Urashima Tarō (otogi-zōshi)
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Urashima Tarō (otogi-zōshi)
is a Japanese ''otogi-zōshi'' in one volume. Date, genre and title ''Urashima Tarō'' was composed during the Muromachi period. It is a work of the ''otogi-zōshi'' genre. Most of the surviving manuscripts of the work give its title as simply ''Urashima'', written in hiragana. Plot Urashima Tarō of Tango Province spares the life of a turtle he has caught and releases it. The next day a beautiful woman arrives on a small boat, and requests Tarō escort her back to her country. He takes her to her home in the Dragon Palace, and becomes her husband. Three years later, he becomes homesick and requests her leave to go visit his home. His wife protests, but allows him to return home for time, admitting that she is the turtle he saved and entrusting him with a box as a keepsake, which she warns him never to open. On Tarō's return to his home, he learns to his shock that 700 years have passed. Without thinking, he opens the box he had received from his wife, and from it emerges p ...
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Otogi-zōshi
are a group of about 350 Japanese prose narratives written primarily in the Muromachi period (1392–1573). These illustrated short stories, which remain unattributed, together form one of the representative literary genres of the Japanese medieval era. Overview is a general term for narrative literature written between the Muromachi period (approximately 1336–1573) and the beginning of the Edo period (1603–1867). The term originates with a mid-Edo collection of 23 stories, titled or . It later came to denote other works of the same genre and period. Modern scholarship sometimes distinguishes between "true" , covering only the 23 works included in the aforementioned collection, and other works that it instead terms or . List The 23 tales covered by the narrow definition are: * * * * * * * * * * * * * * * * * * * * * * * Under the broad definition, there are around 500 surviving examples of . Most are around 30–40 pages in length, and are of uncertain date. Their a ...
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Hōrai
Penglai () is a legendary land of Chinese mythology. It is known in Japanese mythology as Hōrai.McCullough, Helen. ''Classical Japanese Prose'', p. 570. Stanford Univ. Press, 1990. . Location According to the ''Classic of Mountains and Seas'', the mountain is located at the eastern end of Bohai Sea. According to the pre-Qin mythology which retells the legend of Xu Fu presenting a memorial to the Qin Emperor in order to seek for the elixir of life, there are three godly mountains which are found in the Bohai sea where immortals reside; these mountains are Penglai, Fāngzhàng (), and Yíngzhōu (/). Other islands where immortals reside are called Dàiyú () and Yuánjiāo (). In the ''Illustrated Account of the Embassy to Goryeo in the Xuanhe Era'' (; ''Xuanhe fengshi Gaoli tujing''), written in 1124 by Xu Jing (徐兢), Mount Penglai is located on an inhabited island which is found within the boundaries of Changguo prefecture and can be reached "after crossing thirty thousa ...
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Iwanami Shoten
is a Japanese publishing company based in Tokyo.Louis Frédéric, ''Japan Encyclopedia'', Harvard University Press, 2005, p. 409. Iwanami Shoten was founded in 1913 by Iwanami Shigeo. Its first major publication was Natsume Sōseki's novel ''Kokoro'', which appeared as a book in 1914 after being serialized in the ''Asahi Shimbun''. Iwanami has since become known for scholarly publications, editions of classical Japanese literature, dictionaries, and high-quality paperbacks. Since 1955, it has published the ''Kōjien'', a single-volume dictionary of Japanese that is widely considered to be authoritative. Iwanami's head office is at Hitotsubashi 2–5–5, Chiyoda, Tokyo. Company history Iwanami Shigeo founded the publishing firm Iwanami Shoten in the Kanda district of Tokyo in 1913. In its early years, the company published authors such as Natsume Sōseki, Kurata Hyakuzō and Abe Jiro. It also published academic and literary journals in the field of philosophy, includi ...
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Nihon Koten Bungaku Daijiten
Nihon Koten Bungaku Daijiten (Japanese: 日本古典文学大辞典) is a reference work about Japanese literature published by Iwanami Shoten circa 1983-1985. References External links * CiNii CiNii () is a bibliographic database service for material in Japanese academic libraries, especially focusing on Japanese works and English works published in Japan. The database was founded in April 2005 and is maintained by the National Institu ... Reference works Japanese non-fiction books {{ref-book-stub ...
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Otogi-Zōshi Nijūsan-pen
are a group of about 350 Japanese prose narratives written primarily in the Muromachi period (1392–1573). These illustrated short stories, which remain unattributed, together form one of the representative literary genres of the Japanese medieval era. Overview is a general term for narrative literature written between the Muromachi period (approximately 1336–1573) and the beginning of the Edo period (1603–1867). The term originates with a mid-Edo collection of 23 stories, titled or . It later came to denote other works of the same genre and period. Modern scholarship sometimes distinguishes between "true" , covering only the 23 works included in the aforementioned collection, and other works that it instead terms or . List The 23 tales covered by the narrow definition are: * * * * * * * * * * * * * * * * * * * * * * * Under the broad definition, there are around 500 surviving examples of . Most are around 30–40 pages in length, and are of uncertain date. Their a ...
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Akagi Archive
Akagi means (赤城) "red castle," (赤木) "red tree," or (赤来) "red future" in the Japanese language, and may refer to: * Akagi, Gunma, a village in Gunma Prefecture * Akagi, Shimane (赤来町), a former town in Shimane Prefecture * ''Akagi'' (manga), a manga by Nobuyuki Fukumoto * Akagi (surname), a Japanese surname * ''Akagi'' (train), a train service in Japan * "Akagi", a song performed by Maximum the Hormone * One of two ships of the Imperial Japanese Navy: ** Japanese gunboat ''Akagi'', which served in the Sino-Japanese War ** Japanese aircraft carrier ''Akagi'', which served in World War II * Mount Akagi is a mountain in Gunma Prefecture, Japan. The broad, low dominantly andesitic stratovolcano rises above the northern end of the Kanto Plain. It contains an elliptical, 3 x 4 km summit caldera with post-caldera lava domes arranged along a N ...
, a mountain in the Kantō region of Japan {{disambiguation ...
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Japanese Folk Crafts Museum
The is a museum in Komaba, Meguro, Tokyo, Komaba, Meguro, Tokyo, Japan, dedicated to the hand-crafted art of ordinary people (''mingei'').Access is from Komaba-tōdaimae Station, Komaba-Tōdaimae Station of Keio Inokashira Line. The museum was established in 1936 by Yanagi Sōetsu, the founder of the ''mingei'' movement; Shōji Hamada, Hamada Shōji succeeded him as its director. Yanagi and Hamada officially announced their desire to establish a folk crafts museum in 1926. Construction began on the museum in 1935 and was completed in 1936. The museum covers 1,818 square meters and was constructed with a traditional Japanese architectural style. A 'long' stone-roofed gate-cum-residence (''nagaya-mon'') was brought from the Tochigi Prefecture and reconstructed in front of the building. See also * Tomimoto Kenkichi Memorial Museum * Cultural Properties of Japan#Folk Cultural Properties, Folk Cultural Properties * Japanese handicrafts References External links Official site
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Crane (bird)
Cranes are a family, the Gruidae, of large, long-legged, and long-necked birds in the group Gruiformes. The 15 species of cranes are placed in three genera, ''Antigone'', ''Balearica'', and '' Grus''. Unlike the similar-looking but unrelated herons, cranes fly with necks outstretched, not pulled back. Cranes live on most continents, with the exception of Antarctica and South America. They are opportunistic feeders that change their diets according to the season and their own nutrient requirements. They eat a range of items from small rodents, eggs of birds, fish, amphibians, and insects to grain and berries. Cranes construct platform nests in shallow water, and typically lay two eggs at a time. Both parents help to rear the young, which remain with them until the next breeding season. Some species and populations of cranes migrate over long distances; others do not migrate at all. Cranes are solitary during the breeding season, occurring in pairs, but during the nonbreeding se ...
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Muromachi Period
The is a division of Japanese history running from approximately 1336 to 1573. The period marks the governance of the Muromachi or Ashikaga shogunate (''Muromachi bakufu'' or ''Ashikaga bakufu''), which was officially established in 1338 by the first Muromachi ''shōgun'', Ashikaga Takauji, two years after the brief Kenmu Restoration (1333–1336) of imperial rule was brought to a close. The period ended in 1573 when the 15th and last shogun of this line, Ashikaga Yoshiaki, was driven out of the capital in Kyoto by Oda Nobunaga. From a cultural perspective, the period can be divided into the Kitayama and Higashiyama cultures (later 15th – early 16th centuries). The early years from 1336 to 1392 of the Muromachi period are known as the '' Nanboku-chō'' or Northern and Southern Court period. This period is marked by the continued resistance of the supporters of Emperor Go-Daigo, the emperor behind the Kenmu Restoration. The Sengoku period or Warring States period, which begi ...
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Emaki
or is an illustrated horizontal narration system of painted handscrolls that dates back to Nara-period (710–794 CE) Japan. Initially copying their much older Chinese counterparts in style, during the succeeding Heian (794–1185) and Kamakura periods (1185–1333), Japanese developed their own distinct style. The term therefore refers only to Japanese painted narrative scrolls. As in the Chinese and Korean scrolls, combine calligraphy and illustrations and are painted, drawn or stamped on long rolls of paper or silk sometimes measuring several metres. The reader unwinds each scroll little by little, revealing the story as seen fit. are therefore a narrative genre similar to the book, developing romantic or epic stories, or illustrating religious texts and legends. Fully anchored in the style, these Japanese works are above all an everyday art, centered on the human being and the sensations conveyed by the artist. Although the very first 8th-century were copies of Chin ...
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