation. The 'true vocal cords' are distinguished from the 'false vocal folds', known as vestibular folds or ''ventricular folds'', which sit slightly superior to the more delicate true folds. These have a minimal role in normal phonation, but can produce deep sonorous tones, screams and growls. The length of the vocal fold at birth is approximately six to eight millimeters and grows to its adult length of eight to sixteen millimeters by adolescence. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ventricle Of The Larynx
The laryngeal ventricle, (also called the ventricle of the larynx, laryngeal sinus, or Morgagni's sinus) in lexic.us. Updated 05 Mar 2000 is a wikt:fusiform, fusiform Fossa (anatomy), fossa, situated between the vestibular fold, vestibular and vocal folds on either side, and extending nearly their entire length. There is also a Sinus of Morgagni (pharynx), sinus of Morgagni in the pharynx. The fossa is bounded, above, by the free crescentic edge of the vestibular fold, vestibular ligament; below, by the straight margin of the vocal fold and laterally, by the mucous membrane covering the corresponding thyroarytenoid muscle. The anterior part of the ventricle leads up by a narrow opening into a pouch-like diverticulum, a mucous membrane, mucous membranous sac of variable size called the a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Tibet
The music of Tibet reflects the cultural heritage of the trans-Himalayan region centered in Tibet, but also known wherever ethnic Tibetan groups are found in Nepal, Bhutan, India and further abroad. The religious music of Tibet reflects the profound influence of Tibetan Buddhism on the culture. The new-age 'singing bowl' music marketed in the West as 'Tibetan music' is of 1970s US origin. History Western research into the history of Tibetan music has often focused more on religious than secular musics. It has been suggested that Tibetan religious music may have been strongly influenced by West-Asian musics, including those of pre-Muslim Persia (and perhaps even of Byzantium). It has also been suggested that the landscape – and in particular the resonances of caves, with their natural percussive sounding stones - exerted a formative influence on the overtone singing found in Tibetan Buddhist chant (and plausibly also in prehistoric shamanic invocations), which is produce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddhist Chant
A Buddhist chant is a form of musical verse or incantation, in some ways analogous to religious recitations of other faiths. Traditional chanting In Buddhism, chanting is the traditional means of preparing the mind for meditation, especially as part of formal practice (in either a lay or monastic context). Some forms of Buddhism also use chanting for ritualistic purposes. While the basis for most Theravada chants is the Pali Canon, Mahayana and Vajrayana chants draw from a wider range of sources. Theravada chants In the Theravada tradition, chanting is usually done in Pali, sometimes with vernacular translations interspersed.Khantipalo (1982, 1995). Among the most popular Theravada chants are: :*Buddhabhivadana (Preliminary Reverence for the Buddha) :*Tisarana (The Three Refuges). Audio file at http://www.buddhanet.net/filelib/mp3/03-chant-03.mp3 :* Pancasila (The Five Precepts) :*Buddha Vandana (Salutation to the Buddha) :*Dhamma Vandana (Salutation to his Teaching) :*Sangha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gyuto Order
Gyuto (also spelled Gyütö or Gyüto) Tantric University is one of the great monastic institutions of the Gelug Order. History Gyuto () was founded in 1475 by Jetsun Kunga Dhondup and is one of the main tantric colleges of the Gelug tradition. In Tibet, monks who had completed their geshe studies would be invited to join Gyuto or Gyume, another tantric institution, to receive a firm grounding in vajrayana practice. Both of these monasteries used to be in Lhasa, Tibet, but they have been re-established in India. At the time of the Chinese invasion in 1950, about 1000 monks were part of the monastery. On 21 March 1959, soon after the 14th Dalai Lama had left Lhasa for exile in India, Ramoche was a focus of military operations by the Chinese People's Liberation Army. "One especially valuable memoir is provided by the Fifth Yulo Rinpoche, a monk at Gyuto Upper Tantric College and organizer of defense of Ramoche Temple, who says that 'the Chinese Communists shot Tibetans indiscri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tuvan Throat Singing
Tuvan throat singing, the main technique of which is known as ''khoomei'' ( tyv, хөөмей, xöömej, mn, хөөмий; ᠬᠦᠭᠡᠮᠡᠢ, khöömii, russian: хоомей, Chinese: 呼麦, pinyin: ''hūmài''), includes a type of overtone singing practiced by people in Tuva, Mongolia, and Siberia. In 2009, it was included in the Representative List of the Intangible Cultural Heritage of Humanity of UNESCO. The term ''hömey'' / ''kömey'' means ''throat'' and ''larynx'' in different Turkic languages. That could be borrowed from Mongolian ''khooloi'', which means throat as well, driven from Proto-Mongolian word ''*koɣul-aj''. Overview In Tuvan throat singing, the performer produces a fundamental pitch and—simultaneously—one or more pitches over that. The history of Tuvan throat singing reaches far back. Many male herders can throat sing, but women have begun to practice the technique as well. The popularity of throat singing among Tuvans seems to have arisen as a re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocal Fry Register
The vocal fry register (also known as pulse register, laryngealization, pulse phonation, creaky voice, creak, croak, popcorning, glottal fry, glottal rattle, glottal scrape) is the lowest vocal register and is produced through a loose glottal closure that permits air to bubble through slowly with a popping or rattling sound of a very low frequency. During this phonation, the arytenoid cartilages in the larynx are drawn together, which causes the vocal folds to compress rather tightly and become relatively slack and compact. This process forms a large and irregularly vibrating mass within the vocal folds that produces the characteristic low popping or rattling sound when air passes through the glottal closure. The register (if well controlled) can extend far below the modal voice register, in some cases up to 8 octaves lower, such as in the case of Tim Storms who holds the world record for lowest frequency note ever produced by a human, a G−7, which is only 0.189 Hz, inaudib ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
