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Utrecht Guild Of Saint Luke
The Utrecht Guild of Saint Luke refers to two artist collectives in Utrecht (city); the old Catholic ''Zadelaarsgilde'' (Saddler's Guild) dating from the Middle Ages, as well as the newer ''Sint Lucas Gilde'' established in 1611. The first collective was for a number of trades that were connected to the art industry, though the smiths had their own guild called the "St. Eloyen" guild. The second collective was founded for the oil painters after the Protestant Reformation. The Zadelaarsgilde fell under the patron saint Luke the Evangelist and the St. Eloyen guild fell under Saint Eligius. History Like other Dutch cities, Utrecht required membership in the guilds in order to sell wares falling under those guilds. In the 14th century, the Utrecht saddlemakers, painters, sculptors, book illustrators, and bookbinders were all united in the Zadelaarsgilde. In those days oil painters were just as likely to paint on leather parchment or harness as on wooden panels or sculptures, so the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guild
A guild ( ) is an association of artisans and merchants who oversee the practice of their craft/trade in a particular area. The earliest types of guild formed as organizations of tradesmen belonging to a professional association. They sometimes depended on grants of letters patent from a monarch or other ruler to enforce the flow of trade to their self-employed members, and to retain ownership of tools and the supply of materials, but were mostly regulated by the city government. A lasting legacy of traditional guilds are the guildhalls constructed and used as guild meeting-places. Guild members found guilty of cheating the public would be fined or banned from the guild. Typically the key "privilege" was that only guild members were allowed to sell their goods or practice their skill within the city. There might be controls on minimum or maximum prices, hours of trading, numbers of apprentices, and many other things. These rules reduced free competition, but sometimes mainta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerard Van Honthorst
Gerard van Honthorst (Dutch: ''Gerrit van Honthorst''; 4 November 1592 – 27 April 1656) was a Dutch Golden Age painting, Dutch Golden Age painter who became known for his depiction of artificially lit scenes, eventually receiving the nickname ''Gherardo delle Notti'' ("Gerard of the Nights"). Early in his career he visited Rome, where he had great success painting in a style influenced by Caravaggio. Following his return to the Netherlands he became a leading portrait painter. Early life Van Honthorst was born in Utrecht, the son of a decorative painter, and trained under his father, and then under Abraham Bloemaert.Brown (1997), p.62 Italy Having completed his education, Honthorst went to Italy, where he is first recorded in 1616. He was one of the artists from Utrecht who went to Rome at around this time, all of whom were to be deeply influenced by the recent art they encountered there. They were named Utrecht Caravaggism, the Utrecht ''caravaggisti''. The other th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guilds In The Netherlands
A guild ( ) is an association of artisans and merchants who oversee the practice of their craft/trade in a particular area. The earliest types of guild formed as organizations of tradesmen belonging to a professional association. They sometimes depended on grants of letters patent from a monarch or other ruler to enforce the flow of trade to their self-employed members, and to retain ownership of tools and the supply of materials, but were mostly regulated by the city government. A lasting legacy of traditional guilds are the guildhalls constructed and used as guild meeting-places. Guild members found guilty of cheating the public would be fined or banned from the guild. Typically the key "privilege" was that only guild members were allowed to sell their goods or practice their skill within the city. There might be controls on minimum or maximum prices, hours of trading, numbers of apprentices, and many other things. These rules reduced free competition, but sometimes maintained ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Van Wijckersloot
Johannes van Wijckersloot (c. 1625-1630 – 1687) was a Dutch Golden Age painter. Wijckersloot was born in Utrecht and little is known of his early years, though he probably learned to paint at the newly opened drawing academy there. He worked his way up in the Utrecht Guild of Saint Luke, becoming headman in 1658. He is known for portraits and allegories. His most famous painting is possibly his 1672 allegory of the ''Rampjaar'', in which he painted a representation of the Garden of Holland with a sleeping lion. The motief of the lion in the Garden of Holland became a common symbol in heraldry, asleep or standing victorious with a phrygian cap. Wijckersloot moved to Amsterdam in 1684 where he later died. File:Johannes van Wijckersloot - Allegorie op de Franse invasie van 1672.jpg, ''Rampjaar'' in the |
Charles Cornelisz
Charles is a masculine given name predominantly found in English and French speaking countries. It is from the French form ''Charles'' of the Proto-Germanic name (in runic alphabet) or ''*karilaz'' (in Latin alphabet), whose meaning was "free man". The Old English descendant of this word was '' Ċearl'' or ''Ċeorl'', as the name of King Cearl of Mercia, that disappeared after the Norman conquest of England. The name was notably borne by Charlemagne (Charles the Great), and was at the time Latinized as ''Karolus'' (as in ''Vita Karoli Magni''), later also as '' Carolus''. Some Germanic languages, for example Dutch and German, have retained the word in two separate senses. In the particular case of Dutch, ''Karel'' refers to the given name, whereas the noun ''kerel'' means "a bloke, fellow, man". Etymology The name's etymology is a Common Germanic noun ''*karilaz'' meaning "free man", which survives in English as churl (< Old English ''ċeorl''), which developed its depre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joachim Wtewael
Joachim Anthoniszoon Wtewael (; also known as Uytewael ) (1566 – 1 August 1638) was a Dutch Northern Mannerism, Mannerist painter and Drawing, draughtsman, as well as a highly successful flax merchant, and town councillor of Utrecht (city), Utrecht. Wtewael was one of the leading Dutch exponents of Northern Mannerism, and his distinctive and attractive style remained largely untouched by the naturalistic developments happening around him, "characterized by masterfully drawn, highly polished figures often set in poses".Slive, 13 Wtewael was trained in the style of late 16th-century Haarlem Mannerism and remained essentially faithful to it, despite painting well into the early period of Dutch Golden Age painting. Altogether he has left about a hundred paintings, as well as drawings and some stained glass he designed. He painted a mixture of large paintings on canvas, and tiny cabinet paintings on copper plates, the latter the more numerous and typically the most distinct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adam Willaerts
Adam Willaerts (21 July 1577 – 4 April 1664) was a Dutch Golden Age painter. Biography Willaerts (occasionally ''Willarts'', ''Willers'') was born in London to Flemish parents who had fled from Antwerp for religious reasons. By 1585 the family lived in Leiden. From 1597 until his death, Adam lived and worked in Utrecht. He became a member of the Utrecht Guild of St. Luke in 1611 and subsequently became its dean in 1620. His sons Cornelis, Abraham, and Isaac followed in his footsteps. He was known as a painter of river and canal pieces, coastal landscapes, fish-markets, processions, and genre scenes. He also painted villages and marine battle scenes. His '' Allegory of the victory of the Dutch on the Spanish fleet in Gibraltar'' is in the Rijksmuseum. Gallery File:Måleri. Hamnbild. Skepp - Skoklosters slott - 88959.tif, ''Harbour scene'', circa 1615. Image:De overwinning op de Spanjaarden bij Gibraltar door een vloot onder bevel van Jacob van Heemskerck, 25 april 1607 - ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abraham Willaerts
Abraham Willaerts (c. 1603 - 18 October 1669) was a Dutch Baroque painter, mostly of marine and harbor scenes. He also painted a number of single and family portraits. Life Abraham Willaerts was born in Utrecht (city), Utrecht, the son of the painter Adam Willaerts. He trained with his father, a marine painter. He later studied with the Utrecht Caravaggism, Utrecht Caravaggist Jan van Bijlert in Utrecht.Abraham Willaerts Biography at Richard Green He became a member of the Utrecht Guild of Saint Luke in 1624. He travelled to Paris in 1628 where he worked in the workshop of the prominent religious and history painter Simon Vouet. He returned to his home country in 1635. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Baptist Weenix
Jan Baptist Weenix, also spelled Jan Baptiste Weeninx (1621–c. 1659) was a painter of the Dutch Golden Age. Despite his relatively brief career, he was a very productive and versatile painter. His favourite subjects were Italian landscapes with large figures among ruins, seaside views, and, later in life, large still life pictures of dead game or dogs. He was mainly responsible for introducing the Italian harbour scene into Dutch art, in mid-size paintings with a group of figures in the foreground. Life Weenix was born near Amsterdam's harbour, the son of an architect. He could not speak well, apparently from a medical condition, and because he very much liked to read books, his mother sent him to work for a bookseller, who was not able to deal with him. He drew whenever he could, according to Jan Weenix his son, who told the story to Arnold Houbraken. Weenix first studied under Jan Micker, who was the brother-in-law of his oldest sister Lysbeth. He then studied in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Weenix
Jan Weenix or Joannis Wenix (between 1641/164919 September 1719 (buried)) was a Dutch painter. He was trained by his father, Jan Baptist Weenix, together with his cousin Melchior d'Hondecoeter. Like his father, he painted various subjects, but is mostly known for his paintings of dead game and hunting scenes. Many paintings in this genre were formerly ascribed to the elder Weenix, but are now generally considered to be the work of the son. Life Jan Weenix was born in Amsterdam according to his notice of marriage in 1679 but his date of birth is not exactly known as the baptismal record of this catholic church did not survive. Between 1643 and 1647 his father (Jan Baptist) worked in Italy, but the family moved to Utrecht around 1649. His father subsequently moved into a castle near Vleuten, but died rather young in 1659. By the age of twenty Jan Weenix rivalled and later surpassed his father in breadth of treatment and richness of colour. Jan Weenix was a member of the Utrech ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Vermeer Van Utrecht
Jan Vermeer van Utrecht (16 February 1630 (bapt.) – c. 1696) was a Dutch Golden Age painter. Though he was born near Delft, there is no known relation between this painter and Johannes Vermeer. Biography Vermeer was born in Schipluiden. His father died when he was 10 and he was raised by his step-grandfather in Rotterdam. According to Houbraken he travelled to Italy with Lieve Verschuier and became friends with Willem Drost and Johann Carl Loth.Johan vander Meer biography in ''De groote schouburgh der Nederlantsche konstschilders en schilderessen'' (1718) by , courtesy of the |
Roelant Savery
Roelant Savery (or ''Roeland(t) Maertensz Saverij'', or ''de Savery'', or many variants; 1576 – buried 25 February 1639) was a Flanders-born Dutch Golden Age painter. Life Savery was born in Kortrijk. Like so many other artists, he belonged to an Anabaptist family that fled north from the Spanish-occupied Southern Netherlands when Roelant was about 4 years old and settled in Haarlem around 1585. He was taught painting by his older brother Jacob Savery (c. 1565 – 1603) and Hans Bol. After his schooling, Savery traveled to Prague around 1604, where he became court painter of the Emperors Rudolf II (1552–1612) and Mathias (1557–1619), who had made their court a center of mannerist art. Between 1606 and 1608 he traveled to Tyrol to study plants. Gillis d'Hondecoeter became his pupil. Before 1616 Savery moved back to Amsterdam, and lived in the Sint Antoniesbreestraat. In 1618 he settled in Utrecht, where he joined the artist's guild a year later. His nephew Hans would ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
