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Una Furtiva Lagrima
"" (A furtive tear) is the romanza from act 2, scene 3 of the Italian opera ''L'elisir d'amore'' by Gaetano Donizetti. It is sung by Nemorino (tenor) when it appears that the love potion he bought to win the heart of his dream lady, Adina, is working. He loves Adina, but she is not interested in an innocent, rustic man such as he. To win her heart, he buys a love potion with all the money he has in his pocket. It is actually a cheap red wine sold by a traveling quack doctor—but when he sees Adina weeping, he assumes the "elixir" has worked and she has fallen in love with him. Music In an opera about fake potions and feigned emotions, Donizetti invests this aria with considerable pathos. It is set in B minor, a dark key with often tragic associations. The aria's time signature is the compound metre of . It changes to B major on the words "Cielo! Si può morir!". Its vocal range is from F to A with a tessitura of B to A.The last occurrence of the word ''chiedo'' is a coloratura ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enrico Caruso
Enrico Caruso (, , ; 25 February 1873 – 2 August 1921) was an Italian operatic first lyrical tenor then dramatic tenor. He sang to great acclaim at the major opera houses of Europe and the Americas, appearing in a wide variety of roles (74) from the Italian and French repertoires that ranged from the lyric to the dramatic. One of the first major singing talents to be commercially recorded, Caruso made 247 commercially released recordings from 1902 to 1920, which made him an international popular entertainment star. Biography Early life Enrico Caruso came from a poor but not destitute background. Born in Naples in the via Santi Giovanni e Paolo n° 7 on 25 February 1873, he was baptised the next day in the adjacent Church of San Giovanni e Paolo. His parents originally came from Piedimonte d'Alife (now called Piedimonte Matese), in the Province of Caserta in Campania, Southern Italy. Caruso was the third of seven children and one of only three to survive infancy. There is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scientific Pitch Notation
Scientific pitch notation (SPN), also known as American standard pitch notation (ASPN) and international pitch notation (IPN), is a method of specifying musical Pitch (music), pitch by combining a musical Note (music), note name (with accidental (music), accidental if needed) and a number identifying the pitch's octave. Although scientific pitch notation was originally designed as a companion to scientific pitch (see below), the two are not synonymous. Scientific pitch is a pitch standard—a system that defines the specific frequencies of particular pitches (see below). Scientific pitch notation concerns only how pitch names are notated, that is, how they are designated in printed and written text, and does not inherently specify actual frequencies. Thus, the use of scientific pitch notation to distinguish octaves does not depend on the pitch standard used. Nomenclature The notation makes use of the traditional tone names (A to G) which are followed by numbers showing which octa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions In B-flat Minor
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1832 Compositions
Year 183 ( CLXXXIII) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Aurelius and Victorinus (or, less frequently, year 936 ''Ab urbe condita''). The denomination 183 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * An assassination attempt on Emperor Commodus by members of the Senate fails. Births * January 26 – Lady Zhen, wife of the Cao Wei state Emperor Cao Pi (d. 221) * Hu Zong, Chinese general, official and poet of the Eastern Wu state (d. 242) * Liu Zan (Zhengming), Chinese general of the Eastern Wu state (d. 255) * Lu Xun Zhou Shuren (25 September 1881 – 19 October 1936), better known by his pen name Lu Xun (or Lu Sun; ; Wade–Giles: Lu Hsün), was a Chinese writer, essayist, poet, and literary critic. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Excerpts
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arias By Gaetano Donizetti
In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca'). By the early 16th century it was in common use as meaning a simple setting of strophic poetry; melod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roberto Alagna
Roberto Alagna (; born 7 June 1963) is a French operatic tenor. He obtained French citizenship in 1981, while also retaining his previous Italian citizenship. Early years Alagna was born in Clichy-sous-Bois, outside the city of Paris, in 1963 to a family of Sicilian immigrants. As a teenager, the young Alagna began busking and singing pop in Parisian cabarets, mostly for tips. Influenced primarily by the films of Mario Lanza and learning from recordings of many historic tenors, he then switched to opera, but remained largely self-taught. He was discovered by Gabriel Dussurget, the co-founder of the Aix-en-Provence Festival. Career After winning the Luciano Pavarotti International Voice Competition, an initiative backed by the Italian Ministry of Cultural Heritage and Activities, that started in Modena in 1988, Alagna made his professional debut as Alfredo Germont in '' La traviata'' with the Glyndebourne touring company. This led to many engagements throughout the smaller cit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indiana University School Of Music
The Indiana University Jacobs School of Music in Bloomington, Indiana, is a music conservatory established in 1921. Until 2005, it was known as the Indiana University School of Music. It has more than 1,500 students, approximately half of whom are undergraduates, with the second largest enrollment of all music schools accredited by the National Association of Schools of Music.''HEADS Data – Special Report, 2010–11'', National Association of Schools of Music Note: For more than 20 years, University of North Texas College of Music enrollment has tracked closely to that of Indiana. Institutions that include Berklee, Juilliard, Manhattan School of Music are not among the 627 NASM members. One non-NASM music school has a student enrolment larger than North Texas – Berklee. History In 1907, Charles Campbell arranged for a recital of the Schellschmidt Quartet of Indianapolis, the proceeds of which established a music fund, "to lead ultimately to the equipment of a school ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indiana University
Indiana University (IU) is a system of public universities in the U.S. state of Indiana. Campuses Indiana University has two core campuses, five regional campuses, and two regional centers under the administration of IUPUI. *Indiana University Bloomington (IU Bloomington) is the flagship campus of Indiana University. The Bloomington campus is home to numerous premier Indiana University schools, including the College of Arts and Sciences, the Jacobs School of Music, an extension of the Indiana University School of Medicine, the School of Informatics, Computing, and Engineering, which includes the former School of Library and Information Science (now Department of Library and Information Science), School of Optometry, the O'Neil School of Public and Environmental Affairs, the Maurer School of Law, the School of Education, and the Kelley School of Business. *Indiana University–Purdue University Indianapolis (IUPUI), a partnership between Indiana University and Purdue Universi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melisma
Melisma ( grc-gre, μέλισμα, , ; from grc, , melos, song, melody, label=none, plural: ''melismata'') is the singing of a single syllable of text while moving between several different notes in succession. Music sung in this style is referred to as ''melismatic'', as opposed to ''syllabic'', in which each syllable of text is matched to a single note. An informal term for melisma is a vocal run. The term roulade is also sometimes used interchangeably with melisma. History General The term melisma may be used to describe music of any genre, including baroque singing, opera, and later gospel. Within the tradition of Religious Jewish music, melisma is still commonly used in the chanting of Torah, readings from the Prophets, and in the body of a service. Today, melisma is commonly used in Middle Eastern, African, and African American music, Irish sean nós singing, and flamenco. Melisma is also commonly featured in Western popular music. Prevalence in western popular music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coloratura
Coloratura is an elaborate melody with runs, trills, wide leaps, or similar virtuoso-like material,''Oxford American Dictionaries''.Apel (1969), p. 184. or a passage of such music. Operatic roles in which such music plays a prominent part, and singers of these roles, are also called coloratura.Steane, J. B.; Jander, Owen, "Coloratura" in Sadie (1992) 1: 907. Its instrumental equivalent is ornamentation. Coloratura is particularly found in vocal music and especially in operatic singing of the 18th and 19th centuries. The word ''coloratura'' ( , , ) means "coloring" in Italian, and derives from the Latin word ''colorare'' ("to color"). History The term ''coloratura'' was first defined in several early non-Italian music dictionaries: Michael Praetorius's ''Syntagma musicum'' (1618); Sébastien de Brossard's ''Dictionaire de musique'' (1703); and Johann Gottfried Walther's ''Musicalisches Lexicon'' (1732). In these early texts "the term is dealt with briefly and always with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tessitura
In music, tessitura (, pl. ''tessiture'', "texture"; ) is the most acceptable and comfortable vocal range for a given singer or less frequently, musical instrument, the range in which a given type of voice presents its best-sounding (or characteristic) timbre. This broad definition is often interpreted to refer specifically to the pitch range that most frequently occurs within a given part of a musical piece. Hence, in musical notation, ''tessitura'' is the ambitus, or a narrower part of it, in which that particular vocal (or less often instrumental) part lies—whether high or low, etc. However, the tessitura of a part or voice is not decided by the extremes of its range, but rather by the share of this total range which is most used. Hence, it is referred to as the "heart" of a range. For example, throughout the entirety of Wagner's ''Ring'', the music written for the tenor role of Siegfried ranges from C to C, but the tessitura is described as high because the phrases are mos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
