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Unit 7 (jazz Composition)
Unit 7 is a jazz composition by bassist Sam Jones originally composed for the 1962 album ''Nancy Wilson/Cannonball Adderley.'' It's also known as "Cannon's Theme." Notable recordings * Cannonball Adderley – ''The Cannonball Adderley Sextet In New York'' (1962) * Sam Jones – ''Sam Jones & Co. – Down Home'' (1962) *Wes Montgomery and Wynton Kelly – ''Smokin' at the Half Note ''Smokin' at the Half Note'' is an album by Wes Montgomery and the Wynton Kelly Trio that was released in 1965. It was recorded live in June 1965 at the Half Note Club in New York City and September 22, 1965 at Van Gelder Studios in Englewood Cl ...'' (1965) *The New York Jazz Guitar Ensemble – ''Four On Six: A Tribute To Wes Montgomery'' (1985) References {{Reflist Jazz compositions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sam Jones (musician)
Samuel Jones (November 12, 1924 – December 15, 1981) was an American jazz double bassist, cellist, and composer. Background Sam Jones was born in Jacksonville, Florida, United States, to a musical family. His father played piano and drums and his aunt played organ in church. In 1955, he moved to New York City and began his recording career with Tiny Bradshaw, before working with Bill Evans, Bobby Timmons, Les Jazz Modes, Kenny Dorham, Illinois Jacquet, Freddie Hubbard, Dizzy Gillespie (1958–59), and Thelonious Monk. He is probably best known for his work with Cannonball Adderley, performing in his quintet from 1955 to 1956 and then again from 1959 to 1964, and recording extensively for Riverside Records as both a leader and sideman. He later spent several years working with Oscar Peterson (1966-1970) and Cedar Walton (1972-1977). In the 1970s, Jones recorded several albums as a bandleader for the Xanadu and SteepleChase labels. Jones wrote the jazz standards "Del Sas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nancy Wilson/Cannonball Adderley
''Nancy Wilson/Cannonball Adderley'' is a studio album by Nancy Wilson and Cannonball Adderley issued in February 1962 by Capitol Records. The album rose to No. 30 on the Billboard Top LPs chart. Overview Wilson considered her vocals on the album "as a sort of easy-going third horn" (Wilson quoted in the liner notes). All tracks were recorded in New York City, those with Wilson on June 27 and 29, 1961, and the instrumental tracks on August 23 and 24, 1961. Reception ''The Penguin Guide to Jazz'' states: "The odd session out is the date with Nancy Wilson for Capitol, primarily designed as a showcase for the young singer but with five band-only tracks as well. Wilson had a self-conscious phrasing and melodramatic lighting-up of key lines - but there is a version of 'A Sleeping Bee' here which is one of the most charming of all her recordings, and Cannon and the others play personably throughout." The AllMusic review by David Nathan concluded: "Given the play list and the outstandi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cannonball Adderley
Julian Edwin "Cannonball" Adderley (September 15, 1928August 8, 1975) was an American jazz alto saxophonist of the hard bop era of the 1950s and 1960s. Adderley is perhaps best remembered for the 1966 soul jazz single "Mercy, Mercy, Mercy", which was written for him by his keyboardist Joe Zawinul and became a major crossover hit on the pop and R&B charts. A cover version by the Buckinghams, who added lyrics, also reached No. 5 on the charts. Adderley worked with Miles Davis, first as a member of the Davis sextet, appearing on the seminal records ''Milestones'' (1958) and '' Kind of Blue'' (1959), and then on his own 1958 album '' Somethin' Else''. He was the elder brother of jazz trumpeter Nat Adderley, who was a longtime member of his band. Early life and career Julian Edwin Adderley was born on September 15, 1928, in Tampa, Florida to high school guidance counselor and cornet player Julian Carlyle Adderley and elementary school teacher Jessie Johnson. Elementary school cla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Cannonball Adderley Sextet In New York
''The Cannonball Adderley Sextet in New York'' is a live album by jazz saxophonist Cannonball Adderley recorded at the Village Vanguard and released on the Riverside label featuring performances by Adderley with Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes.Cannonball Adderley discography accessed 20 October 2009 Reception The review by Richard S. Ginell awarded the album 4 stars, noting: "This was the recording debut of the Adderley Sextet, with Cannonball waxing eloquently and swingingly on alto, brother Nat charging ahead on cornet, and the versatile Yusef Lateef (who had joined the band only three weeks earlier) ad ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wes Montgomery
John Leslie "Wes" Montgomery (March 6, 1923 – June 15, 1968) was an American jazz guitarist. Montgomery was known for an unusual technique of plucking the strings with the side of his thumb and his extensive use of octaves, which gave him a distinctive sound. Montgomery often worked with his brothers Buddy (Charles F.) and Monk (William H.) and with organist Melvin Rhyne. His recordings up to 1965 were oriented towards hard bop, soul jazz, and post bop, but around 1965 he began recording more pop-oriented instrumental albums that found mainstream success. His later guitar style influenced jazz fusion and smooth jazz. Biography Montgomery was born in Indianapolis, Indiana. According to NPR, the nickname "Wes" was a child's abbreviation of his middle name, Leslie. The family was large, and the parents split up early in the lives of the children. Montgomery and his brothers moved to Columbus, Ohio, with their father and attended Champion High School. His older brother Monk dropped ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wynton Kelly
Wynton Charles Kelly (December 2, 1931 – April 12, 1971) was an American jazz pianist and composer. He is known for his lively, blues-based playing and as one of the finest accompanists in jazz. He began playing professionally at the age of 12 and was pianist on a No. 1 R&B hit at the age of 16. His recording debut as a leader occurred three years later, around the time he started to become better known as an accompanist to singer Dinah Washington, and as a member of trumpeter Dizzy Gillespie's band. This progress was interrupted by two years in the United States Army, after which Kelly worked again with Washington and Gillespie, and played with other leaders. Over the next few years, these included instrumentalists Cannonball Adderley, John Coltrane, Hank Mobley, Wes Montgomery, and Sonny Rollins, and vocalists Betty Carter, Billie Holiday, and Abbey Lincoln. Kelly attracted the most attention as part of Miles Davis' band from 1959, including an appearance on the trumpete ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smokin' At The Half Note
''Smokin' at the Half Note'' is an album by Wes Montgomery and the Wynton Kelly Trio that was released in 1965. It was recorded live in June 1965 at the Half Note Club in New York City and September 22, 1965 at Van Gelder Studios in Englewood Cliffs, New Jersey. The album combines guitarist Montgomery with the Miles Davis rhythm section from 1959–1963 of Wynton Kelly, Paul Chambers, and Jimmy Cobb. The album's versions of "Unit 7" and "Four on Six" have helped to establish these pieces as jazz standards. History Montgomery had performed numerous times previously with Kelly, and his trio with Chambers and Cobb had recorded earlier Montgomery albums for the Riverside label such as ''Full House''. In the summer of 1965, the quartet toured the major jazz clubs in the US and also appeared at the Newport Jazz Festival on the afternoon of Sunday, July 4. Drummer Jimmy Cobb had previously toured briefly with Montgomery in an organ trio with Melvin Rhyne in 1963. The performance was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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