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Unorthodox Jukebox
''Unorthodox Jukebox'' is the second studio album by American singer and songwriter Bruno Mars. It was released on December 7, 2012, by Atlantic Records and was made available to listen to in its entirety for a week before its release. It serves as the follow-up to Mars's debut record ''Doo-Wops & Hooligans'' (2010). Mars's writing and production team, the Smeezingtons, composed the whole record and worked with several past collaborators, Jeff Bhasker and Supa Dups, while enlisting new producers, such as Mark Ronson and Emile Haynie, and no guest vocalists. The album was initially planned to be more "energetic" than his previous work, but ended up presenting a wide range of styles such as R&B, pop, reggae, rock, disco, funk and soul music. Lyrically, ''Unorthodox Jukebox'' revolves around the theme of relationships, incorporating more explicit lyrics and subjects than his previous material. Critical response to ''Unorthodox Jukebox'' was generally favorable; many reviewers co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Young Girls
"Young Girls" is a song by American singer-songwriter Bruno Mars. It was composed by Mars, Philip Lawrence (songwriter), Philip Lawrence and Ari Levine, a songwriting and record production trio known as the Smeezingtons, as well as Jeff Bhasker, and Emile Haynie, with additional songwriter credits by Mac Davis, for Mars's second studio album ''Unorthodox Jukebox'' (2012). It is a midtempo, doo-wop-influenced pop music, pop ballad that garnered comparisons to Mars's "It Will Rain" and Lana Del Rey's music. Its instrumentation includes drums, synths, piano and elements of electro (music), electro music. The song was released as the first promotional single and later as the fifth overall single from ''Unorthodox Jukebox'', being first serviced to contemporary hit radio in Australia on November 26, 2013. "Young Girls" received generally mixed to positive reviews. Many critics, music critics noted the complex instrumental and praised Mars's vocals on the record. Its lyrics, detailing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gorilla (song)
"Gorilla" is a song by American singer-songwriter Bruno Mars from his second studio album ''Unorthodox Jukebox'' (2012). The song was written by Mars, Philip Lawrence, and Ari Levine, who produced the song under the name of the Smeezingtons, with Emile Haynie, Jeff Bhasker and Mark Ronson. Atlantic Records serviced the track to Contemporary hit radio in the United States on September 10, 2013, as the fourth single from ''Unorthodox Jukebox''. Its official remix (G-Mix) features American singers Pharrell Williams and R. Kelly, and was released in Canada and US on November 12. "Gorilla" is a midtempo arena-rock, rock and soft rock song with a power pop hook, "epic" guitars and a Phil Collins-esque synth/percussion combination. Its style has drawn comparisons to Prince's 1984 single " Purple Rain". The single received mixed reviews from critics, who praised its resemblance to early 1980s arena rock, but was criticized for its explicit lyrical content, which addresses the subject ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruno Mars
Peter Gene Hernandez (born October 8, 1985), known professionally as Bruno Mars, is an American singer, songwriter, and record producer. He is known for his stage performances, retro showmanship, and for performing in a wide range of musical styles, including pop, R&B, funk, soul, reggae, disco, and rock. Mars is accompanied by his band, the Hooligans, who play a variety of instruments, such as electric guitar, bass, piano, keyboards, drums, and horns, and also serve as backup singers and dancers. Born and raised in Honolulu, Hawaii, Mars moved to Los Angeles in 2003 to pursue a musical career. In 2009, he co-founded the production team The Smeezingtons, responsible for various successful singles for Mars himself and other artists. He rose to fame in 2010 buoyed by the success of "Nothin' on You" by B.o.B and " Billionaire" by Travie McCoy, both of which featured his vocals. That year, Mars released his debut studio album ''Doo-Wops & Hooligans'', which blended pop with reg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
24K Magic (album)
''24K Magic'' (stylized as ''XXIVK Magic'') is the third studio album by American singer-songwriter Bruno Mars. It was released by Atlantic Records on November 18, 2016. Mars reunited with Philip Lawrence and Christopher Brody Brown, who composed the album under their joint alias Shampoo Press & Curl. Mars enlisted new composers including the Stereotypes and James Fauntleroy. Recording sessions for ''24K Magic'' took place between late 2015 and September 2016 at Glenwood Place Studios in Burbank, California. Several critics said ''24K Magic'' was crafted from elements of R&B, funk, pop, and new jack swing. Mars was inspired to create an album on which he could capture the sound of 1990s R&B, that he listened and danced to during his childhood. He wanted to make people dance and have the same enjoyment he had. The lyrics of ''24K Magic'' explore themes similar to those of its predecessor, ''Unorthodox Jukebox'' (2012), including money and sex. According to Mars, although he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recorded Music NZ
Recorded Music NZ (formerly the Recording Industry Association of New Zealand (RIANZ)) is a non-profit trade association of record producers, distributors and recording artists who sell recorded music in New Zealand. Membership of Recorded Music NZ is open to any owner of recorded music rights operating in New Zealand, inclusive of major labels (such as Sony, Universal and Warner Music Group), independent labels and self-released artists. Recorded Music NZ has over 2000 rights-holders. Prior to June 2013 the association called itself the "Recording Industry Association of New Zealand" (RIANZ). RIANZ and PPNZ Music Licensing merged and renamed themselves "Recorded Music NZ". Recorded Music NZ functions in three areas: * member services (the New Zealand Music Awards, the Official New Zealand Music Charts, music grants and direct services to artists and labels) * music licensing (undertaken independently or, in most cases, via OneMusic, a joint licensing venture between Reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Canada
Music Canada (formerly Canadian Recording Industry Association (CRIA)) is a non-profit trade organization that was founded 9 April 1963 to represent the interests of companies that record, manufacture, produce, and distribute music in Canada. It also offers benefits to some of Canada's leading independent record labels and distributors. History Originally formed as the 10-member Canadian Record Manufacturer's Association, the association changed its name to Canadian Recording Industry Association (CRIA) in 1972 and opened membership to other record industry companies. In 2006, the CRIA was in the news when a number of smaller labels resigned their memberships, complaining that the organization wasn't representing their interests. In 2011, it changed its name to Music Canada offering special benefits to some of the leading independent labels and distributors in Canada. Organization Music Canada is governed by a board of directors who are elected annually by association members. To ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licenses and royalties. The association has more than 100 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a Board of Directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian Recording Industry Association, which was established by the six major record companies operati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recording Industry Association Of America
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C. RIAA was formed in 1952. Its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the stereophonic record groove and the dimensions of 33 1/3, 45, and 78 rpm records. RIAA says its current mission includes: #to protect intellectual property rights and the First Amendment rights of artists #to perform research about the music industry #to monitor and review relevant laws, regulations, and policies Between 2001 and 202 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Journalism
Music journalism (or music criticism) is media criticism and reporting about music topics, including popular music, classical music, and traditional music. Journalists began writing about music in the eighteenth century, providing commentary on what is now regarded as classical music. In the 1960s, music journalism began more prominently covering popular music like rock and pop after the breakthrough of The Beatles. With the rise of the internet in the 2000s, music criticism developed an increasingly large online presence with music bloggers, aspiring music critics, and established critics supplementing print media online. Music journalism today includes reviews of songs, albums and live concerts, profiles of recording artists, and reporting of artist news and music events. Origins in classical music criticism Music journalism has its roots in classical music criticism, which has traditionally comprised the study, discussion, evaluation, and interpretation of music that has be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soul Music
Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence with artists like Erykah Badu under the genre neo-soul. Catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and an especially tense vocal sound. The style also occasionally uses improvisational additions, twirls, and auxiliary sounds. Soul music reflects the African-American identity, and it stresses the importance of an African-Ameri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Smeezingtons
The Smeezingtons were an American songwriting and record production team consisting of Bruno Mars (born 1985), Philip Lawrence (born 1980), and Ari Levine (born May 5, 1984). The Smeezingtons were established in Los Angeles, California; their production and writing services had been increasingly in demand since 2009. Eventually, the trio split, and with Christopher Brody Brown, Mars and Lawrence formed a new production trio called "Shampoo Press & Curl". The Smeezingtons first gained the attention of the music industry after Coca-Cola used K'naan's song "Wavin' Flag" with a different composition arranged by them, as the theme for television coverage of the 2010 FIFA World Cup. The trio broke into the American recording industry, writing songs for a diverse range of artists. The Smeezingtons produced and co-wrote "Nothin' on You" by American rapper B.o.B featuring Mars. It was their first ''Billboard'' Hot 100 number-one single. They also produced and co-wrote with American si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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