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Une éducation Manquée
(''An Incomplete Education'') is an in one act and nine scenes by Emmanuel Chabrier. The French libretto is by Eugène Leterrier and Albert Vanloo. Composed in 1878–79, the work, which is set in the 18th century, is in a lively, light operetta style in which Chabrier excelled and had perfected in a year or so earlier. It was much admired by Ravel, Hahn and Messager, among others. Performance history The ‘opérette’ was first performed on 1 May 1879 as part of an evening's entertainment organized by the ‘Cercle international’ in the Boulevard des Capucines, with piano accompaniment by Chabrier himself. It was revived in March 1910 in Monte Carlo and on 9 January 1911 at the Théâtre des Arts conducted by Gabriel Grovlez. In December 1918 Jane Bathori mounted the piece at the Théâtre du Vieux-Colombier. The 1924 Paris production by Diaghilev, designed by Juan Gris and conducted by André Messager, had recitatives by Darius Milhaud to replace the spoken dialogue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opérette
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several. Definitions Opera genres have been defined in different ways, not always in terms of stylistic rules. Some, like opera seria, refer to traditions identified by later historians,McClymonds, Marita P and Daniel Heartz, Heartz, Daniel: "Opera seria" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie (London, 1992) and others, like Zeitoper, have been defined by their own invent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra-Comique
The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with its history and discover its unique repertoire to ensu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1879 Operas
Events January–March * January 1 – The Specie Resumption Act takes effect. The United States Note is valued the same as gold, for the first time since the American Civil War. * January 11 – The Anglo-Zulu War begins. * January 22 – Anglo-Zulu War – Battle of Isandlwana: A force of 1,200 British soldiers is wiped out by over 20,000 Zulu warriors. * January 23 – Anglo-Zulu War – Battle of Rorke's Drift: Following the previous day's defeat, a smaller British force of 140 successfully repels an attack by 4,000 Zulus. * February 3 – Mosley Street in Newcastle upon Tyne (England) becomes the world's first public highway to be lit by the electric incandescent light bulb invented by Joseph Swan. * February 8 – At a meeting of the Royal Canadian Institute, engineer and inventor Sandford Fleming first proposes the global adoption of standard time. * March 3 – United States Geological Survey is founded. * March 11 – The Ry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opérettes
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several. Definitions Opera genres have been defined in different ways, not always in terms of stylistic rules. Some, like opera seria, refer to traditions identified by later historians,McClymonds, Marita P and Heartz, Daniel: "Opera seria" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie (London, 1992) and others, like Zeitoper, have been defined by their own inventors. Other f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Delage
Roger Delage (4 December 1922 – 8 February 2001) was a French musicologist and conductor. He was the leading authority on the life and works of the composer Emmanuel Chabrier, and as a conductor was known for reviving the music of early French composers such as Guillaume de Machaut. Life and career Delage was born in Vierzon in central France. He was a student at the Paris Conservatoire, where he studied the viola with Maurice Vieux and the history of music with Norbert Dufourcq. He also played in the Orchestre des Cadets du Conservatoire formed by the director Claude Delvincourt to allow his students to avoid being conscripted into the "Service du travail obligatoire" in Nazi Germany.Delage, Roger. ''Chabrier.'' Libraire Arthème Fayard, 1999: Introduction, p. 11. In 1954 he joined the viola section of the Orchestre philharmonique de Strasbourg.Condé, Gérard"Roger Delage (1922–2001)" ''Revue de Musicologie'', T. 87, No. 1 (2001), pp. 213–214 (in French) Delage settled p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Bruck
Charles Bruck (2 May 1911 – 16 July 1995) was a French-American conductor and teacher. Bruck was born in a Jewish family in Temesvár, Banat, then in the Kingdom of Hungary, part of Austro-Hungarian Empire, since 1920 Timișoara in Romania. He left Romania in 1928 for a year of studies in Vienna, then travelled on to Paris. There he studied with Alfred Cortot, Nadia Boulanger and Vlado Perlemuter at the École Normale de Musique. In 1934 he began studies with French conductor Pierre Monteux, following him to San Francisco where Bruck served as Monteux's assistant. After the Second World War, Bruck assumed chief conductor positions with the Orchestra of the Netherlands Opera in Amsterdam (1950–1954), the Orchestre Philharmonique de Strasbourg (1955–1965), and the Orchestre Philharmonique de l'ORTF in Paris (1965–1970). In 1969, he succeeded Monteux as director of his conducting school in Maine, a post he held for twenty-six years until his death there in 1995. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xavier Depraz
Xavier Depraz, ''né'' Xavier Marcel Delaruelle (22 April 1926 – 18 October 1994) was a French opera singer and actor. Life Born in Albert ( Somme), Depraz was a bass at the Paris Opéra until 1971. He took part in the premieres of operas by Marcel Landowski and Sergei Prokofiev. He also appeared as an actor, first on television, where he played the role of Ursus in ''The Man who laughs'' by , then on the big screen. Career Depraz entered the Conservatoire de Paris in 1947 where he attended the classes of Fernand Francell for singing, Louis Musy for the stage and René Simon for theatre. Alain Pâris. ''Dictionnaire des interprètes et de l'interpretation musicale au XX siècle.'' Éditions Robert Laffont, Paris, 1995 (p351). He participated in the premieres of several operas: Marcel Landowski's ''Le Rire de Nils Halerius'' (1951) and ''Le Fou'', Poulenc's ''Dialogues des Carmélites'' and, in concert version, Prokofiev's '' The Fiery Angel'' (1954). In the 1953 Paris premi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roussillon
Roussillon ( , , ; ca, Rosselló ; oc, Rosselhon ) is a historical province of France that largely corresponded to the County of Roussillon and part of the County of Cerdagne of the former Principality of Catalonia. It is part of the region of ''Northern Catalonia'' or ''French Catalonia'' (the former used by Catalan-speakers and the latter used by French-speakers), corresponding roughly to the present-day southern French ''département'' of Pyrénées-Orientales (with Roussillon, Conflent, and Fenouillèdes) in the former region of Languedoc-Roussillon (today Occitanie). History The name ''Roussillon'' is derived from Ruscino (Rosceliona, Castel Rossello), a small fortified place near modern-day Perpignan where Gaulish chieftains met to consider Hannibal's request for a conference. The region formed part of the Roman province of Gallia Narbonensis from 121 BC to AD 462, when it was ceded with the rest of Septimania to the Visigoth Theodoric II. His successor, Amalaric, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overture
Overture (from French ''ouverture'', "opening") in music was originally the instrumental introduction to a ballet, opera, or oratorio in the 17th century. During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing instrumental, programmatic works that foreshadowed genres such as the symphonic poem. These were "at first undoubtedly intended to be played at the head of a programme". History 17th century The idea of an instrumental opening to opera existed during the 17th century. Peri's '' Euridice'' opens with a brief instrumental ritornello, and Monteverdi's ''L'Orfeo'' (1607) opens with a toccata, in this case a fanfare for muted trumpets. More important, however, was the prologue, which comprised sung dialogue between allegorical characters which introduced the overarching themes of the stories depicted. French overture As a musical form, however, the French overture first appears in the court balle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (vocal Range)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
