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Untitled
Untitled or (Untitled) may refer to: Artworks * ''Untitled (2004)'', by Banksy * ''Untitled'' (1982 painting), by American artist Jean-Michel Basquiat * ''Untitled'' (Devil), a 1982 painting by American artist Jean-Michel Basquiat * ''Untitled'' (Fishing), a 1981 painting by American artist Jean-Michel Basquiat * ''Untitled'' (1981 Head), a 1981 painting by American artist Jean-Michel Basquiat * ''Untitled (The Birth)'', a 1938 tempera painting by American artist Jacob Lawrence * '' Untitled (Black on Grey)'', a 1970 painting by Mark Rothko * ''Untitled'' (Hoosier mural), a 1972 outdoor mural by Peter Mayer * ''Untitled'' (IUPUI Letters), a 2008 public sculpture the New York City firm Two Twelve * '' Untitled (Jazz Musicians)'', a 1995 outdoor sculpture by John Spaulding * ''Untitled'' (Jeffersonville), a 1970 public artwork by Barney Bright * ''Untitled (landscape)'', an 1883–1911 drawing by Carl Fredrik Hill * ''Untitled (L's)'', a 1980 public sculpture by David Von Schle ...
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"Untitled" (Perfect Lovers)
''"Untitled" (Perfect Lovers)'' is a work of conceptual art produced by Félix González-Torres in an edition of three, plus one artist's proof, between 1987 and 1990. It consists of two identical synchronized clocks, that will eventually fall out of sync. An ambiguous work of art, many have interpreted it to be a commentary on González-Torres' partner's struggle with acquired immune deficiency syndrome (AIDS) and death at large. One of González-Torres' most famous works, it has appeared in over 70 exhibitions and has inspired multiple homages. When displayed at exhibitions and similar establishments it must adhere to specific guidelines illustrated by González-Torres such as the clocks having to be the same dimensions. Background and conception In 1987, González-Torres' partner Ross Laycock was diagnosed with AIDS. Influenced by the idea that "art should act right now," the artist created three editions of the piece and one artist's proof between 1987 and 1990. In a letter ...
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Untitled (1967 Judd Sculpture)
Donald Judd's progression sculptures are a series of wall sculptures created between 1964 and the 1970s. Each work is similar in form, with Judd's choice of material varying depending on the date of production. Judd based each work on a simple mathematical sequence such as the Fibonacci Sequence. He typically called the works ''Untitled'', sometimes adding the word ''progression'' to the title. Judd, along with fellow artists, Dan Flavin and Mel Bochner, was interested in the minimalist notion of seriality or serial progression rather than the more classical relational method of composition. Works *''Untitled (Progression)'' is a 1965 work made of painted and galvanized aluminum, held by the Saint Louis Art Museum. *''Untitled'', made in 1965, is a maroon and silver aluminum sculpture held by the Whitney Museum of Art. The original version of the work was painted with a Harley-Davidson motorcycle paint whose color was called "Hi-Fi Purple". The work was restored in 1976 and 20 ...
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Untitled (Richard Fleischner Artwork At Alewife Station)
''Untitled'' is a 1985 public art installation by American artist Richard Fleischner located in a courtyard adjacent to Alewife station on the Massachusetts Bay Transportation Authority (MBTA) Red Line in northwest Cambridge, Massachusetts. The artwork – an environmental piece consisting of granite block designs among a landscape – cost $40,000 to create as part of the Arts on the Line program. Artwork ''Untitled'' is a large-scale outdoor piece, covering some on a parcel of land nested between Alewife Brook Parkway ( MA-2/ US-3/ MA-16), the main station entrance, and the five-story parking garage. An elongated artificial pond is surrounded by a grassy area with trees and decorative pavers, intended to be a "usable space for MBTA commuters and community residents" while also serving as part of the drainage system necessary for the large concrete garage structure. Like several other works from the Arts on the Line project, ''Untitled'' includes stone monoliths. Arranged aro ...
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Untitled (Killmaster)
''Untitled'' is an outdoor 1977 steel and porcelain enamel sculpture by American artist John Killmaster, located in downtown Portland, Oregon. It is part of the City of Portland and Multnomah County Public Art Collection courtesy of the Regional Arts & Culture Council. Description and history ''Untitled'', completed by John Killmaster in 1977, is a steel and porcelain enamel sculpture located at the intersection of Southwest 5th Avenue and Southwest Pine Street in the Portland Transit Mall since 2009. It was funded by TriMet and the United States Department of Transportation. According to the Regional Arts & Culture Council, which administers the work, "This sculpture features Killmaster’s mastery of enamel with large panels that display brightly colored abstract designs." It measures , x , x , . Its condition was deemed "treatment needed" by the Smithsonian Institution's "Save Outdoor Sculpture!" program in December 1993. At that time, the sculpture was administered by the ...
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Untitled (L's)
''Untitled (L's)'', a public sculpture by American artist David Von Schlegell, is located on the Indiana University-Purdue University Indianapolis campus, which is near downtown Indianapolis, Indiana. The sculpture is located just north of Joseph Taylor Hall in a grassy courtyard adjacent to Michigan Street. Cavanaugh hall frames the courtyard to the west, the library and Business building are east of the courtyard. This sculpture was created in 1978, and installed at IUPUI in 1980. The sculpture is a Minimalist composition of three identical steel L's. The L structures have a vertical beam that is tall and a horizontal beam of . The beams themselves are high and wide. Description The ''Untitled (L's)'' sculpture has three identical components and was fabricated by a yacht manufacturer in New York state. Each vertical beam measures tall and each horizontal beam is long. The beams themselves are in height and wide. Each component has a structural steel core with an layer o ...
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Untitled (Urban Wall)
''Untitled (Urban Wall)'' is an outdoor mural by Austrian artist Roland Hobart located at 32 North Delaware Street in downtown Indianapolis, Indiana. The mural originally occupied two exterior walls of two four-story commercial buildings at this site. The mural was commissioned by the City of Indianapolis for the Indianapolis Urban Walls Project in 1973.Lennis, Susan. “Hey brother, can you spare a wall?”, “Indianapolis Star Magazine”, Indianapolis, 23 May 1976. Fabrication of the mural began in September 1973 and finished by the end of the year. Description When the mural was completed, Marion Simon Garmel described ''Untitled (Urban Wall)'' as “a complex puzzle of rectangles, pie-shaped wedges, quarter arcs and S curves in bold but earthy colors”. "Urban Wall" in ''Untitled'' refers to the Indianapolis Urban Walls Project, a region wide call to artists by the Indianapolis Department of Parks and Recreation to develop outdoor mural designs toward the beautification ...
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Untitled (Jazz Musicians)
''Untitled (Jazz Musicians)'' is an outdoor sculpture by American artist John Spaulding. It is located on the border of Indiana University-Purdue University Indianapolis (IUPUI) campus, near downtown Indianapolis, Indiana, at the corner intersection of Indiana Avenue and West Street. The sculpture faces the historic Madame Walker Theatre Center, which is located across the street. Description ''Untitled (Jazz Musicians)'' is a quintet of linear jazz musicians fabricated in bronze. Each figure represents a jazz musician who was influential to the artist, and Indiana Avenue. Spaulding’s father, James, is playing guitar; his older brother, James Spaulding Jr., is playing saxophone; the bass-player figure represents Larry Ridley; Freddie Hubbard is on trumpet; and "Killer" Ray Appleton is on the drums. Each bronze linear figure has a circular bronze base welded at its feet that is then situated upon a riser of concrete block. The dimensions of the sculpture as a whole are 8'5" x ...
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Untitled (1982 Painting)
''Untitled'' is a painting created by American artist Jean-Michel Basquiat in 1982. The artwork, which depicts a skull, is among the most expensive paintings ever. In May 2017, it sold for $110.5 million at Sotheby's, the highest price ever paid at auction for artwork by an American artist in a public sale. That record was surpassed by '' Shot Sage Blue Marilyn'' by Andy Warhol, which sold for $195 million in May 2022. History ''Untitled'' was executed by Jean-Michel Basquiat in 1982, which is considered his most valuable year. A majority of the highest-selling Basquiat paintings at auction date to 1982. ''Untitled'' depicts a skull, composed of black brushstrokes with red, yellow and white rivulets against a blue background. It originally sold for $4,000 in 1982. It was owned by the Annina Nosei Gallery in New York, before being sold to Phoebe Chason, who sold it to Alexander F. Milliken in 1982. It hadn't been shown in public since it was sold at Christie's to Emily and Jerr ...
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Untitled (Fishing)
''Untitled'' is a painting created by American artist Jean-Michel Basquiat in 1981. The artwork, which depicts a fisherman displaying his catch hanging at the end of a line, sold for $26.4 million at Christie's in November 2012. History Jean-Michel Basquiat painted ''Untitled'' in 1981, a pivotal year when he transitioned from street artist into the adulation of the New York art scene. He worked in the basement of Annina Nosei's gallery in SoHo where ''Untitled'' was executed. The artwork depicts a fisherman wearing a crown of thorns and a halo of the same nature. He is standing at the center of the canvas proudly displays his catch, a large fish hanging at the end of a fishing rod. His black body reveals a white skeletal figure. The painting had previously been auctioned in 1988, a few months after Basquiat's death, and sold for $110,000. Sold by fashion photographer Patrick Demarchelier in 2012, it was anticipated to break records before its auction in 2012. Loic Gouzer, ...
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Untitled (1981 Head)
''Untitled'' is a painting created by American artist Jean-Michel Basquiat in 1981. An X-ray-like vision of the head's exposed upper and lower jaw accounts for its misinterpretation as a skull. The painting was acquired by Eli and Edythe Broad in 1982, and is now housed at The Broad museum in Los Angeles. History Basquiat began working on ''Untitled'' in early 1981. Unlike most of his pieces which were completed exuberantly within a few days, ''Untitled'' remained unfinished for several months as Basquiat stalled its completion. Art historian Fred Hoffman's description alludes to a vision Basquiat may have conjured in the studio: "One can only speculate about the reasons for this hesitation, but several individuals close to the artist—including myself and Annina Nosei, the artist’s dealer at the time—suspect that this young, unseasoned artist hesitated to complete the work because he was caught off guard, possibly even frightened, by the power and energy emanating from th ...
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Untitled (Devil)
''Untitled'' is a painting created by American artist Jean-Michel Basquiat in 1982. The artwork was sold at Christie's for $57.3 million in May 2016. At the time, that was the record for Basquiat's most expensive painting. In 2022, it was sold for $85 million at Phillips, becoming Basquiat's third highest auction sale and fourth most expensive painting. History ''Untitled'' was executed by Jean-Michel Basquiat in Modena, Italy in 1982, which is considered his most valuable year. A majority of the highest-selling Basquiat paintings at auction date to 1982. That year he also became the youngest artist ever invited to participate in ''Documenta'' in Kassel, Germany. Basquiat had initially been invited to Modena in 1981 by art dealer Emilio Mazzoli, for his first one-man show at Galleria d'Arte Emilio Mazzoli, after he had seen Basquiat's work at the ''New York/New Wave'' February 1981 show at New York's MoMA PS1. Basquiat returned to Modena in March 1982, and during this trip he c ...
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Untitled (1998 Painting By Ellen Gallagher)
''Untitled'' is a 1998 painting by Ellen Gallagher. It is in the collection of the National Galleries of Scotland in Edinburgh. The painting is one of many in a series that Gallagher produced consisting of large scale, black paintings that she used to explore her African-American heritage and early stereotypes of African Americans, including minstrel shows. To create ''Untitled'', Gallagher glued paper to a canvas. She used black oil paint on the paper and on top of that, silver paint to create small, human lips in rows. The piece was acquired by the National Galleries and Scotland in 2008 with money from the Anthony d'Offay Donation and the National Heritage Memorial Fund. See also *''Untitled'', a 1999 painting in the same series by Gallagher, in the Art Institute of Chicago The Art Institute of Chicago in Chicago's Grant Park, founded in 1879, is one of the oldest and largest art museums in the world. Recognized for its curatorial efforts and popularity among visitors, ...
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