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Un Jardin Sur L'Oronte (opera)
''Un jardin sur l'Oronte'' ("A Garden on the Orontes") is an opera (" lyric drama") in four acts and eight tableaux by Alfred Bachelet to a French libretto adapted by Franc-Nohain from a novel of the same name by Maurice Barrès. The premiere took place on 7 November 1932 at the Palais Garnier in Paris, France. Performance history ''Un jardin sur l'Oronte'' was premiered at the Palais Garnier in Paris on 7 November 1932 with Suzanne Balguerie in the title role. It was conducted by Philippe Gaubert, with sets and costumes designed by and executed by Mouveau, Solatgès and Mathieu, and a choreography by Léo Staats Léo Staats (1877 - 1952) was a French dancer, choreographer and director. Life and career Léo Staats studied ballet with Francis Merante, a dancer at the Paris Opera, and reportedly made his debut in 1887. In 1908 he became Ballet Master at th .... Roles References Sources * * Further reading * * * {{DEFAULTSORT:Jardin sur l'Oronte, Le French- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyric Drama
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several. Definitions Opera genres have been defined in different ways, not always in terms of stylistic rules. Some, like opera seria, refer to traditions identified by later historians,McClymonds, Marita P and Heartz, Daniel: "Opera seria" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie (London, 1992) and others, like Zeitoper, have been defined by their own inventors. Other form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas Based On Novels
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1932 Operas
Year 193 ( CXCIII) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Sosius and Ericius (or, less frequently, year 946 ''Ab urbe condita''). The denomination 193 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * January 1 – Year of the Five Emperors: The Roman Senate chooses Publius Helvius Pertinax, against his will, to succeed the late Commodus as Emperor. Pertinax is forced to reorganize the handling of finances, which were wrecked under Commodus, to reestablish discipline in the Roman army, and to suspend the food programs established by Trajan, provoking the ire of the Praetorian Guard. * March 28 – Pertinax is assassinated by members of the Praetorian Guard, who storm the imperial palace. The Empire is auctioned off ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Nougaro
Pierre Nougaro (27 April 1904 in Toulouse - 26 October 1988 in Marseille) was a French operatic baritone, the father of the singer Claude Nougaro. Life As a child, Nougaro enrolled in the evening classes of the at the instigation of his parents, who were themselves choristers. He obtained a first prize for singing. Nougaro was director of the in Besançon in the 1950s and then of the Rennes theatre in 1958. In Rennes, Nougaro increased audiences by expanding the repertoire, including operettas in the season, and a world premiere every year. He also brought in the famous opera stars. In 1967, he retired from the Rennes theatre (later called the ). From the 1970s and for many years to come, his dramatic talent opened the door to a new career in television and film. He appeared in many TV movies, and in films directed by Claude Chabrol and Claude Berri among others. Filmography * 1980: ''Médecins de nuit'' by Jean-Pierre Prévost, episode ''La pension Michel'' * 1981: ''L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José Luccioni
José Luccioni (14 October 1903 in Bastia – 5 October 1978 in Marseille) was a French operatic tenor of Corsican origin. He possessed one of the best dramatic voices of the 1930s and 1940s. Initially a racing car driver and mechanic at the Citroën car company, his voice was discovered while he was serving in the military. He studied singing in Paris with the eminent former tenors Léon David and Léon Escalais and made his debut in Rouen as Cavaradossi in ''Tosca'' in 1931. During the 1932-33 season he debuted at both the Palais Garnier and the Opéra-Comique, where he won considerable acclaim as Don José in '' Carmen'', a role he sang an estimated 500 times during his career. He sang widely in Europe, spending much of 1935-37 in Italy, appearing in Florence, Turin and Verona but mostly at the Rome Opera. He also appeared at the Royal Opera House in London's Covent Garden, the Monte Carlo Opera, the Liceo in Barcelona and other European venues. He made his South ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Endrèze
Arthur Endrèze (28 November 1893, in Chicago – 15 April 1975, in Chicago) was an American opera singer who enjoyed a popular career in Paris and sang in many premieres.Alain Pâris. ''Dictionnaire des interprètes et de l'interprétation musicale au XX siècle.'' Éditions Robert Laffont, Paris, 1995 (p382). His voice was described as "warm, lyrical" and "well suited to the French repertory". Biography Born Arthur E Kraeckmann, he studied agronomy at the University of Illinois, and sang for pleasure in his spare time. He came to the attention of the conductor Walter Damrosch who advised him to go to France to improve his singing; he did so, enrolling at the American conservatoire at Fontainebleau where he studied under Jean de Reszke. Endrèze made his debut in 1925 in Nice in the role of Don Giovanni, following this with Hamlet (opera), Hamlet, and went on to sing in seasons at Deauville. In Paris he made his début on 4 October 1928 in ''Le roi d'Ys'' as Karnac, and sang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martial Singher
Martial Singher (August 14, 1904 – March 9, 1990) was a French baritone opera singer born in Oloron-Sainte-Marie, Pyrénées-Atlantiques. Initially singing only as a hobby, he was encouraged by then French education minister Édouard Herriot to pursue singing professionally. He would go on to perform at the Opéra National de Paris, the Royal Opera House, New York City Opera, San Francisco Opera, Chicago Opera and the Metropolitan Opera. He recorded an acclaimed Méphistophelès under Charles Munch in the RCA recording of Berlioz's ''La damnation de Faust'' (February 1954) with the Boston Symphony Orchestra, David Poleri as Faust and Suzanne Danco as Marguerite. Later in his life he became an accomplished music teacher at the Curtis Institute of Music in Philadelphia and at the Conservatoire de musique du Québec à Montréal before moving to Santa Barbara and taking over the Music Academy of the West. He is known for influencing the careers of such artists as James King, Do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
