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Union Jack (ballet)
''Union Jack'' is a ballet made by New York City Ballet co-founder and founding choreographer George Balanchine to traditional British tunes, hornpipe melodies and music-hall songs, ca. 1890–1914, adapted by Hershy Kay. The premiere took place on 13 May 1976, at the New York State Theater, Lincoln Center, to honor British heritage in the United States its bicentennial with costumes by Rouben Ter-Arutunian, original lighting by Ronald Bates and current lighting by Mark Stanley. At the finale the ensemble spells out "God Save the Queen" in semaphore code and the Union Jack unfurls. Principal dancer Jock Soto included an excerpt from ''Union Jack'' in his farewell performance in June 2005. Music The music includes Scottish military tattoos and folk-dance forms; a music-hall pas de deux for the costermonger Pearly King and Queen; hornpipes, sea songs, work chants and jigs. selections *"Keel Row" *" Caledonian Hunt's Delight" *" Regimental Drum Variations" *"Amazing Gra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York City Ballet
New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet, 1934; the American Ballet, 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan, 1941; and directly from the Ballet Society, 1946. History In a 1946 letter, Kirstein stated, "The only justification I have is to enable Balanchine to do exactly what he wants to do in the way he wants to do it."Alastair Macaulay, "A Paragon of the Arts, as Both Man and Titan" (review of Martin Du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hundred Pipers
"The Hundred Pipers" is a Scottish song and jig attributed to Carolina Nairne, Lady Nairne and popularised from 1852 onwards. It takes as its themes events during and after the Jacobite Rising of 1745. Historical background The song commemorates the surrender of the town of Carlisle to Prince Charles Edward Stuart, on 18 November 1745, when he invaded England, at the head of a mixed army of Highlanders and Lowlanders, after his victory at Prestonpans. He "entered Carlisle on a white horse, with a hundred pipers playing before him, whose shrill music was not calculated to inspire the citizens with confidence in their grotesque conquerors", according to ''Burtons History of Scotland''. The episode, recorded in the fourth stanza, of two thousand Highlanders swimming the River Esk, when in flood, on the occasion of the capture of Carlise, is not quite correct. It refers to a later period, when Prince Charles made his disastrous retreat from Derby, and Carlisle had been retaken. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suzanne Farrell
Suzanne Farrell (born August 16, 1945) is an American ballerina and the founder of the Suzanne Farrell Ballet at the Kennedy Center in Washington, D.C. Farrell began her ballet training at the age of eight. In 1960, she received a scholarship to the School of American Ballet. Her first leading roles in ballets came in the early 1960s. A muse of George Balanchine, she left the New York City Ballet in 1969 and subsequently moved to Brussels to dance for Maurice Bejart's Ballet of the 20th Century. In 1975, Farrell moved back to the United States, where she collaborated with Balanchine until his death in 1983; she retired from ballet six years later after a hip surgery she had due to arthritis. Farrell had an unusually long career as a ballet performer, and since her retirement in 1989 has acted as a teacher in numerous ballet schools. She held a teaching position with the New York City Ballet until 1993, and has been a professor of dance at Florida State University since 2000; the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karin Von Aroldingen
Karin Anny Hannelore Reinbold von Aroldingen (9 September 1941 – 5 January 2018) was a German ballet dancer. She danced as a soloist at the Frankfurt Opera Ballet before joining the New York City Ballet in 1962 after receiving a personal invitation from George Balanchine. She was named as one of Balanchine's main beneficiaries in his will. Von Aroldingen retired from New York City Ballet in 1984, having reached the rank of principal dancer in 1972. In her later life, she worked as a répétiteur for the Balanchine Trust, for which she was also a founder, staging his ballets for various companies. Early life Karin von Aroldingen was born on 9 September 1941 in Greiz, Germany. Her family, part of the German nobility, was originally from Berlin but evacuated during World War II. Her father, a scientist, disappeared on his way to Czechoslovakia for a work trip. Her mother moved the family from East Germany to West Berlin after the war ended. She became interested in dancing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kay Mazzo
Kay Mazzo (born January 17, 1946) is an American former ballet dancer and educator. In 1961, she joined Jerome Robbins' company, Ballets USA. The following year, she joined the New York City Ballet, and was promoted to principal dancer in 1969. She created roles for George Balanchine and Robbins, before retiring from performing in 1981. She then joined the permanent faculty of the School of American Ballet in 1983, named co-chairman of faculty in 1997 and chair of faculty in 2018. She stepped down from the position in June 2022, but continues to teach. Early life Mazzo was born on January 17, 1946, in Chicago, Illinois. She started taking dance lessons at age six, and entered the School of American Ballet in New York in 1959, when she was thirteen. Mazzo graduated from the Rhodes Preparatory School. Career She joined Jerome Robbins' touring company, Ballets USA, in 1961. She was a New York City Ballet apprentice at the time, but after learning that George Balanchine decided not t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sara Leland
Sally Harrington (August 2, 1941 – November 28, 2020), known professionally as Sara Leland, was an American ballet dancer and ''répétiteur''. She started her career with the Joffrey Ballet in 1959, and was recruited to join the New York City Ballet by George Balanchine in 1960. She was promoted to principal dancer in 1972, and created roles for both Balanchine and Jerome Robbins. In the mid 1970s, she started staging Balanchine's and Robbins' works in both the U.S. and abroad. In 1981, the New York City Ballet appointed her assistant ballet master, and she retired from performing in 1983, but continued to stage and coach ballets. As a ''répétiteur'', she had worked on more than 30 ballets. Early life Leland was born Sally Harrington in Melrose, Massachusetts on August 2, 1941. Her father, Leland "Hago" Harrington, was an ice hockey player who played for the Boston Bruins. Sally started ballet at age five, with her sister who needed ballet as physical therapy, though Lela ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rule Britannia!
"Rule, Britannia!" is a British patriotic song, originating from the 1740 poem "Rule, Britannia" by James Thomson and set to music by Thomas Arne in the same year. It is most strongly associated with the Royal Navy, but is also used by the British Army. ''Alfred'' The song was originally the final musical number in Thomas Arne's ''Alfred'', a masque about Alfred the Great, co-written by James Thomson and David Mallet and first performed at Cliveden, the country home of Frederick, Prince of Wales, on 1 August 1740. Lyrics This version is taken from ''The Works of James Thomson'' by James Thomson, Published 1763, Vol II, p. 191, which includes the entire text of ''Alfred''. "Married to a Mermaid" In 1751 Mallet re-used the text of "Rule, Britannia!", omitting three of the original six stanzas and adding three new ones by Lord Bolingbroke, to form the repeated chorus of a comic song "Married to a Mermaid". This became extremely popular when Mallet produced his m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Tavern In The Town
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Following In Father's Footsteps
''Following'' is a 1998 independent neo-noir crime thriller film written, produced, edited and directed by Christopher Nolan. It tells the story of a young man who follows strangers around the streets of London and is drawn into a criminal underworld when he fails to keep his distance. As Nolan's debut feature, it was designed to be as inexpensive as possible to make. Scenes were heavily rehearsed so that just one or two takes were needed to economise on 16mm film stock, the production's greatest expense, and for which Nolan was paying from his salary. Unable to afford expensive professional lighting equipment, Nolan mostly used available light. Along with writing, directing, and photographing the film, Nolan also helped in editing and production. The film was released by The Criterion Collection on both Blu-ray and DVD in North America on 11 December 2012. Plot A struggling, unemployed young writer (credited as "The Young Man") takes to following strangers around the streets ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Our Lodger's Such A Nice Young Man
{{Disambiguation, geo ...
Our or OUR may refer to: * The possessive form of " we" * Our (river), in Belgium, Luxembourg, and Germany * Our, Belgium, a village in Belgium * Our, Jura, a commune in France * Office of Utilities Regulation (OUR), a government utility regulator in Jamaica * Operation Underground Railroad, a non-profit organization that helps rescue sex trafficking victims * Operation Unified Response, the United States military's response to the 2010 Haiti earthquake * Ownership, Unity and Responsibility Party, a political party in the Solomon Islands See also * Ours (other) One Union of Regional Staff (OURS) was a trade union in the United Kingdom. The union was formed in early 2010 by the merger of the Derbyshire Group Staff Union and the Cheshire Group Staff Union. It organises former Derbyshire Building Societ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Night The Floor Fell In
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Wi' My Daddy
Dance is a performing art form consisting of sequences of movement, either improvised or purposefully selected. This movement has aesthetic and often symbolic value. Dance can be categorized and described by its choreography, by its repertoire of movements, or by its historical period or place of origin. An important distinction is to be drawn between the contexts of theatrical and participatory dance, although these two categories are not always completely separate; both may have special functions, whether social, ceremonial, competitive, erotic, martial, or sacred/liturgical. Other forms of human movement are sometimes said to have a dance-like quality, including martial arts, gymnastics, cheerleading, figure skating, synchronized swimming, marching bands, and many other forms of athletics. There are many professional athletes like, professional football players and soccer players, who take dance classes to help with their skills. To be more specific professional athletes tak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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