Bernard Deletré
Bernard Deletré is a French operatic bass- baritone . Life After studying flute and singing in the North of France, followed by a first prize in singing at the Conservatoire de Paris, Deletré performed with the Groupe Vocal de France before embarking on a career as a soloist. He also performs contemporary music, with the Atelier Lyrique du Rhin or the Péniche Opéra. He has sung Monteverdi, Purcell, Cesti, Cavalli, Lully, Charpentier, Rameau, Handel or Mozart, and also Verdi, Bellini, Massenet, Offenbach, Janáček. Deletré has performed in the United States and Canada (Glimmerglass Festival, Berkeley Festival, New York City Opera, Boston Early Music Festival, Opera Lafayette Washington DC, Florence Gould Hall of New-York, Festival de Musique ancienne de Montréal), and also collaborates with the Dutch national company Reisopera and the Grand Théâtre de Genève. Deletré worked extensively in the 1980s and 1990s with the ensemble of Baroque music Les Arts Floris ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Naxos Records
Naxos comprises numerous companies, divisions, imprints, and labels specializing in classical music but also audiobooks and other genres. The premier label is Naxos Records which focuses on classical music. Naxos Musical Group encompasses about 17 labels including Naxos Records, Naxos Audiobooks, and Naxos Books (ebooks). There are about an additional 50 labels that are independent of the Naxos Musical Group with a wide range of offerings. The company was founded in 1987 by Klaus Heymann, a German-born resident of Hong Kong. Naxos Records Naxos Records is a record label specializing in classical music. The company was known for its budget pricing of discs, with simpler artwork and design than most other labels. In the 1980s, Naxos primarily recorded central and eastern European symphony orchestras, often with lesser-known conductors, as well as upcoming and unknown musicians, to minimize recording costs and maintain its budget prices. In more recent years, Naxos has taken advan ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Manon
''Manon'' () is an ''opéra comique'' in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel '' L'histoire du chevalier des Grieux et de Manon Lescaut'' by the Abbé Prévost. It was first performed at the Opéra-Comique in Paris on 19 January 1884, with sets designed by Eugène Carpezat (act 1), Auguste Alfred Rubé and Philippe Chaperon (acts 2 and 3), and Jean-Baptiste Lavastre (act 4). Prior to Massenet's work, Halévy (''Manon Lescaut'', ballet, 1830) and Auber (''Manon Lescaut'', opéra comique, 1856) had used the subject for musical stage works. Massenet also wrote a one-act sequel to ''Manon'', ''Le portrait de Manon'' (1894), involving the Chevalier des Grieux as an older man. The composer worked at the score of ''Manon'' at his country home outside Paris and also at a house at The Hague once occupied by Prévost himself. ''Manon'' is Massenet's most popular and enduring opera and, having "quickly conquered th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dorset Opera Festival
Dorset Opera Festival is an annual country house opera festival combining amateur and professional performers, which takes place at Bryanston near Blandford Forum in Dorset, England. Operas are staged at the conclusion of a two-week summer school, focussing on the 18–25 age group, based at Bryanston School. It attracts performers from around Europe. Founded as Dorset Opera by Patrick Shelley at Sherborne School in 1974, it moved to Bryanston in 2005, when Roderick Kennedy became its artistic director, and it became Dorset Opera Festival in 2011. Operas are staged in The Coade Hall theatre at the school, and touring productions are also staged elsewhere. Recent productions below. For a full list from 1974 to present day visit thDorset Opera Productions Archive 2011: ''Puccini's Tosca'' and Verdi's ''Otello'' 2012: Verdi's ''Il trovatore,'' Puccini's ''Suor Angelica'', and ''Le Carrosse du Saint-Sacrament'' by Lord Berners. 2013: ''La traviata'', directed by Jonathan Mill ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Les Pêcheurs De Perles
' (''The Pearl Fishers'') is an opera in three acts by the French composer Georges Bizet, to a libretto by Eugène Cormon and Michel Carré. It was premiered on 30 September 1863 at the Théâtre Lyrique in Paris, and was given 18 performances in its initial run. Set in ancient times on the island of Ceylon (Sri Lanka), the opera tells the story of how two men's vow of eternal friendship is threatened by their love for the same woman, whose own dilemma is the conflict between secular love and her sacred oath as a priestess. The friendship duet "", generally known as "The Pearl Fishers Duet", is one of the best-known in Western opera. At the time of the premiere, Bizet (born on 25 October 1838) was not yet 25 years old: he had yet to establish himself in the Parisian musical world. The commission to write ' arose from his standing as a former winner of the prestigious Prix de Rome. Despite a good reception by the public, press reactions to the work were generally hostile and dismiss ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hérodiade
''Hérodiade'' is an opera in four acts by Jules Massenet to a French libretto by Paul Milliet and Henri Grémont, based on the novella ''Hérodias'' (1877) by Gustave Flaubert. It was first performed at the Théâtre de la Monnaie in Brussels on 19 December 1881. The libretto is a retelling of the story of John the Baptist, Salome, Herod Antipas and Herodias, but is strikingly less psychological and bloody than Richard Strauss's '' Salome'', which is based on a text by Oscar Wilde. The opera premiered in Brussels because Auguste Vaucorbeil, Manager of the Paris Opera house refused to stage the work; "I do like your music," he had said to Massenet, "but as for the libretto, you badly need an author who knows how to build the skeleton of a play." Performance history The opera reached Paris at the Théâtre des Nations on 1 February 1884, and the final performance of the run on 13 March featured the three De Reszkes; Jean (Jean), Édouard (Phanuel), and Josephine (Salomé). It ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Isabelle Aboulker
Isabelle Aboulker (born 23 October 1938) is a French composer, particularly known for her operas and other vocal works. In 1999, she gained a prize from the Académie des Beaux-Arts and in 2000 the music prize of the Société des Auteurs et Compositeurs Dramatiques for her numerous lyric pieces. Life and work Isabelle Aboulker was born in the Parisian suburb of Boulogne-Billancourt. Her father was the Algerian-born film director and writer Marcel Aboulker and her maternal grandfather was the composer Henry Février. While following a course in composition and keyboard studies at the Conservatoire National Supérieur de Musique in Paris, she started composing for the theatre, the cinema and television. She then worked for the Conservatoire as their chief accompanist and voice teacher and authored several educational works. In 1980, she turned to composing operas and subsequently many other vocal works. Because of her work with children, Isabelle Aboulker made a particular specia ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pelléas And Mélisande
''Pelléas and Mélisande'' (french: Pelléas et Mélisande) is a Symbolist play by Maurice Maeterlinck about the forbidden, doomed love of the title characters. It was first performed in 1893. The work never achieved great success on the stage, apart from in the operatic setting by Claude Debussy, but it was at the time widely read and admired by the literary elite in the symbolist movement, such as Strindberg and Rilke. It also inspired other contemporary composers, including Gabriel Fauré, Arnold Schoenberg, Jean Sibelius, and Mel Bonis. Synopsis Golaud finds Mélisande by a stream in the woods. She has lost her crown in the water but does not wish to retrieve it. They marry, and she instantly wins the favor of Arkël, Golaud's grandfather and king of Allemonde, who is ill. She begins to be drawn to Pelléas, Golaud's brother. They meet by the fountain, where Mélisande loses her wedding ring. Golaud grows suspicious of the lovers, has his son Yniold spy on them, and discov ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Cunning Little Vixen
''The Cunning Little Vixen'' (original title ''Příhody lišky Bystroušky'' or ''Tales of Vixen Sharp-Ears'' in English), is a three-act Czech-language opera by Leoš Janáček completed in 1923 to a libretto the composer himself adapted from a novella by Rudolf Těsnohlídek. Name The opera's libretto was adapted by the composer from a 1920 serialized novella, ''Liška Bystrouška'', by Rudolf Těsnohlídek, which was first published in the newspaper ''Lidové noviny'' (with illustrations by Stanislav Lolek). For the title of the opera, ''Příhody'' means ''tales''; ''lišky'' is the genitive of ''vixen''. ''Bystroušky'', still genitive, is the pun ''sharp'', having the double meaning of ''pointed'', like fox ears, and ''clever''. The opera first became familiar outside Czechoslovakia in a 1927 German adaptation by Max Brod who provided the new name ''Das schlaue Füchslein'', by which Germans still know it and which in English means ''The Cunning Little Vixen''. Compositio ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Marriage Of Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Káťa Kabanová
''Káťa Kabanová'' (also known in various spellings including ''Katia'', ''Katja'', ''Katya'', and ''Kabanowa'') is an opera in three acts, with music by Leoš Janáček to a libretto by the composer based on '' The Storm'', a play by Alexander Ostrovsky, translated by . The opera was also largely inspired by Janáček's love for Kamila Stösslová. Although he was 67 when it was premiered, ''Káťa Kabanová'' is a clear response to Janáček's feelings for Kamila, and the work is dedicated to her. The first performance was at the National Theatre Brno on 23 November 1921. The opera has had a complex publication history. František Neumann, the conductor of the opera's first performance, made changes that were incorporated into the first publication of the score in 1922 by Universal Edition. Conductor Václav Talich later produced a "re-orchestrated" version of the score. In 1992, Sir Charles Mackerras published a critical edition of the opera.Wingfield, Paul, "Reviews of Music" ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Olivier Py
Olivier Py (; born 24 July 1965 in Grasse, Alpes-Maritimes) is a French stage director, actor and writer. Career In 1997, Py became director of the Centre dramatique national d'Orléans. In 2007, he became director of the Théâtre de l'Odéon in Paris. Py describes himself as Catholic and homosexual. He is known for his emphasis on Catholic and homoerotic themes. Since the early 2000s, Py has increasingly devoted himself to the opera. His productions of ''La damnation de Faust'', ''Tannhäuser'' and ''Tristan und Isolde'', all in Geneva, have generally been well received. In March 2008, he debuted at the Paris Opéra. On this occasion he stated to a French magazine ('' Diapason'', March 2008) that he "would not be done staging operas until edid Wagner's ''Ring'' and ''Parsifal''". Theatre Works written and directed * 1988: ''Des oranges et des ongles'' * 1990: ''Gaspacho, un chien mort'' * 1991: ''La femme canon et le bouquet final'' * 1992: ''Les Aventures de Paco Goliard'' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |