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Urushi-e
''Urushi-e'' (漆絵 "lacquer picture[s]") refers to three different techniques in Japanese art. Though urushi-e is most associated with woodblock, the term urushi-e is not exclusive to that medium. It can also refer to pictures using lacquer as a paint on three-dimensional lacquered objects; and paintings using actual lacquer on paper or occasionally silk. Technique In Japanese woodblock printing, urushi-e generally refers to a hand-painted technique. Instead of printing with Toxicodendron vernicifluum, ''urushi'' (natural lacquer) it was painted on by hand. This meant that urushi-e pictures could be more colorful than most block prints of the time. Five colors were available when the technique was first developed; brown, yellow, green, red, and black. Urushi-e was sometimes used as a term to describe all hand-painted woodblock prints in Japan, not only those painted with lacquer, however, only urushi-e used ''iro-urushi'', meaning colored lacquer, made from mixing clear lacqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shibata Zeshin
was a Japanese lacquer painter and print artist of the late Edo period and early Meiji era. He has been called "Japan's greatest lacquerer", but his reputation as painter and print artist is more complex: In Japan, he is known as both too modern, a panderer to the Westernization movement, and also an overly conservative traditionalist who did nothing to stand out from his contemporaries. Despite holding this complicated reputation in Japan, Zeshin has come to be well regarded and much studied among the art world of the West, in Britain and the United States in particular. Biography Zeshin was born and raised in Edo (modern-day Tokyo). His grandfather Izumi Chobei and his father Ichigoro were shrine carpenters (''miyadaiku'') and skilled wood carvers. His father, who had taken his wife's family name of Shibata, was also an experienced ukiyo-e painter, having studied under Katsukawa Shunshō. This, of course, gave him an excellent start on the road to being an artist an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urushi
''Toxicodendron vernicifluum'' (formerly ''Rhus verniciflua''), also known by the common name Chinese lacquer tree, is an Asian tree species of genus ''Toxicodendron'' native to China and the Indian subcontinent, and cultivated in regions of China, Japan and Korea. Other common names include ''Japanese lacquer tree'', ''Japanese sumac'', and ''varnish tree''. The trees are cultivated and tapped for their toxic sap, which is used as a highly durable lacquer to make Chinese, Japanese, and Korean lacquerware. The trees grow up to 20 metres tall with large leaves, each containing from 7 to 19 leaflets (most often 11–13). The sap contains the allergenic compound urushiol, which gets its name from this species' Japanese name urushi (); "urushi" is also used in English as a collective term for all kinds of Asian lacquerware made from the sap of this and related Asian tree species, as opposed to European "lacquer" or Japanning made from other materials. Urushiol is also the oil foun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toxicodendron Vernicifluum
''Toxicodendron vernicifluum'' (formerly ''Rhus verniciflua''), also known by the common name Chinese lacquer tree, is an Asian tree species of genus ''Toxicodendron'' native to China and the Indian subcontinent, and cultivated in regions of China, Japan and Korea. Other common names include ''Japanese lacquer tree'', ''Japanese sumac'', and ''varnish tree''. The trees are cultivated and tapped for their toxic sap, which is used as a highly durable lacquer to make Chinese, Japanese, and Korean lacquerware. The trees grow up to 20 metres tall with large leaves, each containing from 7 to 19 leaflets (most often 11–13). The sap contains the allergenic compound urushiol, which gets its name from this species' Japanese name urushi (); "urushi" is also used in English as a collective term for all kinds of Asian lacquerware made from the sap of this and related Asian tree species, as opposed to European "lacquer" or Japanning made from other materials. Urushiol is also the oil foun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Okumura Masanobu
Okumura Masanobu ( ja, 奥村 政信; 1686 – 13 March 1764) was a Japanese print designer, book publisher, and painter. He also illustrated novelettes and in his early years wrote some fiction. At first his work adhered to the Torii school, but later drifted beyond that. He is a figure in the formative era of ukiyo-e doing early works on actors and bijin-ga ("pictures of beautiful women"). Life and career While Masanobu's early life is largely undocumented, he is believed to have been born about 1686, possibly in Edo (modern Tokyo). Edo was a small fishing village when it was Tokugawa Ieyasu chose it as his administrative capital of the Tokugawa shogunate, and by the early 17th century the city had prospered and its population had grown to half a million. Masanobu appears to have been self-taught painter (though he did study poetry under Tachiba Fukaku); he is not known to have belonged to any artistic school. His early work shows the influence of the Torii schoo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Category:Japanese Words And Phrases ...
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Lacquerware
is a Japanese craft with a wide range of fine and decorative arts, as lacquer has been used in '' urushi-e'', prints, and on a wide variety of objects from Buddha statues to ''bento'' boxes for food. The characteristic of Japanese lacquerware is the diversity of lacquerware using a decoration technique called in which metal powder is sprinkled to attach to lacquer. The invention of various techniques in Japanese history expanded artistic expression, and various tools and works of art such as are highly decorative.Masayuki Murata. ''明治工芸入門'' p.24. Me no Me, 2017 A number of terms are used in Japanese to refer to lacquerware. ''Shikki'' (漆器) means "lacquer ware" in the most literal sense, while ''nurimono'' (塗物) means "coated things", and ''urushi-nuri'' (漆塗) means "lacquer coating." The terms related to lacquer or lacquerware such as "Japanning", "Urushiol" and "''maque''" which means lacquer in Mexican Spanish, are derived from Japanese lacquerwar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Art Terminology
Japanese may refer to: * Something from or related to Japan, an island country in East Asia * Japanese language, spoken mainly in Japan * Japanese people, the ethnic group that identifies with Japan through ancestry or culture ** Japanese diaspora, Japanese emigrants and their descendants around the world * Japanese citizens, nationals of Japan under Japanese nationality law ** Foreign-born Japanese, naturalized citizens of Japan * Japanese writing system, consisting of kanji and kana * Japanese cuisine, the food and food culture of Japan See also * List of Japanese people * * Japonica (other) * Japonicum * Japonicus * Japanese studies Japanese studies (Japanese: ) or Japan studies (sometimes Japanology in Europe), is a sub-field of area studies or East Asian studies involved in social sciences and humanities research on Japan. It incorporates fields such as the study of Japanese ... {{disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torii Kiyomasu
was a Japanese painter and printmaker of the Torii school, in the genre of ''ukiyo-e''. Like the other Torii artists, his primary focus was on Kabuki billboards, advertisements, actor prints, and other related material. Many scholars believe Kiyomasu to have been the younger brother or son of Torii Kiyonobu I, one of the founders of the school, or to have been an alternate art-name (''gō'') for the same man. In the 1710s, prints signed with Kiyomasu's name far outnumber those with the signature of Kiyonobu. If the two were distinct artists, this could indicate that the elder artist, the head of the school, devoted more time to the kabuki billboards and other works which were more the official province of the workshop, while the younger was left to do prints. On the other hand, even if the two were the same person, this could simply be explained by the use of different names on different types of work. Though his style is said to be somewhat more graceful than Kiyonobu's, they a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ... of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. The term translates as "picture[s] of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torii School
A is a traditional Japanese gate most commonly found at the entrance of or within a Shinto shrine, where it symbolically marks the transition from the mundane to the sacred. The presence of a ''torii'' at the entrance is usually the simplest way to identify Shinto shrines, and a small ''torii'' icon represents them on Japanese road maps. The first appearance of ''torii'' gates in Japan can be reliably pinpointed to at least the mid-Heian period; they are mentioned in a text written in 922. The oldest existing stone ''torii'' was built in the 12th century and belongs to a Hachiman shrine in Yamagata Prefecture. The oldest existing wooden ''torii'' is a ''ryōbu torii'' (see description below) at Kubō Hachiman Shrine in Yamanashi Prefecture built in 1535. ''Torii'' gates were traditionally made from wood or stone, but today they can be also made of reinforced concrete, copper, stainless steel or other materials. They are usually either unpainted or painted vermilion with a bl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torii Kiyonobu I
Torii Kiyonobu I ( ja, 鳥居 清信; – 22 August 1729) was a Japanese painter and printmaker in the ukiyo-e style, who is renowned for his work on kabuki signboards and related materials. Along with his father Torii Kiyomoto, he is said to have been one of the founders of the Torii school of painting. Known in childhood as Shōbei, young Kiyonobu was the second son of the established Osaka kabuki actor and painter Torii Kiyomoto, born in 1664. He moved, with his father, to Edo (modern Tokyo) when he was twenty-four, and emerged there as a major artist with a unique style. Kiyonobu's work is regarded as being highly influenced by that of Hishikawa Moronobu (d. 1694), the father of ukiyo-e; Kiyonobu would also have been well-versed, as most major artists were at the time, in the styles of the Kanō and Tosa schools. Kiyonobu focused almost exclusively on producing billboards and other promotional material for Edo's kabuki theaters; the relationship betwe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
