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Unfinished Sky
''Unfinished Sky'' is a 2007 drama film written and directed by Peter Duncan. William McInnes stars as John Woldring, an Australian farmer living in self-imposed exile after his wife's death, who rescues and protects Tahmeena, played by Monic Hendrickx, an Afghani refugee who has escaped abusive local townsfolk. Deliberated by scholars and Peter Duncan as a film focused on the response to 9/11, ''Unfinished Sky'' has also been described as post-national cinema, with themes of isolation, the fear of others, and the overcoming of obstacles, all relating to Australian identity. Peter Duncan has reimagined the Dutch film '' The Polish Bride'' (1998), in an Australian context. Monic Hendrickx, who played the title role in ''The Polish Bride'', plays Tahmeena; ''Unfinished Bride'' was a product of the Dutch-Australian venture New Holland Pictures, which was intent on the director's trying her for the role. In the role of John, William McInnes was praised for his portrayal of John as ...
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William McInnes
Daryl William Mathew Gabriel McInnes (born 10 September 1963) is an Australian film and television actor and writer. He portrayed the role of Matt Tivolli in '' The Time of Our Lives''. He is best known for his roles as Senior Constable Nick Schultz in ''Blue Heelers'' and Max Connors in ''SeaChange''. Early life McInnes was born in Redcliffe, Queensland. He studied drama at the Western Australian Academy of Performing Arts and graduated in 1988. He was made a fellow of the academy in 2010. He also has a degree and honorary doctorate from Central Queensland University in Rockhampton. Career Television After a recurring role in '' A Country Practice'' in 1990, McInnes appeared in series such as '' Bligh'', ''Ocean Girl'', ''Good Vibrations'' and '' Snowy'' before making his name as Senior Constable Nick Schultz on ''Blue Heelers'' in 1993. McInnes starred on the show until 1998, when he left to focus on other work. In 1999, he joined the cast of ''SeaChange'' as Max Connors, ...
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Middle East
The Middle East ( ar, الشرق الأوسط, ISO 233: ) is a geopolitical region commonly encompassing Arabian Peninsula, Arabia (including the Arabian Peninsula and Bahrain), Anatolia, Asia Minor (Asian part of Turkey except Hatay Province), East Thrace (European part of Turkey), Egypt, Iran, the Levant (including Syria (region), Ash-Shām and Cyprus), Mesopotamia (modern-day Iraq), and the Socotra Governorate, Socotra Archipelago (a part of Yemen). The term came into widespread usage as a replacement of the term Near East (as opposed to the Far East) beginning in the early 20th century. The term "Middle East" has led to some confusion over its changing definitions, and has been viewed by some to be discriminatory or too Eurocentrism, Eurocentric. The region includes the vast majority of the territories included in the closely associated definition of Western Asia (including Iran), but without the South Caucasus, and additionally includes all of Egypt (not just the Sina ...
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Best Adapted Screenplay
This is a list of categories of awards commonly awarded through organizations that bestow film awards, including those presented by various film, festivals, and people's awards. Best Actor/Best Actress *See Best Actor#Film awards, Best Actress#Film awards, and List of awards for supporting actor#Film. Best Adapted Screenplay A "Best Adapted Screenplay" award is generally issued for the best achievement in transferring a written work from another genre, such as a novel or comic book, in whole or in part, to a feature film. * AACTA Award for Best Adapted Screenplay * Academy Award for Best Adapted Screenplay * BAFTA Award for Best Adapted Screenplay * Canadian Screen Award for Best Adapted Screenplay * César Award for Best Adaptation * Golden Horse Award for Best Adapted Screenplay * Goya Award for Best Adapted Screenplay * Satellite Award for Best Adapted Screenplay * Writers Guild of America Award for Best Adapted Screenplay Best Original Screenplay * AACTA Award for Best Ori ...
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Australian Film Institute Award For Best Actor In A Leading Role
The AACTA Award for Best Actor in a Leading Role is an award presented by the Australian Academy of Cinema and Television Arts (AACTA), a non-profit organisation whose aim is to "identify, award, promote and celebrate Australia's greatest achievements in film and television." The award is presented at the annual AACTA Awards, which hand out accolades for achievements in feature film, television, documentaries and short films. From 1971 to 2010, the category was presented by the Australian Film Institute (AFI), the Academy's parent organisation, at the annual Australian Film Institute Awards (known as the AFI Awards). When the AFI launched the Academy in 2011, it changed the annual ceremony to the AACTA Awards, with the current award being a continuation of the AFI Award for Best Actor in a Leading Role. From 1971 up until 1975, the awards for Best Actor and Best Actress were awarded in a single category for Best Performance.1971–1975 awards: *1971: *1972: *1973: *1974–75: ...
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Australian Film Institute Award For Best Actress In A Leading Role
The AACTA Award for Best Actress in a Leading Role is an award presented by the Australian Academy of Cinema and Television Arts (AACTA), a non-profit organisation whose aim is to "identify, award, promote, and celebrate Australia's greatest achievements in film and television". The award is presented annually at the AACTA Awards, which hands out accolades for achievements in feature films, television, documentaries, and short films. From 1971 to 2010, the category was presented by the Australian Film Institute (AFI), the Academy's parent organisation, at the annual Australian Film Institute Awards (known as the AFI Awards). When the AFI launched the AACTA in 2011, it changed the annual ceremony to the AACTA Awards, with the current award being a continuum of the AFI Award for Best Actress in a Leading Role. From 1971 to 1975, it was presented as a special award, and was accompanied with a cash prize, before it became a competitive award from 1976 onward. Judy Davis is the most ...
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Australian Film Institute Award For Best Screenplay
The Australian Film Institute Award for Best Screenplay (Original or Adapted) was an award presented intermittently by the Australian Film Institute (AFI), for an Australian screenplay written directly for the screen or based on previously released or published material. It was handed out at the Australian Film Institute Awards (known commonly as the AFI Awards), which are now the AACTA Awards after the establishment of the Australian Academy of Cinema and Television Arts (AACTA), by the AFI. The award was handed out from 1975-1977, 1980-1982, 1990-1992, and again in 2007; two separate awards were created for " Best Adapted Screenplay" and "Best Original Screenplay The Academy Award for Best Original Screenplay is the Academy Award for the best screenplay not based upon previously published material. It was created in 1940 as a separate writing award from the Academy Award for Best Story. Beginning with the ..." and have been presented intermittently from 1978-1979, 1983-1989, 1 ...
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50th Australian Film Institute Awards
The 49th Australian Film Institute Awards ceremony, honoring the best in film for 2007, was broadcast from the Melbourne Convention and Exhibition Centre in Melbourne, Australia on the Nine Network. Geoffrey Rush hosted the show, for the second time. He previously presided over the 48th Australian Film Institute Awards the previous year. The nominees were announced on 24 October 2007. Deborra-Lee Furness, Sibylla Budd, Marny Kennedy, and AFI President James Hewison made the announcements. Romulus, My Father got the highest nominations with a total of sixteen with The Home Song Stories with the second highest number of fourteen. Clubland came third with eleven nominations. The award winners were announced at two ceremonies; one on the 5 December ("industry" categories) and the other on 6 December (top categories), 2007. Films that won multiple Australian Film Institute Awards include: ''The Home Song Stories'' (7) and ''Romulus, My Father'' (4). ''The Home Song Stories'' perfo ...
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Australian Film Institute Awards
The Australian Academy of Cinema and Television Arts Awards, known as the AACTA Awards, are presented annually by the Australian Academy of Cinema and Television Arts (AACTA). The awards recognise excellence in the film and television industry, both locally and internationally, including the producers, directors, actors, writers, and cinematographers. It is the most prestigious awards ceremony for the Australian film and television industry. They are generally considered to be the Australian counterpart of the Academy Awards for the U.S. and the BAFTA Awards for the U.K. The awards, previously called Australian Film Institute Awards or AFI Awards, began in 1958, and involved 30 nominations across six categories. They expanded in 1986 to cover television as well as film. The AACTA Awards were instituted in 2011. The AACTA International Awards, inaugurated on 27 January 2012, are presented every January in Los Angeles. History 1958–2010: AFI Awards The awards were presented ann ...
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50th Australian Film Institute Awards Nominees And Winners
The nominees for the 50th Australian Film Institute Awards were announced in Sydney, Australia, on 29 October 2008. The nominees for '' Best Documentary, Best Short Fiction Film, and Best Short Animation'' were announced on 7 August 2008. Feature Film Awards Best Film *'' The Black Balloon'' *''The Jammed'' *'' The Square'' *''Unfinished Sky'' Best Actor *Guy Pearce – ''Death Defying Acts'' *Rhys Wakefield – '' The Black Balloon'' *David Roberts – '' The Square'' *William McInnes – ''Unfinished Sky'' Best Actress *Emma Lung – ''The Jammed'' *Noni Hazlehurst – '' Bitter & Twisted'' *Monic Hendrickx – ''Unfinished Sky'' *Veronica Sywak – ''The Jammed'' Best Supporting Actor *Luke Ford – '' The Black Balloon'' *Erik Thomson – '' The Black Balloon'' * Anthony Hayes – '' The Square'' *Joel Edgerton – '' The Square'' Non-Feature Awards Best Documentary *''Beyond Our Ken''
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Rotten Tomatoes
Rotten Tomatoes is an American review-aggregation website for film and television. The company was launched in August 1998 by three undergraduate students at the University of California, Berkeley: Senh Duong, Patrick Y. Lee, and Stephen Wang. Although the name "Rotten Tomatoes" connects to the practice of audiences throwing rotten tomatoes in disapproval of a poor stage performance, the original inspiration comes from a scene featuring tomatoes in the Canadian film ''Léolo'' (1992). Since January 2010, Rotten Tomatoes has been owned by Flixster, which was in turn acquired by Warner Bros in 2011. In February 2016, Rotten Tomatoes and its parent site Flixster were sold to Comcast's Fandango. Warner Bros. retained a minority stake in the merged entities, including Fandango. History Rotten Tomatoes was launched on August 12, 1998, as a spare-time project by Senh Duong. His objective in creating Rotten Tomatoes was "to create a site where people can get access to reviews from ...
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Camera Dolly
A camera dolly is a wheeled cart or similar device used in filmmaking and television production to create smooth horizontal camera movements. The camera is mounted to the dolly and the camera operator and focus puller or camera assistant usually ride on the dolly to push the dolly back and forth. The camera dolly is generally used to produce images which involve moving the camera toward or away from a subject while a take is being recorded, a technique known as a "dolly shot". The dolly grip is the dedicated technician trained to operate the dolly by manually pushing it back and forth. Movement The camera dolly may be used as a shooting platform on any surface but is often raised onto a track, to create smooth movement on a horizontal axis known as a tracking shot. Additionally, most professional film studio dollies have a hydraulic jib arm that raises or lowers the camera on the vertical axis. When a dolly grip operates a dolly on perpendicular axes simultaneously, it's known ...
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Hand-held Camera
Hand-held camera or hand-held shooting is a filmmaking and video production technique in which a camera is held in the camera operator's hands as opposed to being mounted on a tripod or other base. Hand-held cameras are used because they are conveniently sized for travel and because they allow greater freedom of motion during filming. Newsreel camera operators frequently gathered images using a hand-held camera. Virtually all modern video cameras are small enough for hand-held use, but many professional video cameras are designed specifically for hand-held use such as for electronic news-gathering (ENG), and electronic field production (EFP). Hand-held camera shots often result in a shaky image, unlike the stable image from a tripod-mounted camera. Purposeful use of this technique is called shaky camera and can be heightened by the camera operator during filming, or artificially simulated in post-production. To prevent shaky shots, a number of image stabilization technologies hav ...
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