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Un Mari à La Porte
''Un mari à la porte'' (A Husband at the Door) is an opérette in one act of 1859 with music by Jacques Offenbach. The French libretto was by Alfred Delacour (Alfred Charlemagne Lartigue) and Léon Morand. ''Un mari à la porte'' was premiered by the Théâtre des Bouffes Parisiens at the Salle Lacaze in Paris. The premiere occurred shortly after the first operatic work with words by Eugène Labiche, and Yon discerns a similarity in the vaudevillian plot of ''Un mari à la porte'' with popular works by Labiche. The work remained in the repertory of the Bouffes Parisiens for some time.Yon, Jean-Claude. ''Jacques Offenbach.'' Éditions Gallimard, Paris, 2000, p219-220. Popular not only in Paris, but also in Vienna and Budapest, it was widely staged until the end of the 19th century. The UK premiere was not until February 1950 at the Fortune Theatre.Gänzl K. ''The Encyclopedia of the Musical Theatre.'' Blackwell, Oxford, 1994. The score includes a comic lamentation for Floresta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Offenbach By Nadar
Ancient and noble French family names, Jacques, Jacq, or James are believed to originate from the Middle Ages in the historic northwest Brittany region in France, and have since spread around the world over the centuries. To date, there are over one hundred identified noble families related to the surname by the Nobility & Gentry of Great Britain & Ireland. Origins The origin of this surname ultimately originates from the Latin, Jacobus which belongs to an unknown progenitor. Jacobus comes from the Hebrew name, Yaakov, which translates as "one who follows" or "to follow after". Ancient history A French knight returning from the Crusades in the Holy Lands probably adopted the surname from "Saint Jacques" (or "James the Greater"). James the Greater was one of Jesus' Twelve Apostles, and is believed to be the first martyred apostle. Being endowed with this surname was an honor at the time and it is likely that the Church allowed it because of acts during the Crusades. Indeed, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vasily Petrenko
Vasily Eduardovich Petrenko (russian: Васи́лий Эдуа́рдович Петре́нко; born 7 July 1976) is a Russian-British conductor. He is currently chief conductor of the European Union Youth Orchestra, music director of the Royal Philharmonic Orchestra, and principal conductor of the State Academic Symphony Orchestra of the Russian Federation. Biography Petrenko was born in Leningrad, USSR. He attended the Capella Boys Music School and the St Petersburg Conservatoire. Petrenko studied conducting principally under Ravil Martynov, also learning from Mariss Jansons, Yuri Temirkanov, Esa-Pekka Salonen, George Benjamin and Roberto Carnevale. He was resident conductor at the St. Petersburg Opera and Ballet Theatre from 1994 to 1997. He has served as chief conductor of the State Academy of St Petersburg since 1994. In 2002 he won the first prize of the Cadaqués Orchestra International Conducting Competition. Petrenko made his conducting debut with the Royal Liver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Jacques Offenbach
Jacques Offenbach (, also , , ; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario of the Romantic music, Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera ''The Tales of Hoffmann''. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. ''The Tales of Hoffmann'' remains part of the standard opera repertory. Born in Cologne, the son of a synagogue hazzan, cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire but found academic study unfulfilling and left after a year. From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose comic piec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liverpool Philharmonic
Royal Liverpool Philharmonic is a music organisation based in Liverpool, England, that manages a professional symphony orchestra, a concert venue, and extensive programmes of learning through music. Its orchestra, the Royal Liverpool Philharmonic Orchestra, is the UK's oldest continuing professional symphony orchestra. In addition to the orchestra, the organisation administers the Royal Liverpool Philharmonic Choir, the Liverpool Philharmonic Youth Company and other choirs and ensembles. It is involved in educational and community projects in Liverpool and its surrounding region. It is based in the Liverpool Philharmonic Hall, an Art Deco concert hall built in the late 1930s. History 19th century The organisation has its origins in a group of music amateurs in the early 19th century. They had met during the 1830s in St Martin's Church under the leadership of William Sudlow, a stockbroker and organist; their main interest was choral music.Spiegl, Fritz and Sara Cohen"Liverpool ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lise Tautin
Lise Tautin (born Louise Vaissière,Yon, Jean-Claude. ''Jacques Offenbach.'' Editions Gallimard, Paris, 2000. Yvetot in 1834, died Bologna, May 1874), was a French soprano, associated with the opéra-bouffe in Paris in the middle of the 19th century, particularly the works of Offenbach.Gänzl K. ''The Encyclopaedia of the Musical Theatre.'' Blackwell, Oxford, 1994. Life and career Having been spotted by Offenbach at the Grand Théâtre de Lyon, Tautin made her debut with the Bouffes-Parisiens as Aspasie in '' Une demoiselle en loterie'' in July 1857 and was a big success with critics and the audiences. She also sang Fanchette in '' Le mariage aux lanternes'' (1857), Crout-ou-pôt in ''Mesdames de la Halle'' (1858), Minette in ''La chatte métamorphosée en femme'' 1858 - her incarnation of both girl and cat was praised, and Eurydice in ''Orphée aux Enfers'' (1858 and 1860 revival), where her ‘Hymne a Bacchus’ was encored, or often sung three times at each performance. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sumi Jo
Sumi Jo, OSI (; ; born 22 November 1962) is a South Korean lyric coloratura soprano known for her Grammy award-winning interpretations of the bel canto repertoire. Life and career Early life and education Jo was born Jo Su-gyeong in Changwon, South Korea. Her mother was an amateur singer and pianist who had been unable to pursue her own professional music studies because of politics in Korea during the 1950s. Determined to provide her daughter with opportunities she never had, Jo's mother enrolled her in piano lessons at the age of 4 and later voice lessons at the age of 6. Although Jo's family lived in a rented property, her parents bought a piano for her to play. Her mother raised and trained Jo strictly. Jo recalled even when her mother went out, she locked the door outside so that Jo couldn't play truant. As a child, Jo would often spend up to eight hours a day studying music. In 1976, Jo entered the Sun Hwa Arts School from which she graduated in 1980, receiving dual d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
