Urška Arlič Gololičič
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Urška Arlič Gololičič
Urška Arlič Gololičič (born July 19, 1980, in Celje, Slovenia) is a Slovenian soprano opera singer. Education Arlič Gololičič completed her bachelor studies with distinction at the Academy of Music in Ljubljana under the tutelage of Professor , and postgraduate studies under the tutelage of Professor Vlatka Oršanić. She is a winner of international competitions, amongst them the Ada Sari International Vocal Artistry Competition in Poland. Career Arlič Gololičič performed "Dido's Lament" on the soundtrack of Agnieszka Holland's movie ''In Darkness'', which was nominated for the Academy Awards. In 2015/16 she debuted as Gilda in '' Rigoletto'' at the Ljubljana Slovene National Theatre Opera and Ballet, where she is a soloist since 2013/14 season and where she performed such parts as Violetta in ''La traviata'', Micaëla in ''Carmen'', Mimì in '' La bohème'', Adele in '' Die Fledermaus'' and Lauretta in '' Gianni Schicchi''. In 2017 Arlič Gololičič de ...
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Celje
) , pushpin_map = Slovenia , pushpin_label_position = left , pushpin_map_caption = Location of the city of Celje in Slovenia , coordinates = , subdivision_type = Country , subdivision_name = , subdivision_type1 = Traditional region , subdivision_name1 = Styria , subdivision_type2 = Statistical region , subdivision_name2 = Savinja , subdivision_type3 = Municipality , subdivision_name3 = Celje , established_title = Town rights , established_date = 11 April 1451 , founder = , named_for = , parts_type = Districts & local communities , parts_style = list , p1 = , p2 = , government_type ...
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La Bohème
''La bohème'' (; ) is an opera in four acts,Puccini called the divisions ''quadri'', ''tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on ''Scènes de la vie de bohème'' (1851) by Henri Murger. The story is set in Paris around 1830 and shows the Bohemian lifestyle (known in French as "") of a poor seamstress and her artist friends. The world premiere of ''La bohème'' was in Turin on 1 February 1896 at the Teatro Regio, conducted by the 28-year-old Arturo Toscanini. Since then, ''La bohème'' has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide. In 1946, fifty years after the opera's premiere, Toscanini conducted a commemorative performance of it on radio with the NBC Symphony Orchestra. A recording of the performance was later released by RCA Victor on vinyl record, tape and compact disc. ...
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Hansel And Gretel (opera)
''Hansel and Gretel'' (German: ') is an opera by nineteenth-century composer Engelbert Humperdinck, who described it as a ' (fairy-tale opera). The libretto was written by Humperdinck's sister, Adelheid Wette, based on the Grimm brothers' fairy tale "Hansel and Gretel". It is much admired for its folk music-inspired themes, one of the most famous being the "" ("Evening Benediction") from act 2. The idea for the opera was proposed to Humperdinck by his sister, who approached him about writing music for songs that she had written for her children for Christmas based on "Hansel and Gretel". After several revisions, the musical sketches and the songs were turned into a full-scale opera. Humperdinck composed ''Hansel and Gretel'' in Frankfurt in 1891 and 1892. The opera was first performed in the Hoftheater in Weimar on 23 December 1893, conducted by Richard Strauss. It has been associated with Christmas since its earliest performances and today it is still most often performed a ...
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Engelbert Humperdinck (composer)
Engelbert Humperdinck (; 1 September 1854 – 27 September 1921) was a German composer. He is known widely for his opera ''Hansel and Gretel (opera), Hansel and Gretel'' (1893). Biography Humperdinck was born at Siegburg in the Rhine Province in 1854. After receiving piano lessons, he produced his first composition at the age of seven. His first attempts at works for the stage were two singspiele written when he was 13. His parents disapproved of his plans for a career in music and encouraged him to study architecture. But he began taking music classes under Ferdinand Hiller and Isidor Seiss at the Cologne Conservatory in 1872. In 1876, he won a scholarship that enabled him to go to Munich, where he studied with Franz Lachner and later with Josef Rheinberger. In 1879, he won the first Mendelssohn Scholarship, Mendelssohn Award given by the Mendelssohn Scholarship, Mendelssohn Stiftung (foundation) in Berlin. He went to Italy, where he became acquainted with composer Richard Wa ...
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Orfeo Ed Euridice
' (; French: '; English: ''Orpheus and Eurydice'') is an opera composed by Christoph Willibald Gluck, based on Orpheus, the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the ''azione teatrale'', meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. ''Orfeo ed Euridice'' is the first of Gluck's "reform" operas, in which he attempted to replace the abstruse plots and overly complex music of ''opera seria'' with a "noble simplicity" in both the music and the drama. The opera is the most popular of Gluck's works, and was one of the most influential on subsequent Opera in German, German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Wolfgang Amadeus Mozart, Mozart's ''The Magic Flute'', Ludwig van Beethoven, Beetho ...
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Christoph Willibald Gluck
Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he gained prominence at the Habsburg court at Vienna. There he brought about the practical reform of opera's dramaturgical practices for which many intellectuals had been campaigning. With a series of radical new works in the 1760s, among them '' Orfeo ed Euridice'' and '' Alceste'', he broke the stranglehold that Metastasian '' opera seria'' had enjoyed for much of the century. Gluck introduced more drama by using orchestral recitative and cutting the usually long da capo aria. His later operas have half the length of a typical baroque opera. Future composers like Mozart, Schubert, Berlioz and Wagner revered Gluck very highly. The strong influence of French opera encouraged Gluck to move to Paris in November 1773. Fusing the traditions ...
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Rusalka (opera)
''Rusalka'' (), Op. 114, is an opera ('lyric fairy tale') by Antonín Dvořák. The Czech libretto was written by the poet Jaroslav Kvapil (1868–1950) based on the fairy tales of Karel Jaromír Erben and Božena Němcová. A rusalka is a water sprite from Slavic mythology, usually inhabiting a lake or river. ''Rusalka'' was the ninth opera Dvořák composed. It is one of the most successful Czech operas, and represents a cornerstone of the repertoire of Czech opera houses. Dvořák had played viola for pit orchestras in Prague (the Estates Theatre from 1857 until 1859 while a student, then from 1862 until 1871 at the Provisional Theatre). He thus had direct experience of a wide range of operas by Mozart, Weber, Rossini, Lortzing, Wagner, Verdi and Smetana. For many years unfamiliarity with Dvořák's operas outside the Czech lands helped reinforce a perception that composition of operas was a marginal activity, and that despite the beauty of its melodies and orchestra ...
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Antonín Dvořák
Antonín Leopold Dvořák ( ; ; 8 September 1841 – 1 May 1904) was a Czechs, Czech composer. Dvořák frequently employed rhythms and other aspects of the folk music of Moravian traditional music, Moravia and his native Bohemia, following the Romantic-era Czech nationalism, nationalist example of his predecessor Bedřich Smetana. Dvořák's style has been described as "the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them". Dvořák displayed his musical gifts at an early age, being an apt violin student from age six. The first public performances of his works were in Prague in 1872 and, with special success, in 1873, when he was 31 years old. Seeking recognition beyond the Prague area, he submitted a score of his Symphony No. 1 (Dvořák), First Symphony to a prize competition in Germany, but did not win, and the unreturned manuscript was lost until it was rediscovered many decades ...
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Georges Bizet
Georges Bizet (; 25 October 18383 June 1875) was a French composer of the Romantic music, Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, ''Carmen'', which has become one of the most popular and frequently performed works in the entire opera repertoire. During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, he ...
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Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively tau ...
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Hagith (opera)
Hagith, Op. 25, is an opera in one act by the Polish composer and pianist Karol Szymanowski. The opera premiered at the Grand Theatre, Warsaw in 1922, nine years after its creation. The libretto in German was written by the Viennese secessionist poet and Szymanowski's friend . Background and performance history Szymanowski wrote the opera in 1912–1913 while living in Vienna, Austria. The piano–vocal score was first published by Universal Edition Vienna in 1920. Musically and dramatically, ''Hagith'' has been compared to Richard Strauss's '' Salome''. The opera made its premiere on 13 May 1922 at the Great Theatre, Warsaw, Poland, and it has been produced four times. Szymanowski commissioned a Polish translation of the text (by Stanisław Barącz), but the project was not successful. The opera was criticized and disparaged in the interwar Poland notably by critic (and writer of prayer songs) Stanisław Niewiadomski, a devout Catholic and former official in the Austrian Par ...
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Karol Szymanowski
Karol Maciej Szymanowski (; 6 October 188229 March 1937) was a Polish composer and pianist. He was a member of the modernist Young Poland movement that flourished in the late 19th and early 20th century. Szymanowski's early works show the influence of the late Romantic German school as well as the early works of Alexander Scriabin, as exemplified by his Étude Op. 4 No. 3 and his first two symphonies. Later, he developed an impressionistic and partially atonal style, represented by such works as the Third Symphony and his Violin Concerto No. 1. His third period was influenced by the folk music of the Polish Górale people, including the ballet ''Harnasie'', the Fourth Symphony, and his sets of Mazurkas for piano. ''King Roger,'' composed between 1918 and 1924, remains Szymanowski's most popular opera. His other significant works include ''Hagith'', Symphony No. 2, ''The Love Songs of Hafiz'', and '' Stabat Mater''. Szymanowski was awarded the highest national honors, in ...
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