United States Post Office (Saratoga Springs, New York)
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United States Post Office (Saratoga Springs, New York)
The U.S. Post Office in Saratoga Springs, New York, United States, is located at 475 Broadway at the intersection of Church Street in the center of the city. It is a brick structure built in 1910 in the Classical Revival architectural style, and was designed by James Knox Taylor, supervising architect for the Treasury Department. The post office serves the ZIP Code 12866, covering the city of Saratoga Springs. At the time of its construction and opening it had one of the most elaborate lobbies of any post office in the state. Two murals depicting the city's race track were added to it in the 1930s. The lobby has since been altered somewhat, but enough of the building's integrity and original design remains that it was listed on the National Register of Historic Places in 1989. It had already been a contributing property to the Broadway Historic District since that was first designated in 1978. Building The post office is set back somewhat from Broadway. There are mature trees ...
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Saratoga Springs, New York
Saratoga Springs is a city in Saratoga County, New York, United States. The population was 28,491 at the 2020 census. The name reflects the presence of mineral springs in the area, which has made Saratoga a popular resort destination for over 200 years. It is home to the Saratoga Race Course, a thoroughbred horse racing track, and Saratoga Performing Arts Center, a music and dance venue. The city's official slogan is "Health, History, and Horses." History The British built Fort Saratoga in 1691 on the west bank of the Hudson River. Shortly thereafter, British colonists settled the current village of Schuylerville approximately one mile south; it was known as Saratoga until 1831. Native Americans believed the springs about 10 miles (16 km) west of the village—today called High Rock Spring—had medicinal properties. In 1767, William Johnson, a British soldier who was a hero of the French and Indian War, was brought by Native American friends to the spring to treat his ...
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Beaux-Arts Architecture
Beaux-Arts architecture ( , ) was the academic architectural style taught at the École des Beaux-Arts in Paris, particularly from the 1830s to the end of the 19th century. It drew upon the principles of French neoclassicism, but also incorporated Renaissance and Baroque elements, and used modern materials, such as iron and glass. It was an important style in France until the end of the 19th century. History The Beaux-Arts style evolved from the French classicism of the Style Louis XIV, and then French neoclassicism beginning with Style Louis XV and Style Louis XVI. French architectural styles before the French Revolution were governed by Académie royale d'architecture (1671–1793), then, following the French Revolution, by the Architecture section of the Académie des Beaux-Arts. The Academy held the competition for the Grand Prix de Rome in architecture, which offered prize winners a chance to study the classical architecture of antiquity in Rome. The formal neoclassicism ...
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Parapet
A parapet is a barrier that is an extension of the wall at the edge of a roof, terrace, balcony, walkway or other structure. The word comes ultimately from the Italian ''parapetto'' (''parare'' 'to cover/defend' and ''petto'' 'chest/breast'). Where extending above a roof, a parapet may simply be the portion of an exterior wall that continues above the edge line of the roof surface, or may be a continuation of a vertical feature beneath the roof such as a fire wall or party wall. Parapets were originally used to defend buildings from military attack, but today they are primarily used as guard rails, to conceal rooftop equipment, reduce wind loads on the roof, and to prevent the spread of fires. In the Bible the Hebrews are obligated to build a parapet on the roof of their houses to prevent people falling (Deuteronomy 22:8). Parapet types Parapets may be plain, embattled, perforated or panelled, which are not mutually exclusive terms. *Plain parapets are upward extensions of ...
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Cornice
In architecture, a cornice (from the Italian ''cornice'' meaning "ledge") is generally any horizontal decorative moulding that crowns a building or furniture element—for example, the cornice over a door or window, around the top edge of a pedestal, or along the top of an interior wall. A simple cornice may be formed just with a crown, as in crown moulding atop an interior wall or above kitchen cabinets or a bookcase. A projecting cornice on a building has the function of throwing rainwater free of its walls. In residential building practice, this function is handled by projecting gable ends, roof eaves and gutters. However, house eaves may also be called "cornices" if they are finished with decorative moulding. In this sense, while most cornices are also eaves (overhanging the sides of the building), not all eaves are usually considered cornices. Eaves are primarily functional and not necessarily decorative, while cornices have a decorative aspect. A building's projecti ...
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Frieze
In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the moldings of the cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. This style is typical for the Persians. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of discrete panels. The material of which the frieze is made of may be plasterwork, carved wood or other decorative medium. ...
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Entablature
An entablature (; nativization of Italian , from "in" and "table") is the superstructure of moldings and bands which lies horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave (the supporting member immediately above; equivalent to the lintel in post and lintel construction), the frieze (an unmolded strip that may or may not be ornamented), and the cornice (the projecting member below the pediment). The Greek and Roman temples are believed to be based on wooden structures, the design transition from wooden to stone structures being called petrification. Overview The structure of an entablature varies with the orders of architecture. In each order, the proportions of the subdivisions (architrave, frieze, cornice) are defined by the proportions of the column. In Roman and Renaissance interpretations, it is usually approximately a quarter of the height of the column. Varian ...
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Course (architecture)
A course is a layer of the same unit running horizontally in a wall. It can also be defined as a continuous row of any masonry unit such as bricks, concrete masonry units (CMU), stone, shingles, tiles, etc. Coursed masonry construction arranges units in regular courses. Oppositely, coursed rubble masonry construction uses random uncut units, infilled with mortar or smaller stones. If a course is the horizontal arrangement, then a wythe is a continuous vertical section of masonry one unit in thickness. A wythe may be independent of, or interlocked with, the adjoining wythe(s). A single wythe of brick that is not structural in nature is referred to as a masonry veneer. A standard 8-inch CMU block is exactly equal to three courses of brick. A bond (or bonding) pattern) is the arrangement of several courses of brickwork. The corners of a masonry wall are built first, then the spaces between them are filled by the remaining courses. Orientations Masonry coursing can be arrang ...
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Egg-and-dart
Egg-and-dart, also known as egg-and-tongue, egg-and-anchor, or egg-and-star, is an Ornament (architecture), ornamental device adorning the fundamental quarter-round, convex ovolo profile of molding (decorative), moulding, consisting of alternating details on the face of the ovolo—typically an egg-shaped object alternating with a V-shaped element (e.g., an arrow, anchor, or Dart (missile), dart). The device is carved or otherwise fashioned into ovolos composed of wood, stone, plaster, or other materials. Egg-and-dart enrichment of the ovolo molding of the Ionic order, Ionic capital was used by Ancient Greece, ancient Greek builders, so it is found in ancient Greek architecture (e.g., the Erechtheion at the Acropolis of Athens), was used later by the Romans and continues to adorn capitals of modern buildings built in Classical styles (e.g., the Ionic capitals of the Jefferson Memorial in Washington, D.C., or the ones of the Romanian Athenaeum from Bucharest). Its ovoid shape (the e ...
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Limestone
Limestone ( calcium carbonate ) is a type of carbonate sedimentary rock which is the main source of the material lime. It is composed mostly of the minerals calcite and aragonite, which are different crystal forms of . Limestone forms when these minerals precipitate out of water containing dissolved calcium. This can take place through both biological and nonbiological processes, though biological processes, such as the accumulation of corals and shells in the sea, have likely been more important for the last 540 million years. Limestone often contains fossils which provide scientists with information on ancient environments and on the evolution of life. About 20% to 25% of sedimentary rock is carbonate rock, and most of this is limestone. The remaining carbonate rock is mostly dolomite, a closely related rock, which contains a high percentage of the mineral dolomite, . ''Magnesian limestone'' is an obsolete and poorly-defined term used variously for dolomite, for limes ...
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Granite
Granite () is a coarse-grained (phaneritic) intrusive igneous rock composed mostly of quartz, alkali feldspar, and plagioclase. It forms from magma with a high content of silica and alkali metal oxides that slowly cools and solidifies underground. It is common in the continental crust of Earth, where it is found in igneous intrusions. These range in size from dikes only a few centimeters across to batholiths exposed over hundreds of square kilometers. Granite is typical of a larger family of ''granitic rocks'', or ''granitoids'', that are composed mostly of coarse-grained quartz and feldspars in varying proportions. These rocks are classified by the relative percentages of quartz, alkali feldspar, and plagioclase (the QAPF classification), with true granite representing granitic rocks rich in quartz and alkali feldspar. Most granitic rocks also contain mica or amphibole minerals, though a few (known as leucogranites) contain almost no dark minerals. Granite is nearly alway ...
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Foundation (architecture)
In engineering, a foundation is the element of a structure which connects it to the ground, transferring loads from the structure to the ground. Foundations are generally considered either shallow or deep. Foundation engineering is the application of soil mechanics and rock mechanics ( geotechnical engineering) in the design of foundation elements of structures. Purpose Foundations provide the structure's stability from the ground: * To distribute the weight of the structure over a large area in order to avoid overloading the underlying soil (possibly causing unequal settlement). * To anchor the structure against natural forces including earthquakes, floods, droughts, frost heaves, tornadoes and wind. * To provide a level surface for construction. * To anchor the structure deeply into the ground, increasing its stability and preventing overloading. * To prevent lateral movements of the supported structure (in some cases). Requirements of a good foundation The design and the ...
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Roman Brick
Roman brick can refer either to a type of brick used in Ancient Roman architecture and spread by the Romans to the lands they conquered; or to a modern type inspired by the ancient prototypes. In both cases, it characteristically has longer and flatter dimensions than those of standard modern bricks. Ancient The Romans only developed fired clay bricks under the Empire, but had previously used mudbrick, dried only by the sun and therefore much weaker and only suitable for smaller buildings. Development began under Augustus, using techniques developed by the Greeks, who had been using fired bricks much longer, and the earliest dated building in Rome to make use of fired brick is the Theatre of Marcellus, completed in 13 BC. Subsequent uses of fired brick included the Scrongulus Amphitheatre, completed shortly after. Though its use of brick was innovative at the time, the theatre collapsed in a conflict soon thereafter. The process of drying bricks in a kiln made it so these bricks ...
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