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Uppland Runic Inscription 308
Uppland Runic Inscription 308 or U 308 is the Rundata catalog designation for a memorial runestone that is located in Ekeby, Stockholm County, Sweden, which was in the historic province of Uppland. While the tradition of carving inscriptions into boulders began in the 4th century and lasted into the 12th century, most runestones date from the late Viking Age. Description This inscription is carved on a rock that is north-west of Skånela Church and consists of a Christian cross surrounded by a runic text within a serpent band. The inscription is about 1.2 meters tall by 1 meters wide. The runic text indicates that it was carved by Þorgautr, which is often normalized as Torgöt, and states that he is the son of the runemaster Fot, who was an active runemaster in southern Uppland during the late Viking Age.Project Sam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Runestone U 308 At Ekeby
A runestone is typically a raised stone with a runic inscription, but the term can also be applied to inscriptions on boulders and on bedrock. The tradition began in the 4th century and lasted into the 12th century, but most of the runestones date from the late Viking Age. Most runestones are located in Scandinavia, but there are also scattered runestones in locations that were visited by Norsemen during the Viking Age. Runestones are often memorials to dead men. Runestones were usually brightly coloured when erected, though this is no longer evident as the colour has worn off. The vast majority of runestones are found in Sweden. History The tradition of raising stones that had runic inscriptions first appeared in the 4th and 5th century, in Norway and Sweden, and these early runestones were usually placed next to graves. The earliest Danish runestones appeared in the 8th and 9th centuries, and there are about 50 runestones from the Migration Period in Scandinavia. Most rune ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fornvännen
''Fornvännen'' ("The Friend of the Distant Past"), ''Journal of Swedish Antiquarian Research'' is a Swedish academic journal in the fields of archaeology and Medieval art. It is published quarterly by the Royal Swedish Academy of Letters, History and Antiquities in Stockholm, Sweden. The journal's contributions are written in the Scandinavian languages, English, or German with summaries in English. The editor-in-chief is Mats Roslund. The Editorial Board practices double blind peer review with external reviewers. ''Fornvännen'' began publication in 1906 when it replaced two earlier journals, ''Svenska Fornminnesföreningens Tidskrift'' and ''Vitterhetsakademiens Månadsblad''. Early contributors included noted archaeologists Oscar Montelius and Hans Hildebrand. Stig Welinder has noted that the journal included articles by women from an early stage, including those of Rosa Norström and Sigrid Leijonhufvud, and characterises this as part of the women's rights movement in Sweden. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theophoric Name
A theophoric name (from Greek: , ''theophoros'', literally "bearing or carrying a god") embeds the word equivalent of 'god' or God's name in a person's name, reflecting something about the character of the person so named in relation to that deity. For example, names embedding Apollo, such as ''Apollonios'' or ''Apollodorus'', existed in Greek antiquity. Theophoric personal names, containing the name of a god in whose care the individual is entrusted (or a generic word for ''god''), were also exceedingly common in the ancient Near East and Mesopotamia. Some names of theophoric origin remain common today, such as Theodore (''theo-'', "god"; ''-dore'', origin of word compound in Greek: ''doron'', "gift"; hence "God's gift"; in Greek: ''Theodoros'') or less recognisably as Jonathan (from Hebrew ''Yonatan/Yehonatan'', meaning "Yahweh has given"). Classical Greek and Roman theophoric names * Demetrius and its derivatives mean "follower of Demeter." * Dennis, in Latin ''Dionysius'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thor
Thor (; from non, Þórr ) is a prominent god in Germanic paganism. In Norse mythology, he is a hammer-wielding æsir, god associated with lightning, thunder, storms, sacred trees and groves in Germanic paganism and mythology, sacred groves and trees, Physical strength, strength, the protection of humankind, hallowing, and fertility. Besides Old Norse , the deity occurs in Old English as , in Old Frisian as ', in Old Saxon as ', and in Old High German as , all ultimately stemming from the Proto-Germanic theonym , meaning 'Thunder'. Thor is a prominently mentioned god throughout the recorded history of the Germanic peoples, from the Roman Empire, Roman occupation of regions of , to the Germanic expansions of the Migration Period, to his high popularity during the Viking Age, when, in the face of the process of the Christianization of Scandinavia, emblems of his hammer, , were worn and Norse paganism, Norse pagan personal names containing the name of the god bear witness to his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norse Paganism
Old Norse religion, also known as Norse paganism, is the most common name for a branch of Germanic religion which developed during the Proto-Norse period, when the North Germanic peoples separated into a distinct branch of the Germanic peoples. It was replaced by Christianity and forgotten during the Christianisation of Scandinavia. Scholars reconstruct aspects of North Germanic Religion by historical linguistics, archaeology, toponymy, and records left by North Germanic peoples, such as runic inscriptions in the Younger Futhark, a distinctly North Germanic extension of the runic alphabet. Numerous Old Norse works dated to the 13th-century record Norse mythology, a component of North Germanic religion. Old Norse religion was polytheistic, entailing a belief in various gods and goddesses. These deities in Norse mythology were divided into two groups, the Æsir and the Vanir, who in some sources were said to have engaged in an ancient war until realizing that they were e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Västmanland Runic Inscription 17
Västmanland Runic Inscription 17 or Vs 17 is the Rundata designation for a Viking Age memorial runestone with an image of a ship that is located in Råby, which is about two kilometers east of Tortuna, Västmanland County, Sweden, which was in the historic province of Västmanland. Description The inscription on Vs 17 consists of runic text in the younger futhark on a serpent that encircles a ship that is on a granite stone which is 1.4 meters in height. Other runic inscriptions from the Viking Age which depict ships include DR 77 in Hjermind, DR 119 in Spentrup, DR 220 in Sønder Kirkeby, DR 258 in Bösarp, DR 271 in Tullstorp, DR 328 in Holmby, DR EM85;523 in Farsø, Ög 181 in Ledberg, Ög 224 in Stratomta, Ög MÖLM1960;230 in Törnevalla, Sö 122 in Skresta, Sö 154 in Skarpåker, Sö 158 in Österberga, Sö 164 in Spånga, Sö 351 in Överjärna, Sö 352 in Linga, Vg 51 in Husaby, U 370 in Herresta, U 979 in Gamla Uppsala, U 1052 in Axlunda, and U 1161 in Altuna. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uppland Runic Inscription 1011
This runestone, listed in Rundata as runic inscription U 1011, was carved in the 11th century and was originally located at Örby, Rasbo, Sweden. Description This runestone consists of a runic inscription on two sides with the text within a serpent and a cross at the top. The runestone was moved from Rasbo to Uppsala in the 17th century. In 1867 this runestone, along with U 489 and U 896, was exhibited in the Exposition Universelle in Paris. It was dropped in Le Havre during its return. After having lain there for several decades, it was returned to Uppsala. It now stands in the ''Universitetsparken'' (the University Park) close to the main building of Uppsala University. This is an unusual runestone in that its sponsor, Vigmund, raised it in honor of himself. There are over twenty other runestones where the sponsor stated that the stone was raised in memory of himself, including Sö 55 in Bjudby, U 127 in Danderyds, the now-lost U 149 in Hagby, U 164 and U 165 in Täb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uppland Runic Inscription 171
Uppland Runic Inscription 171 or U 171 is the Rundata catalog listing for a Viking Age memorial runestone that is located in Söderby, which is four kilometers west of Vaxholm, Stockholm County, Sweden, and in the historic province of Uppland. Description The inscription on U 171 consists of runic text in the younger futhark that is carved on a serpent that follows the edge of the triangular-shaped granite stone. The inscription is classified as being carved in runestone style Pr4, which is also known as Urnes style. This runestone style is characterized by slim and stylized animals that are interwoven into tight patterns. The animal heads are typically seen in profile with slender almond-shaped eyes and upwardly curled appendages on the noses and the necks. The inscription was carved by a runemaster who used the signature Fasti, with the runes for his signature line fasti risti runaʀ or "Fasti carved the runes" located outside of the serpent near its leg. Based on stylistic analys ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jarlabanke Runestones
The Jarlabanke Runestones ( sv, Jarlabankestenarna) is the name of about 20 runestones written in Old Norse with the Younger Futhark rune script in the 11th century, in Uppland, Sweden. They were ordered by what appears to have been a chieftain named Jarlabanke Ingefastsson and his clan (Swedish: ''Jarlabankeätten''), in Täby.Hadenius, Nilsson & Åselius 53. Jarlabanke was probably a hersir (chieftain of a hundred) responsible for the local leidang organization and on several runestones he stated that he was a Christian and not a Pagan. Omeljan Pritsak has remarked that Jarlabanke's prominent position and property show that he and his clan profited from taking part in the Danegelds and from the services that men of his clan provided as mercenaries in the Varangian Guard and in Kievan Rus'.Pritsak 1981:389 Inscription Five of the runestones contain very much the same message: "Jarlabanke had these stones made after himself while he was alive. He made this bridge for his soul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urnes Style
Viking art, also known commonly as Norse art, is a term widely accepted for the art of Scandinavian Norsemen and Viking settlements further afield—particularly in the British Isles and Iceland—during the Viking Age of the 8th-11th centuries. Viking art has many design elements in common with Celtic, Germanic, the later Romanesque and Eastern European art, sharing many influences with each of these traditions. Generally speaking, the current knowledge of Viking art relies heavily upon more durable objects of metal and stone; wood, bone, ivory and textiles are more rarely preserved. The artistic record, therefore, as it has survived to the present day, remains significantly incomplete. Ongoing archaeological excavation and opportunistic finds, of course, may improve this situation in the future, as indeed they have in the recent past. Viking art is usually divided into a sequence of roughly chronological styles, although outside Scandinavia itself local influences are ofte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Runestone Style
:''The term "runestone style" in the singular may refer to the Urnes style.'' The style or design of runestones varied during the Viking Age. The early runestones were simple in design, but towards the end of the runestone era they became increasingly complex and made by travelling runemasters such as Öpir and Visäte. A categorization of the styles was developed by Anne-Sophie Gräslund in the 1990s. Her systematization is considered to have been a break-through and is today a standard. The styles are RAK, Fp, Pr1, Pr2, Pr3, Pr4 and Pr5, and they cover the period 980-1130, which was the period during which most runestones were made. The styles Pr1 and Pr2 correspond to the Ringerike style, whereas Pr3, Pr4 and Pr5 belong to what is more widely known as the Urnes style.Sawyer 2000:32 Below follows a brief presentation of the various styles by showing sample runestones according to Rundata's annotation. RAK RAK is the oldest style and covers the period 980-1015 AD, but the Ru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
