Ultraschall
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Ultraschall
Ultraschall (German: Ultrasound, ) was a nightclub in Munich, Germany from 1994 to 2003. The techno club belonged, besides the '' Tresor'' and '' E-Werk'' in Berlin, the ''Dorian Gray'' and ''Omen'' in Frankfurt, and the Munich-based clubs ', ''Natraj Temple'' and ''Millennium'', to the most renowned clubs of Germany's 1990s techno culture. According to ''FazeMag'', Ultraschall was "for many techno fans the most authentic techno club alongside the Tresor". History and Description Origins The origins of the club lie in the monthly Ultraworld parties on the grounds of an alternative cultural center in Munich's Oberföhring borough, which was called ''Kulturstation'' and often also hosted punk concerts. The techno club nights were inspired by the nascent techno scene in Berlin and especially the clubs ''Tresor'' and ''Planet'' at that time. Because of the popularity of the parties and the lack of ventilation, the music had to be interrupted every two hours and to open the window ...
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Acid Maria
DJ Acid Maria, born Angelika Lepper, is a German DJ and music producer of electronic music. Her musical style is between techno and Chicago House. She became famous as the house DJ of the Munich clubs Ultraschall and Harry Klein. Career Her career began on December 6, 1992, when she performed for twenty people for "Jockey Slut Night" at Club Alcatraz in Munich. In the Munich scene she was next known as a co-owner of a store that sold clubwear clothing. (in German) Acid Maria was the first house DJ of Munich's first techno club Ultraschall since its establishment. She performed and produced projects for DJ Hell's International DeeJay Gigolo Records label, founded in 1996. She was later house DJ for the Munich club Harry Klein, the Berlin club WMF and the club event Killekill, as well as the Cologne club Subway. In between these roles, she toured worldwide, playing at "Festival Tecnogeist 2000" in Mexico City, the Womb Club in Tokyo and Mayday in Dortmund. She has worked with ...
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Monika Kruse
Monika Kruse (born 23 July 1971) is a German techno DJ/producer and record label owner, with a career in electronic music spanning more than 25 years. She played an influential role in the early Munich rave scene during the early 1990s and was among the first wave of German techno artists to tour internationally, before moving to Berlin at the end of the decade where she founded her Terminal M record label. Kruse remains a prominent fixture on the international house and techno scene, with regular appearances at major European events like Awakenings and Time Warp, and is also known for her long-term commitment to social justice via her No Historical Backspin charity that she founded in 2000. Biography Kruse was born in 1971 in West Berlin, but grew up in the Bavarian capital of Munich after her parents moved there when she was a baby. She began classical training in piano at the age of four*, and during her teens began accumulating a record collection that saw her cultivating ...
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DJ Hell
Helmut Josef Geier (born 6 September 1962), known professionally as DJ Hell, is a German DJ. Biography 1970s and 1980s DJ Hell described his musical beginnings in an interview with '' The European'', telling them “I was socialized with German electronic music of the 1960s and 1970s. There were no commercial aspirations; it was all about experimentation.” Hell has worked as a DJ since 1978.„Arbeiter der Nacht“
Interview with sueddeutsche.de, 23.8.2013.
Starting in 1983, he began working as a DJ at Club Libella in , Germany, near his hometown of Altenmarkt an der Alz. This would be his first residency, where he cultivated his ...
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Berg Am Laim
Berg am Laim (Central Bavarian: ''Berg am Loam'') is a southeastern borough of Munich, Bavaria, Germany. Notable landmarks *Das Kartoffelmuseum *Erzbruderschaft St. Michael *Innsbrucker Ring *Innsbrucker-Ring-Tunnel *Kultfabrik *Leuchtenbergring *Leuchtenbergring-Tunnel *Medienbrücke *Michaeli-Gymnasium München *Offenbarungskirche (Munich) *Piusplatz (Munich) *Schüleinbrunnen *St Michael in Berg am Laim (Munich), St. Michael *St. Pius (Munich) *Stimmkreis München-Bogenhausen *Technisches Rathaus *Innsbrucker Ring (Munich U-Bahn), U-Bahnhof Innsbrucker Ring *Josephsburg (Munich U-Bahn), U-Bahnhof Josephsburg *Kreillerstraße (Munich U-Bahn), U-Bahnhof Kreillerstraße *Michaelibad (Munich U-Bahn), U-Bahnhof Michaelibad *Ultraschall *Werksviertel Culture Since 1996 Berg am Laim was for almost two decades a center of Munich's nightlife due to the Kunstpark Ost and its successor Kultfabrik, a former industrial complex that was converted to a large party area near München Ost ...
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Rave
A rave (from the verb: '' to rave'') is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including techno, hardcore, house, and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines. While some raves may be small parties held at nightclubs or private homes, some raves have grown to immense size, such as the large festivals and events ...
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KW – Das Heizkraftwerk
KW – Das Heizkraftwerk was a nightclub in Munich, Germany from 1996 to 2003. The techno club belonged, besides the '' Tresor'' and '' E-Werk'' in Berlin, the ''Dorian Gray'' and ''Omen'' in Frankfurt, and the Munich-based clubs ''Ultraschall'', ''Natraj Temple'' and ''Millennium'', to the most renowned clubs of Germany's 1990s techno culture. History and description The nightclub, which in everyday language often was just called ''KW'' or ''Kraftwerk'' (English: power plant), opened in 1996 in a former combined heat and power plant on the grounds of the ''Kunstpark Ost'', a former factory site of 90.000 m2 close to the Ostbahnhof train station in Munich's Berg am Laim district. It was the first large techno club on the grounds of the Kunstpark factory site. Reputation and star DJs The club was renowned for featuring international stars of the techno, house and pop scene. The New Yorker David Morales was the premiere guest at the regular Saturday event called ''World Le ...
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Babalu Club
Babalu Club was one of the most well-known nightclubs of the early German techno scene and was located in Munich's Schwabing district from 1990 to 1994. The Babalu Club is considered to be the club that introduced the concept of afterhours in Germany, in order to circumvent the curfew that was in force in the city at the time. In the early 1990s, nightclubs in Munich were only allowed to open until 4 a.m., so Babalu Club started reopening the club at 6 a.m. The afterhour parties then often lasted into the afternoon according to the motto ''open-end''. Since there were curfews throughout Bavaria at the time, the Babalu attracted guests from all over the region who had previously partied until 4 a.m. in other cities. By the year after its founding, the Babalu Club had then established itself as one of the main venues for techno in Germany. The club was also influential in the sense that several DJs and producers who later played a decisive role in shaping the German techno scene beg ...
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Natraj Temple
Natraj Temple [] was a nightclub in Munich, Germany from 1996 to 2008. Germany's first steady psytrance nightclub belonged, besides the ''Tresor (club), Tresor'' and ''[ E-Werk'' in Berlin, the ''Dorian Gray'' and ''Omen'' in Frankfurt, and the Munich-based clubs ''Ultraschall'', ' and ''Millennium'', to the most renowned clubs of Germany's 1990s techno culture, and was considered an international centre of the Goa trance movement. History and Description Significance The significance of the Natraj Temple for the rave culture is due to the fact that it was one of only a few clubs that specialized completely in a single subgenre, in this case psytrance. In the Goa and psytrance scene, decorations based on Hindu, Buddhist or shamanic motifs and symbols as well as spirituality and often excessive intoxication play an important role. Accordingly, the media coverage about the nightclub mostly focused on the psychedelic design of the venue, the elaborate art installations and the ...
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Pfanni
The Pfanni GmbH & Co. OHG is a German food manufacturer based in Stavenhagen. It specializes in the manufacturing of kitchen ready potato products. It is a subsidiary of Unilever since 2000. History The company was founded on September 2, 1949 by Werner Eckart in Munich. Whose father, John Eckart, had been producing preserves since 1868. In the year 1964, Pfanni had a turnover of more that DM50 million, which by 1965 increased to DM80 million. Pfanni employed by that time 1,300 workers and processed 150,000 tonnes of potatoes each year. Pfanni was sold in 1993 to CPC Germany, later renamed Bestfoods Corporation. Knorr also belongs to Bestfoods Corporation. In 2000, this group of companies was taken over by Unilever, which offers Pfanni branded potato products such as raspeball, dumpling dough, mashed potato, TV dinner and gnocchi. The dumpling varieties also includes bread dumplings. After the company had moved to Mecklenburg-Vorpommern, in 1996 the huge former factory si ...
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Techno
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular. Much of the instrumentation in techno emphasizes the role of rhythm over other musical parameters. Techno tracks mainly progress over manipulation of timbral characteristics of synthesizer presets and, unlike forms of EDM that tend to be produced with synthesizer keyboards, techno does not always strictly adhere to the harmonic practice of Western music and such structures are often ignored in favor of timbr ...
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Nightclub
A nightclub (music club, discothèque, disco club, or simply club) is an entertainment venue during nighttime comprising a dance floor, lightshow, and a stage for live music or a disc jockey (DJ) who plays recorded music. Nightclubs generally restrict access to people in terms of age, attire, personal belongings, and inappropriate behaviors. Nightclubs typically have dress codes to prohibit people wearing informal, indecent, offensive, or gang-related attire from entering. Unlike other entertainment venues, nightclubs are more likely to use bouncers to screen prospective patrons for entry. The busiest nights for a nightclub are Friday and Saturday nights. Most nightclubs cater to a particular music genre or sound for branding effects. Some nightclubs may offer food and beverages (including alcoholic beverages). History Early history In the United States, New York increasingly became the national capital for tourism and entertainment. Grand hotels were built for upsca ...
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Techno
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular. Much of the instrumentation in techno emphasizes the role of rhythm over other musical parameters. Techno tracks mainly progress over manipulation of timbral characteristics of synthesizer presets and, unlike forms of EDM that tend to be produced with synthesizer keyboards, techno does not always strictly adhere to the harmonic practice of Western music and such structures are often ignored in favor of timbr ...
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