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Ulysse (Rebel)
''Ulysse'' or ''Ulysse et Pénélope'' (''Ulysses'' or ''Ulysses and Penelope'') is an opera by the French composer Jean-Féry Rebel, first performed at the Académie Royale de Musique (the Paris Opéra) on 21 January 1703. It takes the form of a ''tragédie en musique'' in a prologue and five acts. The libretto is by Guichard. Recording *''Ulysse''. Les Solistes du Marais: Guillemette Laurens, Circé, Stéphanie Révidat, Pénélope, Bertrand Chuberre, Ulysse, Bernard Deletré, Urilas, Howard Crook, Orphée, Euriloque, Céline Ricci, Eugénie Warnier, Vincent Lièvre-Picard, Thomas van Essen, Le Chœur du Marais, La Simphonie du Marais, conducted by Hugo Reyne Hugo Reyne (born in 1961) is a contemporary French recorder player, oboist and conductor. He is the founder and music director of La Simphonie du Marais. Biography Born in Paris, Hugo Reyne began learning the flute and oboe at a very young a .... Recorded 9-10 July 2007. aint-Sulpice-le-Verdon, Vendée Conseil Gén ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Féry Rebel
Jean-Féry Rebel (18 April 1666 – 2 January 1747) was an innovative French Baroque composer and violinist. Biography Rebel, a child violin prodigy, was the most famous offspring of Jean Rebel, a tenor in Louis XIV's private chapel. He later became a student of the great violinist, singer, conductor, and composer Jean-Baptiste Lully. By 1699, at age 33, Rebel became first violinist of the Académie royale de musique (also known as the Opéra). He travelled to Spain in 1700. Upon his return to France in 1705, he was given a place in the prestigious ensemble known as the Les Vingt-quatre Violons du Roi. He was chosen Maître de Musique in 1716. His most important position at court was Chamber Composer, receiving the title in 1726. Rebel served as court composer to Louis XIV and ''maître de musique'' at the Académie, and directed the Concert Spirituel (during the 1734–1735 season). Rebel was one of the first French musicians to compose sonatas in the Italian style. Many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Opéra
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragédie En Musique
Tragédie en musique (, ''musical tragedy''), also known as tragédie lyrique (, ''lyric tragedy''), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century. Operas in this genre are usually based on stories from Classical mythology or the Italian romantic epics of Tasso and Ariosto. The stories may not necessarily have a tragic ending – in fact, most do not – but the works' atmospheres are suffused throughout with an affect of nobility and stateliness. The standard ''tragédie en musique'' has five acts. Earlier works in the genre were preceded by an allegorical prologue and, during the lifetime of Louis XIV, these generally celebrated the king's noble qualities and his prowess in war. Each of the five acts usually follows a basic pattern, opening with an aria in which one of the main characters expresses their feelings, followed by dialogue in recitative interspersed with short arias (''petits airs'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillemette Laurens
Guillemette Laurens (born 6 November 1957 in Fontainebleau, France) is a French operatic mezzo-soprano. Guillemette trained at the Academy of Toulouse and debuted as Baba in ''The Rake's Progress'' at Salle Favart. She took part in the premiere recording of Lully's '' Atys'' conducted by William Christie. She is a highly respected singer of Baroque music, both as a soprano and a mezzo-soprano. She has made notable recordings of Monteverdi operas. Selecting Recordings * Jean-Féry Rebel'': Ulysse''. Les Solistes du Marais: Guillemette Laurens, Stéphanie Révidat, Bertrand Chuberre, Bernard Deletré, Céline Ricci, Eugénie Warnier, Vincent Lièvre-Picard, Thomas van Essen, Le Chœur du Marais, La Simphonie du Marais, conducted by Hugo Reyne. Recorded 9–10 July 2007. aint-Sulpice-le-Verdon, Vendée Conseil Général de la Vendée, Ⓟ 2007. Musiques à la Chabotterie 605003 *Camille Saint-Saëns, ''Oratorio de Noël'', Marie Paule Dotti, soprano, Guillemette Laurens, mezzo-so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernard Deletré
Bernard Deletré is a French operatic bass- baritone . Life After studying flute and singing in the North of France, followed by a first prize in singing at the Conservatoire de Paris, Deletré performed with the Groupe Vocal de France before embarking on a career as a soloist. He also performs contemporary music, with the Atelier Lyrique du Rhin or the Péniche Opéra. He has sung Monteverdi, Purcell, Cesti, Cavalli, Lully, Charpentier, Rameau, Handel or Mozart, and also Verdi, Bellini, Massenet, Offenbach, Janáček. Deletré has performed in the United States and Canada (Glimmerglass Festival, Berkeley Festival, New York City Opera, Boston Early Music Festival, Opera Lafayette Washington DC, Florence Gould Hall of New-York, Festival de Musique ancienne de Montréal), and also collaborates with the Dutch national company Reisopera and the Grand Théâtre de Genève. Deletré worked extensively in the 1980s and 1990s with the ensemble of Baroque music Les Arts Floris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Simphonie Du Marais
La Simphonie du Marais is a French music ensemble established in 1987 by recorder player Hugo Reyne. Today, it is located in the Logis de la Chabotterie of Saint-Sulpice-le-Verdon in Vendée. It performs exclusively vocal and instrumental Baroque music ( Rameau, Lully, Delalande…). External links ''La Simphonie du Marais célèbre son 30ème anniversaire cet automne''on France Musique Biographie de la Simphonie du Maraison simphonie-du-marais.org La Simphonie du Maraison Ouest France Official websiteLa Simphonie du Maraison Vendee.fr La Simphonie du Maraison Discogs Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. While the site was originally created with a goal of becoming the ... La Simphonie du Marais - Delalande : Les Soupers du roion YouTube {{DEFAULTSORT:Simphonie du Marais Baroque music groups ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugo Reyne
Hugo Reyne (born in 1961) is a contemporary French recorder player, oboist and conductor. He is the founder and music director of La Simphonie du Marais. Biography Born in Paris, Hugo Reyne began learning the flute and oboe at a very young age. In 1984, he won the first prize for chamber music at the Bruges International Chamber Music Competition. In the 1980s, Hugo Reyne played flute and oboe in most of the Parisian baroque ensembles, and from 1983 to 1996 he played the 1st flute at the Arts Florissants under the direction of William Christie. He has worked with conductors such as Frans Brüggen, Philippe Herreweghe, Gustav Leonhardt and Jordi Savall. In 1987 he founded his historical interpretation ensemble, La Simphonie du Marais and was particularly interested in French lyrical music. Since 2003 Hugo Reyne has been artistic director of the Musiques at the festival in Saint-Sulpice-le-Verdon. Hugo Reyne devotes a large part of his time to musicological research, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Jean-Féry Rebel
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1703 Operas
Seventeen or 17 may refer to: *17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *''Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Christien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
