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Uppland Runic Inscription Fv1976;104
This runic inscription, designated as U Fv1976;104 in the Rundata catalog, is on a Viking Age memorial runestone that is located at the Uppsala Cathedral, Uppland, Sweden. Description This inscription consists of runic text in the younger futhark that is carved on an intertwined serpent under a small Christian cross. The red granite runestone, which is 1.65 meters in height and 1.64 meters wide, was discovered in May 1975 during excavation work at the Hornska chapel at the Uppsala Cathedral. pp. 104-106. Before the historical nature of runestones was understood, they were often reused as materials in the construction of roads, bridges, and buildings. The runestone is classified as being carved in runestone style Pr2, which is also known as Ringerike style. This is the classification for inscriptions where the runic bands end in serpent or beast heads seen in profile, but the serpents or beasts are not as elongated and stylized as in the Urnes style. The runic text states that thr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urnes Style
Viking art, also known commonly as Norse art, is a term widely accepted for the art of Scandinavian Norsemen and Viking settlements further afield—particularly in the British Isles and Iceland—during the Viking Age of the 8th-11th centuries. Viking art has many design elements in common with Celtic, Germanic, the later Romanesque and Eastern European art, sharing many influences with each of these traditions. Generally speaking, the current knowledge of Viking art relies heavily upon more durable objects of metal and stone; wood, bone, ivory and textiles are more rarely preserved. The artistic record, therefore, as it has survived to the present day, remains significantly incomplete. Ongoing archaeological excavation and opportunistic finds, of course, may improve this situation in the future, as indeed they have in the recent past. Viking art is usually divided into a sequence of roughly chronological styles, although outside Scandinavia itself local influences are ofte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Runemaster
A runemaster or runecarver is a specialist in making runestones. Description More than 100 names of runemasters are known from Viking Age Sweden with most of them from 11th-century eastern Svealand.The article ''Runristare'' in ''Nationalencyklopedin'' (1995). Many anonymous runestones have more or less securely been attributed to these runemasters. During the 11th century, when most runestones were raised, there were a few professional runemasters. They and their apprentices were contracted to make runestones and when the work was finished, they sometimes signed the stone with the name of the runemaster. Many of the uncovered runic inscriptions have likely been completed by non-professional runecarvers for the practical purposes of burial rites or record-keeping. Due to the depictions of daily life, many of the nonprofessional runecarvers could have been anything from pirates to soldiers, merchants, or farmers. The layout of Scandinavian towns provided centers where craftspeople ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hedeby
Hedeby (, Old Norse ''Heiðabýr'', German language, German ''Haithabu'') was an important Danes, Danish Viking Age (8th to the 11th centuries) trading settlement near the southern end of the Jutland Peninsula, now in the Schleswig-Flensburg district of Schleswig-Holstein, Germany. It is the most important archaeological site in Schleswig-Holstein. Around 965, chronicler Ibrahim ibn Yaqub, Abraham ben Jacob visited Hedeby and described it as, "a very large city at the very end of the world's ocean." The settlement developed as a trading centre at the head of a narrow, navigable inlet known as the Schlei, which connects to the Baltic Sea. The location was favorable because there is a short portage of less than 15 km to the Treene River, which flows into the Eider River, Eider with its North Sea estuary, making it a convenient place where goods and ships could be pulled on a corduroy road overland for an almost uninterrupted seaway between the Baltic and the North Sea and avoid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stone Of Eric
The Stone of Eric, listed as DR 1 in the Rundata catalog, is a memorial runestone that was found in Northern Germany. This area was part of Denmark during the Viking Age. Description The Stone of Eric is one of the Hedeby stones. It was found in 1796 at Danevirke and moved to a park in Schleswig. Like the Skarthi Rune stone, DR 3, it is believed to have been raised in about 995 C.E. Its inscription describes an attack from the Swedish king Eric the Victorious on Hedeby, who took advantage of the fact that Sweyn Forkbeard was campaigning in England. The inscription refers to King Sweyn's ''hemþægi'' or ''heimþegi'' (pl. ''heimþegar''), meaning "home-receiver" (i.e., one who is given a house by another). A total of six runestones in Denmark refer to a person with this title, the others being DR 3 in Haddeby, the now-lost DR 154 in Torup, DR 155 in Sjørind, and DR 296 and DR 297 in Hällestad. The use of the term in the inscriptions suggest a strong similarity between ''h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fjuckby
Fjuckby () is a village in Uppsala Municipality, Uppsala County, Sweden, located about 15 km (9.3 km) north of the central city Uppsala along European route E4. The village has a population of 65 people (as of 2000) within an area of 18 hectares (44.5 acres). Known as a site for runestones, the village's name has generated worldwide interest in the village. History Prior to the 1930s, the village was known as Fjukeby.O'Mahony, Paul. (December 14, 2006) The Local. Residents of Fjuckby demand new name.' In the 1930s, the spelling of the name of this small village was changed to Fjuckby. With the rise of international travel by Anglophones, and the rise of global communications, English speaking tourists have traveled to Fjuckby out of amusement at the name in order to ridicule it.Olbermann, Keith. (December 14, 2006) NBC News News. 'Countdown with Keith Olbermann' for Dec. 14.' Part 1. (reporting, " But now, here are COUNTDOWN‘s top three newsmakers of this day. ... ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uppland Runic Inscription 1011
This runestone, listed in Rundata as runic inscription U 1011, was carved in the 11th century and was originally located at Örby, Rasbo, Sweden. Description This runestone consists of a runic inscription on two sides with the text within a serpent and a cross at the top. The runestone was moved from Rasbo to Uppsala in the 17th century. In 1867 this runestone, along with U 489 and U 896, was exhibited in the Exposition Universelle in Paris. It was dropped in Le Havre during its return. After having lain there for several decades, it was returned to Uppsala. It now stands in the ''Universitetsparken'' (the University Park) close to the main building of Uppsala University. This is an unusual runestone in that its sponsor, Vigmund, raised it in honor of himself. There are over twenty other runestones where the sponsor stated that the stone was raised in memory of himself, including Sö 55 in Bjudby, U 127 in Danderyds, the now-lost U 149 in Hagby, U 164 and U 165 in Täb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ringerike Style
Viking art, also known commonly as Norse art, is a term widely accepted for the art of Scandinavian Norsemen and Viking settlements further afield—particularly in the British Isles and Iceland—during the Viking Age of the 8th-11th centuries. Viking art has many design elements in common with Celtic, Germanic, the later Romanesque and Eastern European art, sharing many influences with each of these traditions. Generally speaking, the current knowledge of Viking art relies heavily upon more durable objects of metal and stone; wood, bone, ivory and textiles are more rarely preserved. The artistic record, therefore, as it has survived to the present day, remains significantly incomplete. Ongoing archaeological excavation and opportunistic finds, of course, may improve this situation in the future, as indeed they have in the recent past. Viking art is usually divided into a sequence of roughly chronological styles, although outside Scandinavia itself local influences are o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rundata
The Scandinavian Runic-text Data Base ( sv, Samnordisk runtextdatabas) is a project involving the creation and maintenance of a database of runic inscriptions. The project's goal is to comprehensively catalog runestones in a machine-readable way for future research. The database is freely available via the Internet with a client program, called Rundata, for Microsoft Windows. For other operating systems, text files are provided or a web browser can be used to interact with the web applicatioRunor History The origin of the Rundata project was a 1986 database of Swedish inscriptions at Uppsala University for use in the Scandinavian Languages Department. At a seminar in 1990 it was proposed to expand the database to cover all Nordic runic inscriptions, but funding for the project was not available until a grant was received in 1992 from the ''Axel och Margaret Ax:son Johnsons'' foundation. The project officially started on January 1, 1993 at Uppsala University. After 1997, the proje ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Runestone Style
:''The term "runestone style" in the singular may refer to the Urnes style.'' The style or design of runestones varied during the Viking Age. The early runestones were simple in design, but towards the end of the runestone era they became increasingly complex and made by travelling runemasters such as Öpir and Visäte. A categorization of the styles was developed by Anne-Sophie Gräslund in the 1990s. Her systematization is considered to have been a break-through and is today a standard. The styles are RAK, Fp, Pr1, Pr2, Pr3, Pr4 and Pr5, and they cover the period 980-1130, which was the period during which most runestones were made. The styles Pr1 and Pr2 correspond to the Ringerike style, whereas Pr3, Pr4 and Pr5 belong to what is more widely known as the Urnes style.Sawyer 2000:32 Below follows a brief presentation of the various styles by showing sample runestones according to Rundata's annotation. RAK RAK is the oldest style and covers the period 980-1015 AD, but the Ru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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