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Until The End Of The World (song)
"Until the End of the World" is a song by rock band U2 and the fourth track from their 1991 album ''Achtung Baby''. The song began as a guitar riff composed by lead vocalist Bono from a demo, which the band revisited with success after talking with German filmmaker Wim Wenders about providing music for his film ''Until the End of the World''. The song's lyrics describe a fictional conversation between Jesus Christ and Judas Iscariot. The first verse discusses the Last Supper; the second is about Judas identifying Jesus with a kiss on the cheek in the Garden of Gethsemane; and the final is about Judas' suicide after being overwhelmed with guilt and sadness. "Until the End of the World" enjoyed airplay on alternative and rock radio in the United States, where it was released as a promotional single; it peaked within the top 5 of ''Billboard''s Modern Rock Tracks and Album Rock Tracks charts. It also peaked at number 69 on the Canadian ''RPM'' Top 100 singles chart. Writing, re ...
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Achtung Baby
''Achtung Baby'' () is the seventh studio album by Irish rock band U2. It was produced by Daniel Lanois and Brian Eno, and was released on 18 November 1991 on Island Records. After criticism of their 1988 release ''Rattle and Hum'', U2 shifted their direction to incorporate influences from alternative rock, industrial music, and electronic dance music into their sound. Thematically, ''Achtung Baby'' is darker, more introspective, and at times more flippant than their previous work. The album and the subsequent multimedia-intensive Zoo TV Tour were central to the group's 1990s reinvention, by which they abandoned their earnest public image for a more lighthearted and self-deprecating one. Seeking inspiration from German reunification, U2 began recording ''Achtung Baby'' at Berlin's Hansa Studios in October 1990. The sessions were fraught with conflict, as the band argued over their musical direction and the quality of their material. After tension and slow progress nearly prom ...
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Garden Of Gethsemane
Gethsemane () is a garden at the foot of the Mount of Olives in Jerusalem where, according to the four Gospels of the New Testament, Jesus underwent the agony in the garden and was arrested before his crucifixion. It is a place of great resonance in Christianity. There are several small olive groves in church property, all adjacent to each other and identified with biblical Gethsemane. Etymology ''Gethsemane'' appears in the Greek original of the Gospel of Matthew and the Gospel of Mark as (''Gethsēmanḗ''). The name is derived from the Aramaic (''Gaḏ-Šmānê''), meaning "oil press". and call it (''chōríon''), meaning a place or estate. The Gospel of John says Jesus entered a garden ( ''kêpos'') with his disciples. Location According to the New Testament it was a place that Jesus and his disciples customarily visited, which allowed Judas Iscariot to find him on the night Jesus was arrested. There are four locations, all of them at or near the western foot of t ...
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Adam Clayton
Adam Charles Clayton (born 13 March 1960) is an English-born Irish musician who is the bass guitarist of the rock band U2. He has resided in County Dublin, Ireland since his family moved to Malahide in 1965, when he was five years old. Clayton attended Mount Temple Comprehensive School, where he met schoolmates with whom he co-founded U2 in 1976. A member of the band since its inception, he has recorded 14 studio albums with U2. Clayton's bass playing style is noted for its "harmonic syncopation", giving the music a driving rhythm. He is well known for his bass playing on songs such as " Gloria", " New Year's Day", "Bullet the Blue Sky", "With or Without You", " Mysterious Ways", "Vertigo", " Get on Your Boots", and " Magnificent". He has worked on several solo projects throughout his career, such as his work with fellow band member Larry Mullen Jr. on the 1996 version of the " Theme from ''Mission: Impossible''". As a member of U2, Clayton has received 22 Grammy Awards an ...
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Backing Track
A backing track is an audio recording on audiotape, CD or a digital recording medium or a MIDI recording of synthesized instruments, sometimes of purely rhythmic accompaniment, often of a rhythm section or other accompaniment parts that live musicians play along with or sing along to. Backing tracks enable singers and bands to add parts to their music which would be impractical or impossible to perform live, such as string section or choir parts which were recorded in the studio. A backing track can be used by a one person band (e.g., a singer-guitarist) to add any amount of bass, drums and keyboards to their live shows without the cost of hiring extra musicians. A small pop group or rock band (e.g., a power trio) can use backing tracks to add a string section, horn section, drumming or backing vocals to their live shows. Uses Bands or solo musicians may use backing tracks to add extra instrumental or vocal tracks to a live performance, to enhance the sound (as in the employment ...
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The Edge
David Howell Evans (born 8 August 1961), better known as the Edge or simply Edge,McCormick (2006), pp. 21, 23–24 is an English-born Irish musician, singer, and songwriter. He is best known as the lead guitarist, keyboardist, and backing vocalist of the rock band U2. A member of the group since its inception, he has recorded 14 studio albums with them as well as one solo record. His understated style of guitar playing, a signature of U2's music, is distinguished by chiming timbres, use of rhythmic delay, drone notes, harmonics, and an extensive use of effects units. Born in England to Welsh parents and raised in Ireland, the Edge formed the band that would become U2 with his classmates at Mount Temple Comprehensive School and his elder brother Dik in 1976. Inspired by the ethos of punk rock and its basic arrangements, the group began to write its own material. They eventually became one of the most successful acts in popular music, with albums such as 1987's ''The Joshua Tr ...
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HarperCollins
HarperCollins Publishers LLC is one of the Big Five English-language publishing companies, alongside Penguin Random House, Simon & Schuster, Hachette, and Macmillan. The company is headquartered in New York City and is a subsidiary of News Corp. The name is a combination of several publishing firm names: Harper & Row, an American publishing company acquired in 1987—whose own name was the result of an earlier merger of Harper & Brothers (founded in 1817) and Row, Peterson & Company—together with Scottish publishing company William Collins, Sons (founded in 1819), acquired in 1989. The worldwide CEO of HarperCollins is Brian Murray. HarperCollins has publishing groups in the United States, Canada, the United Kingdom, Australia, New Zealand, Brazil, India, and China. The company publishes many different imprints, both former independent publishing houses and new imprints. History Collins Harper Mergers and acquisitions Collins was bought by Rupert Murdoch's News Corpora ...
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Demo (music)
A demo (shortened from "demonstration") is a song or group of songs typically recorded for limited circulation or for reference use, rather than for general public release. A demo is a way for a musician to approximate their ideas in a fixed format, such as cassette tape, compact disc, or digital audio files, and to thereby pass along those ideas to record labels, producers, or other artists. Musicians often use demos as quick sketches to share with bandmates or arrangers, or simply for personal reference during the songwriting process; in other cases, a songwriter might make a demo to send to artists in hopes of having the song professionally recorded, or a publisher may need a simple recording for publishing or copyright purposes. Background Demos are typically recorded on relatively crude equipment such as "boom box" cassette recorders, small four- or eight-track machines, or on personal computers with audio recording software. Songwriters' and publishers' demos are recorded ...
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Riff
A riff is a repeated chord progression or refrain in music (also known as an ostinato figure in classical music); it is a pattern, or melody, often played by the rhythm section instruments or solo instrument, that forms the basis or accompaniment of a musical composition. Though riffs are most often found in rock music, heavy metal music, Latin, funk, and jazz, classical music is also sometimes based on a riff, such as Ravel's Boléro. Riffs can be as simple as a tenor saxophone honking a simple, catchy rhythmic figure, or as complex as the riff-based variations in the head arrangements played by the Count Basie Orchestra. David Brackett (1999) defines riffs as "short melodic phrases", while Richard Middleton (1999) defines them as "short rhythmic, melodic, or harmonic figures repeated to form a structural framework". Rikky Rooksby states: "A riff is a short, repeated, memorable musical phrase, often pitched low on the guitar, which focuses much of the energy and excitement ...
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Gustave Doré - The Holy Bible - Plate CXLI, The Judas Kiss
Gustav, Gustaf or Gustave may refer to: *Gustav (name), a male given name of Old Swedish origin Art, entertainment, and media * ''Primeval'' (film), a 2007 American horror film * ''Gustav'' (film series), a Hungarian series of animated short cartoons * Gustav (''Zoids''), a transportation mecha in the ''Zoids'' fictional universe *Gustav, a character in ''Sesamstraße'' *Monsieur Gustav H., a leading character in ''The Grand Budapest Hotel'' Weapons *Carl Gustav recoilless rifle, dubbed "the Gustav" by US soldiers *Schwerer Gustav, 800-mm German siege cannon used during World War II Other uses *Gustav (pigeon), a pigeon of the RAF pigeon service in WWII *Gustave (crocodile), a large male Nile crocodile in Burundi *Gustave, South Dakota *Hurricane Gustav (other), a name used for several tropical cyclones and storms *Gustav, a streetwear clothing brand See also *Gustav of Sweden (other) *Gustav Adolf (other) *Gustave Eiffel (other) * * *Gustavo ...
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RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Canadian music charts ''RPM'' maintained several format charts, including Top Singles (all genres), Adult Contemporary, Dance, Urban, Rock/Alternative and Country Tracks (or Top Country Tracks) for country music. On 21 March 1966, ''RPM'' expanded its Top Singles chart from 40 positions to 100. On 6 December 1980, the main chart became a top-50 chart and remained this way until 4 August 1984, whereupon it reverted to a top-100 singles chart. For the first several weeks of its existence, the magazine did not compile a national chart, but simply printed the cur ...
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Mainstream Rock (chart)
Mainstream Rock is a music chart in ''Billboard (magazine), Billboard'' magazine that ranks the most-played songs on mainstream rock radio stations in the United States, a category that combines the formats of active rock and heritage rock. The chart was launched in March 1981 as Rock Albums & Top Tracks, after which the name changed first to Top Rock Tracks, then to Album Rock Tracks, and finally to its current Mainstream Rock in 1996. History The Rock Albums & Top Tracks charts were introduced in the March 21, 1981, issue of ''Billboard''.Joel Whitburn. ''Joel Whitburn Presents Rock Tracks 1981–2008.'' Hal Leonard Corporation, 2008p. 6. The 50- and 60-position charts ranked airplay on album rock radio stations in the United States. Because album-oriented rock stations focused on playing tracks from albums rather than specifically released singles, these charts were designed to measure the airplay of any and all tracks from an album. Rock Albums was a survey of the top albums o ...
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Alternative Songs
Alternative Airplay (formerly known as Modern Rock Tracks (1988–2009) and Alternative Songs (2009–2020)) is a music chart in the United States that has appeared in ''Billboard'' magazine since September 10, 1988. It ranks the 40 most-played songs on alternative and modern rock radio stations. Introduced as Modern Rock Tracks, the chart served as a companion to the Mainstream Rock chart (then called Album Rock Tracks), and its creation was prompted by the explosion of alternative music on American radio in the late 1980s. During the first several years of the chart, it regularly featured music that did not receive commercial radio airplay anywhere but on a few modern rock and college rock radio stations. This included many electronic and post-punk artists. Gradually, as alternative rock became more mainstream (spearheaded by the grunge explosion in the early 1990s), alternative and mainstream rock radio stations began playing many of the same songs. By the late 2000s, the gen ...
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