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Upāsaka And Upāsikā
Upāsaka (masculine) or Upāsikā (feminine) are from the Sanskrit and Pāli words for "attendant". This is the title of followers of Buddhism (or, historically, of Gautama Buddha) who are not monks, nuns, or novice monastics in a Buddhist order, and who undertake certain vows. In modern times they have a connotation of dedicated piety that is best suggested by terms such as "lay devotee" or "devout lay follower". Precepts The five vows to be held by ''upāsakas'' are referred to as the "Five Precepts" (Pāli: ''pañcasīla''): # I will not take the life of a sentient being; # I will not take what has not been given to me; # I will refrain from sexual misconduct; # I will refrain from false speech; # I will refrain from becoming intoxicated. In the Theravada tradition, on Uposatha days, devout lay practitioners may request the " Eight Precepts" from monastics (Pali: ''uposathaṃ samādiyati''). It was a widespread practice in Chinese Buddhist communities as well, and is still pra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Three Refuges
In Buddhism, refuge or taking refuge refers to a religious practice, which often includes a prayer or recitation performed at the beginning of the day or of a practice session. Since the period of Early Buddhism until present time, all Theravada and mainstream Mahayana schools only take refuge in the Three Jewels (also known as the Triple Gem or Three Refuges, Pali: ''ti-ratana'' or ''ratana-ttaya''; Sanskrit: ''tri-ratna'' or ''ratna-traya'') which are the Buddha, the Dharma and the Sangha. However, only Vajrayana school includes an expanded refuge formula known as the Three Jewels and Three Roots. Taking refuge is a form of aspiration to lead a life with the Triple Gem at its core. Taking refuge is done by a short formula in which one names the Buddha, the dharma and the saṅgha as refuges. In early Buddhist scriptures, taking refuge is an expression of determination to follow the Buddha's path, but not a relinquishing of responsibility. Refuge is common to all major schools ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Citta (disciple)
Upāsaka Citta ( sa, Citra) was one of the chief male lay disciples of the Buddha, along with Hatthaka of Alavi. He is considered the lay disciple of the Buddha who was foremost in teaching the Dharma. He was a wealthy merchant from Savatthi. It is said his life and character were so pure that near his death, if he had wished to be a Chakravarti, or universal monarch, it would've been granted. However, he turned down this wish as it was temporal. He had become an Anāgāmi or Non-Returner. In an Early Buddhist Texts (SN IV.297-300), Citta is asked by Jain leader Nigantha Nataputta (Mahavira) if he believes the Buddha who says that there is a concentration free from deliberation and thought. He initially gives an ambiguous answer, but then turns out not to believe, but to know these things from his own experience obtained while practicing the jhanas. Lay Dhamma Teacher The Buddha considered Upāsaka Citta to be the most learned and lucid of all the lay Dhamma teachers. After ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Buddhist Texts
Early Buddhist texts (EBTs), early Buddhist literature or early Buddhist discourses are parallel texts shared by the early Buddhist schools. The most widely studied EBT material are the first four Pali Nikayas, as well as the corresponding Chinese Āgamas.Mun-Keat Choong (1999). ''The Notion of Emptiness in Early Buddhism,'' Motilal Banarsidass, p. 3. However, some scholars have also pointed out that some Vinaya material, like the Patimokkhas of the different Buddhist schools, as well as some material from the earliest Abhidharma texts could also be quite early.Frauwallner, Erich. Kidd, Sophie Francis (translator). Steinkellner, Ernst (editor). ''Studies in Abhidharma Literature and the Origins of Buddhist Philosophical Systems.'' SUNY Press. pp. 18, 100. Besides the large collections in Pali and Chinese, there are also fragmentary collections of EBT materials in Sanskrit, Khotanese, Tibetan and Gāndhārī. The modern study of early pre-sectarian Buddhism often relies on comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mon (crest)
, also , , and , are Japanese emblems used to decorate and identify an individual, a family, or (more recently) an institution or business entity. While is an encompassing term that may refer to any such device, and refer specifically to emblems used to identify a family. An authoritative reference compiles Japan's 241 general categories of based on structural resemblance (a single may belong to multiple categories), with 5,116 distinct individual . However, it is well-acknowledged that there exist a number of lost or obscure . The devices are similar to the badges and coats of arms in European heraldic tradition, which likewise are used to identify individuals and families. are often referred to as crests in Western literature, the crest being a European heraldic device similar to the in function. History may have originated as fabric patterns to be used on clothes in order to distinguish individuals or signify membership of a specific clan or organization. By the 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surplice
A surplice (; Late Latin ''superpelliceum'', from ''super'', "over" and ''pellicia'', "fur garment") is a liturgical vestment of Western Christianity. The surplice is in the form of a tunic of white linen or cotton fabric, reaching to the knees, with wide or moderately wide sleeves. It was originally a long garment with open sleeves reaching nearly to the ground. As it remains in the Western Christian traditions, the surplice often has shorter, closed sleeves and square shoulders. Anglicans typically refer to a Roman-style surplice with the Medieval Latin term ''cotta'' (meaning "cut-off' in Italian), as it is derived from the cut-off alb. English-speaking Catholics typically do not make the distinction between the two styles and refer to both as a "surplice". Origin and variation it seems most probable that the surplice first appeared in France or England, whence its use gradually spread to Italy. It is possible that there is a connection between the surplice and the Gall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rakusu
A is a traditionally Japanese garment worn around the neck of Zen Buddhists who have taken the precepts. It can also signify Lay Ordination. It is made of 16 or more strips of cloth, sewn together into a brick-like pattern by the student during their period of preparation for their jukai or ordination ceremony. There is no set standard, but the most common application of rakusu color is for the front of the rakusu to be black for priests and brown for teachers. The back of the rakusu is left white. The teacher will traditionally write the student's new Dharma name and occasionally their lineage. History The rakusu is a miniature version of a standard kāṣāya worn around the neck like a bib. The rakusu is a garment possibly of Chinese origins, potentially dating back to the periods of the Buddhist persecutions from which the Chán Buddhist tradition emerged as the strongest sect. The Buddha's original outer robe was a rectangular robe in the ratio of 6 by 9. The Bud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kasaya (clothing)
''Kāṣāya'', kāṣāya; pi, kāsāva/kāsāya; si, කසාවත; }, are the robes of fully ordained Buddhist monks and nuns, named after a brown or saffron dye. In Sanskrit and Pali, these robes are also given the more general term ''cīvara'', which references the robes without regard to color. Origin and construction Buddhist kāṣāya are said to have originated in ancient India as a set of robes for the devotees of Gautama Buddha. A notable variant has a pattern reminiscent of an Asian rice field. Original kāṣāya were constructed of discarded fabric. These were stitched together to form three rectangular pieces of cloth, which were then fitted over the body in a specific manner. The three main pieces of cloth are the ''antarvāsa'', the ''uttarāsaṅga'', and the '. Together they form the "triple robe," or ''ticīvara''. The ticīvara is described more fully in the Theravāda Vinaya (Vin 1:94 289). Antarvāsa (Antaravāsaka) The antarvāsa is the inner ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milindapanha
The ''Milinda Pañha'' () is a Buddhist text which dates from sometime between 100 BC and 200 AD. It purports to record a dialogue between the Indian Buddhist sage Nāgasena, and the 2nd century BC Indo-Greek king Menander I (Pali: ''Milinda'') of Bactria, in Sagala, present-day Sialkot. The ''Milinda Pañha'' is regarded as canonical in Burmese Buddhism, included as part of the book of '' Khuddaka Nikaya''. An abridged version is included as part of Chinese Mahayana translations of the canon. The ''Milinda Pañha'' is not regarded as canonical by Thai or Sri Lankan Buddhism, however, despite the surviving Theravāda text being in Sinhalese script. The Chinese text titled the Monk Nāgasena Sutra corresponds to the first three chapters of the Milindapanha. It was translated sometime during the Eastern Jin dynasty (317–420). History It is generally accepted by scholars that the work is composite, with additions made over some time. In support of this, it is noted that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skandha
(Sanskrit) or (Pāḷi) means "heaps, aggregates, collections, groupings". In Buddhism, it refers to the five aggregates of clinging (), the five material and mental factors that take part in the rise of craving and clinging. They are also explained as the five factors that constitute and explain a sentient being’s person and personality, but this is a later interpretation in response to sarvastivadin essentialism. The five aggregates or heaps of clinging are: # form (or material image, impression) () # sensations (or feelings, received from form) () # perceptions () # mental activity or formations () # consciousness (). In the Theravada tradition, suffering arises when one identifies with or clings to the aggregates. This suffering is extinguished by relinquishing attachments to aggregates. The Mahayana tradition asserts that the nature of all aggregates is intrinsically empty of independent existence. Etymology () is a Sanskrit word that means "multitude, quantit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jukai
The Lay Buddhist Ordination (, Japanese: , Korean: ''sugye'' (수계) refers to the public ordination ceremony wherein a lay follower of Zen Buddhism receives certain Buddhist precepts. The particulars of the ceremony differ widely by country and by school of Buddhism. China In China, the ritual, is called ''shòu-jiè'' (受戒). The character 受 means "receive," while 戒 means "precepts." Taken together, the characters translate as "initiated" or "ordained." Many people believe in Buddhism but do not go through any initiation ceremonies. Such Buddhists make up the overwhelming majority. Only a small part of Buddhists have gone through the ceremony which makes the recipient an upasaka or upasika and accepted the five commandments. They are formal Buddhists. Lewis Hodous, in his 1920 book ''Buddhism and Buddhists in China'' remarks on the Chinese ceremony as well, after recording an initiation ceremony for both those entering monastic life and the laity: "Less private was t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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