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Uppland Runic Inscription 541
Uppland Runic Inscription 541 or U 541 is the Rundata catalog listing for a Viking Age memorial runestone which is located at the Husby-Sjuhundra church, which is five kilometers west of Norrtälje, Stockholm County, Sweden, and in the historic province of Uppland. The inscription is signed by the runemaster Öpir. Description The inscription on U 541 consists of runic text in the younger futhark that is carved on a serpent that follows the edge of the stone, which is made of sandstone and is 1.45 meters in height, and then becomes entangled in the center. A cross is near the top of the inscription. It is classified as being carved in runestone style Pr5, which is also known as Urnes style. This runestone style is characterized by slim and stylized animals that are interwoven into tight patterns. The animal heads are typically seen in profile with slender almond-shaped eyes and upwardly curled appendages on the noses and the necks. This stone is considered to be an excellent represe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uppland Runic Inscription 181
Uppland Runic Inscription 181 or U 181 is the Rundata catalog number for a Viking Age memorial runestone located at Össeby-Garn, which is about one kilometer east of Karby, Uppsala County, Sweden. Description This inscription on a granite stone, which is 1.85 meters in height, consists of runic text in the younger futhark that is carved on a serpent that circles a central area where it becomes intertwined with itself, with a Christian cross in the upper part of the encircled area. The inscription is classified as being carved in runestone style Pr5, which is considered to be Urnes style. This runestone style is characterized by slim and stylized animals that are interwoven into tight patterns. The animal heads are typically seen in profile with slender almond-shaped eyes and upwardly curled appendages on the noses and the necks. The text indicates that the inscription was carved by the runemaster Öpir, who was active during the late 11th century and early 12th century in Uppland ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Norse
Old Norse, Old Nordic, or Old Scandinavian, is a stage of development of North Germanic languages, North Germanic dialects before their final divergence into separate Nordic languages. Old Norse was spoken by inhabitants of Scandinavia and their Viking expansion, overseas settlements and chronologically coincides with the Viking Age, the Christianization of Scandinavia and the consolidation of Scandinavian kingdoms from about the 7th to the 15th centuries. The Proto-Norse language developed into Old Norse by the 8th century, and Old Norse began to develop into the modern North Germanic languages in the mid-to-late 14th century, ending the language phase known as Old Norse. These dates, however, are not absolute, since written Old Norse is found well into the 15th century. Old Norse was divided into three dialects: Old West Norse, ''Old West Norse'' or ''Old West Nordic'' (often referred to as ''Old Norse''), Old East Norse, ''Old East Norse'' or ''Old East Nordic'', and ''Ol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Swedish Academy Of Letters, History And Antiquities
The Royal Swedish Academy of Letters, History and Antiquities also called simply the Royal Academy of Letters or Vitterhetsakademin abbreviated KVHAA ( sv, Kungl. Vitterhetsakademien Historie och Antikvitets Akademien or or ) is the Swedish royal academy for the Humanities. Its many publications include the archaeological and art historical journal ''Fornvännen'', published since 1906. History Now located in Rettigska house at Villa Street 3 in Stockholm, the Academy had origins in the early 1700s Uppsala. It was founded in 1753 by Queen Louisa Ulrica, Queen of Sweden and the mother of King Gustav III and originally dedicated to literature. In 1786 when the Swedish Academy was founded it was reconstituted under its present name with new objectives, mainly dedicated to historical and antiquarian preservation. This included a close cooperation with the Swedish National Heritage Board (Swedish: "Riksantikvarieämbetet") whose director was, ex officio, the Academy's secretary. O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Norse Orthography
The orthography of the Old Norse language was diverse, being written in both Runic and Latin alphabets, with many spelling conventions, variant letterforms, and unique letters and signs. In modern times, scholars established a standardized spelling for the language. When Old Norse names are used in texts in other languages, modifications to this spelling are often made. In particular, the names of Old Norse mythological figures often have several different spellings. The appearance of Old Norse in a written runic form first dates back to approximately AD 200–300. While there are remains of Viking runestones from the Viking Age today they are rare, and vary in use of orthography depending on when they were created. Rune stones created near the end of the Viking Age tend to have a greater influence from Old English runes. An understanding of the writing system of Old Norse is crucial for fully understanding the Old Norse language. Studies of remaining rune stones from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urnes Style
Viking art, also known commonly as Norse art, is a term widely accepted for the art of Scandinavian Norsemen and Viking settlements further afield—particularly in the British Isles and Iceland—during the Viking Age of the 8th-11th centuries. Viking art has many design elements in common with Celtic, Germanic, the later Romanesque and Eastern European art, sharing many influences with each of these traditions. Generally speaking, the current knowledge of Viking art relies heavily upon more durable objects of metal and stone; wood, bone, ivory and textiles are more rarely preserved. The artistic record, therefore, as it has survived to the present day, remains significantly incomplete. Ongoing archaeological excavation and opportunistic finds, of course, may improve this situation in the future, as indeed they have in the recent past. Viking art is usually divided into a sequence of roughly chronological styles, although outside Scandinavia itself local influences are ofte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Runestone Styles
:''The term "runestone style" in the singular may refer to the Urnes style.'' The style or design of runestones varied during the Viking Age. The early runestones were simple in design, but towards the end of the runestone era they became increasingly complex and made by travelling runemasters such as Öpir and Visäte. A categorization of the styles was developed by Anne-Sophie Gräslund in the 1990s. Her systematization is considered to have been a break-through and is today a standard. The styles are RAK, Fp, Pr1, Pr2, Pr3, Pr4 and Pr5, and they cover the period 980-1130, which was the period during which most runestones were made. The styles Pr1 and Pr2 correspond to the Ringerike style, whereas Pr3, Pr4 and Pr5 belong to what is more widely known as the Urnes style.Sawyer 2000:32 Below follows a brief presentation of the various styles by showing sample runestones according to Rundata's annotation. RAK RAK is the oldest style and covers the period 980-1015 AD, but the R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Younger Futhark
The Younger Futhark, also called Scandinavian runes, is a runic alphabet and a reduced form of the Elder Futhark, with only 16 characters, in use from about the 9th century, after a "transitional period" during the 7th and 8th centuries. The reduction, somewhat paradoxically, happened at the same time as phonetic changes that led to a greater number of different phonemes in the spoken language, when Proto-Norse evolved into Old Norse. Also, the writing custom avoided carving the same rune consecutively for the same sound, so the spoken distinction between vowel length, long and short vowels was lost in writing. Thus, the language included distinct sounds and minimal pairs that were written the same. The Younger Futhark is divided into long-branch (Danish) and short-twig (Swedish and Norwegian) runes; in the 10th century, it was further expanded by the "Hälsinge Runes" or staveless runes. The lifetime of the Younger Futhark corresponds roughly to the Viking Age. Their use decl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rundata
The Scandinavian Runic-text Data Base ( sv, Samnordisk runtextdatabas) is a project involving the creation and maintenance of a database of runic inscriptions. The project's goal is to comprehensively catalog runestones in a machine-readable way for future research. The database is freely available via the Internet with a client program, called Rundata, for Microsoft Windows. For other operating systems, text files are provided or a web browser can be used to interact with the web applicatioRunor History The origin of the Rundata project was a 1986 database of Swedish inscriptions at Uppsala University for use in the Scandinavian Languages Department. At a seminar in 1990 it was proposed to expand the database to cover all Nordic runic inscriptions, but funding for the project was not available until a grant was received in 1992 from the ''Axel och Margaret Ax:son Johnsons'' foundation. The project officially started on January 1, 1993 at Uppsala University. After 1997, the proje ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
