|
Utagawa Kuniteru II
The name Utagawa may refer to: *The Utagawa school of Japanese woodblock print artists *One of the artists of the Utagawa school, including: ** ** **, also known as Andō Hiroshige **, also known as Utagawa Toyokuni III ** ** ** ** *, Japanese ornithologist and academic *, Japanese scholar of Western Studies {{disambiguation, surname Japanese-language surnames ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utagawa School
The Utagawa school () was one of the main schools of ukiyo-e, founded by Utagawa Toyoharu. It was the largest ukiyo-e school of its period. The main styles were bijin-ga (beautiful women) and uki-e (perspective picture). His pupil, Toyokuni I, took over after Toyoharu's death and led the group to become the most famous and powerful woodblock print school for the remainder of the 19th century. Hiroshige, Kunisada, Kuniyoshi and Yoshitoshi were Utagawa students. The school became so successful and well known that today more than half of all surviving ukiyo-e prints are from it. Founder Toyoharu adopted Western-style deep perspective, an innovation in Japanese art. His immediate followers, Utagawa Toyohiro and Toyokuni adopted bolder, more sensuous styles than Toyoharu and specialized in different genres — Toyohiro in landscapes and Toyokuni in kabuki actor prints. Later artists in the school specialized in other genres, such as warrior prints and mythic parodies.Johnson, Ke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utagawa Toyoharu
Utagawa Toyoharu (歌川 豊春, – 1814) was a Japanese artist in the ukiyo-e genre, known as the founder of the Utagawa school and for his '' uki-e'' pictures that incorporated Western-style geometrical perspective to create a sense of depth. Born in Toyooka in Tajima Province, Toyoharu first studied art in Kyoto, then in Edo (modern Tokyo), where from 1768 he began to produce designs for ukiyo-e woodblock prints. He soon became known for his ' "floating pictures" of landscapes and famous sites, as well as copies of Western and Chinese perspective prints. Though his were not the first perspective prints in ukiyo-e, they were the first to appear as full-colour ''nishiki-e'', and they demonstrate a much greater mastery of perspective techniques than the works of his predecessors. Toyoharu was the first to make the landscape a subject of ukiyo-e art, rather than just a background to figures and events. By the 1780s he had turned primarily to painting. The Utagawa s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utagawa Toyokuni
Utagawa Toyokuni ( ja, 歌川豊国; 1769 in Edo – 24 February 1825 in Edo), also often referred to as Toyokuni I, to distinguish him from the members of his school who took over his ''gō'' (art-name) after he died, was a great master of ukiyo-e, known in particular for his kabuki actor prints. He was the second head of the renowned Utagawa school of Japanese woodblock artists, and was the artist who elevated it to the position of great fame and power it occupied for the rest of the nineteenth century. Biography He was born in Edo, the son of Kurahashi Gorobei, a carver of dolls and puppets, including replicas of kabuki actors. At around 14, Toyokuni was apprenticed to the first head of the Utagawa house, Utagawa Toyoharu, whom his father knew well and who lived nearby. One of his fellow pupils under Toyoharu was Toyohiro, whose pupil was the great landscape artist Hiroshige. In recognition of his artistic ability, Toyokuni later took the name Utagawa Toyokuni, fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiroshige
Utagawa Hiroshige (, also ; ja, 歌川 広重 ), born Andō Tokutarō (; 1797 – 12 October 1858), was a Japanese ''ukiyo-e'' artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series ''The Fifty-three Stations of the Tōkaidō'' and for his vertical-format landscape series ''One Hundred Famous Views of Edo''. The subjects of his work were atypical of the ''ukiyo-e'' genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). The popular series '' Thirty-six Views of Mount Fuji'' by Hokusai was a strong influence on Hiroshige's choice of subject, though Hiroshige's approach was more poetic and ambient than Hokusai's bolder, more formal prints. Subtle use of color was essential in Hiroshige's prints, often printed with multiple impressions in the same area and with extensive use of '' bokashi'' (color gradation), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunisada
Utagawa Kunisada ( ja, 歌川 国貞; 1786 – 12 January 1865), also known as Utagawa Toyokuni III (, ), was a Japanese ukiyo-e artist. He is considered the most popular, prolific and commercially successful designer of ukiyo-e woodblock printing in Japan, woodblock prints in 19th-century Japan. In his own time, his reputation far exceeded that of his contemporaries, Hokusai, Hiroshige and Utagawa Kuniyoshi, Kuniyoshi. Evaluation of Kunisada in art history At the end of the Edo period (1603–1867), Hiroshige, Kuniyoshi and Kunisada were the three best representatives of the Japanese color woodcut in Edo (capital city of Japan, now Tokyo). However, among European and American collectors of Japanese prints, beginning in the late 19th and early 20th century, all three of these artists were actually regarded as rather inferior to the greats of classical ukiyo-e, and therefore as having contributed considerably to the downfall of their art. For this reason, some referred to t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utagawa Kuniyoshi
Utagawa Kuniyoshi ( ja, 歌川 国芳, ; January 1, 1798 – April 14, 1861) was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting.Nussbaum, Louis Frédéric ''et al'' (2005). "Kuniyoshi" in He was a member of the Utagawa school.Nussbaum, "Utagawa-ryū" in The range of Kuniyoshi's subjects included many genres: landscapes, beautiful women, Kabuki actors, cats, and mythical animals. He is known for depictions of the battles of legendary samurai heroes.Lubow, Arthur "Everything But the Robots: A Kuniyoshi Retrospective Reveals the Roots of Manga,"''New York Magazine.'' March 7, 2010. His artwork incorporated aspects of Western representation in landscape painting and caricature. Life Kuniyoshi was born on January 1, 1798, the son of a silk-dyer, Yanagiya Kichiyemon,Robinson (1961), p. 5 originally named Yoshisaburō. Apparently he assisted his father's business as a pattern designer, and some have suggested that this experience influ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utagawa Kunimasa
was a Japanese ukiyo-e artist of the Utagawa school. He was originally from Aizu in Iwashiro Province and first worked in a dye shop after arriving in Edo (modern Tokyo). It was there that he was noticed by Utagawa Toyokuni, to whom he became apprenticed. Kunimasa is especially known for his ''yakusha-e'' portrait prints of kabuki actors, and for his ''bijin-ga'' pictures of beautiful women. Richard Lane described his style as striving to "combine the intensity of Sharaku Tōshūsai Sharaku ( ja, 東洲斎 写楽; active 1794–1795) was a Japanese ukiyo-e print designer, known for his portraits of kabuki actors. Neither his true name nor the dates of his birth or death are known. His active career as a woodbloc ... with the decorative pageantry of his master Toyokuni". Lane, Richard (1978). ''Images of the Floating World''. Old Saybrook, CT: Konecky & Konecky. p. 152. Those who make such comparison often say he failed to achieve the level of Sharaku's intensity. N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toyohiro
, birth name Okajima Tōjiro (1773–1828), was a Japanese ukiyo-e artist and painter. He was a member of the Utagawa school and studied under Utagawa Toyoharu, the school's founder. His works include a number of ukiyo-e landscape series, as well as many depictions of the daily activities in the Yoshiwara entertainment quarter; many of his stylistic features paved the way for Hokusai and Hiroshige (the latter a prodigy who studied under Toyohiro, becoming one of the very finest of all landscape artists), as well as producing an important series of ukiyo-e triptychs in collaboration with Toyokuni, and numerous book and e-hon illustrations, which occupied him in his later years. The ukiyo-e series he produced include the following: * ''Eight Views of Edo'' (several series) * ''Eight Views of Ōmi'' (several series) * ''Newly Published Perspective Pieces'' (''Shinpan uki-e'') * ''Twelve Months by Two Artists, Toyokuni and Toyohiro'' (''Toyokuni Toyohiro ryōga jūnikō''), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utagawa Kunisada II
Utagawa Kunisada II (, 1823 – 20 July 1880) was a Japanese ''ukiyo-e'' print designer, one of three to take the name "Utagawa Kunisada". He headed the Utagawa school. Life and career Little is known of Kunisada II's early life. A pupil of Utagawa Kunisada I, he signed much of his early work "Kunimasa III". His earliest known prints date to 1844. Kunisada I adopted him in 1846 after he married the master's daughter Osuzu. He took the name Kunisada II , about the time he inherited the house of Kunisada I. He changed his name once more following his master's death, to Toyokuni III. However, since there were three artists called Toyokuni before him, Kunisada II is now often known as Toyokuni IV. Kunisada II worked in the style of his master, but never achieved the same level of success. His prints include over 40 series, mostly of actors (''yakusha-e''), as well portraits of beauties, illustrations of scenes from literature, erotica, and other subjects. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tatsuo Utagawa
is a Japanese ornithologist and retired professor from Azabu University. A native of Tokyo, he graduated from Tokyo University in 1937 in veterinary medicine. He worked at Ueno Zoo. In 1958 he obtained his doctorate in science from Hokkaido University, on research in "A Comparative Study of chromosomes in birds". Later he became the Section Chief for Birds and Wild Animals at the Experimental Forestry Station for the Japanese Ministry of Agriculture and Forestry. In 1959 he was awarded the Ornithological Society of Japan Award and published various academic papers in the OSJ journal and other academic journals. ''CiNii'' Various works *''The God of Practical Jokes'' (1956) *''Handbook on the colours of wild birds'' (1957) *''Enjoyable methods for raising birds'' (1958) *''The crows story'' (1975; part of the Elementary Schools Natural Science Se ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utagawa Yoan
The name Utagawa may refer to: *The Utagawa school The Utagawa school () was one of the main schools of ukiyo-e, founded by Utagawa Toyoharu. It was the largest ukiyo-e school of its period. The main styles were bijin-ga (beautiful women) and uki-e (perspective picture). His pupil, Toyokuni I, too ... of Japanese woodblock print artists *One of the artists of the Utagawa school, including: ** ** **, also known as Andō Hiroshige **, also known as Utagawa Toyokuni III ** ** ** ** *, Japanese ornithologist and academic *, Japanese scholar of Western Studies {{disambiguation, surname Japanese-language surnames ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_Awa_Naruto_no_fuukei.jpg "Click for more on -> Hiroshige")
.jpg "Click for more on -> Kunisada")
