Underworld Painter
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Underworld Painter
The Underworld Painter was an ancient Greek Apulian vase painter whose works date to the second half of the 4th century BC. Career The Underworld Painter is the successor of the Darius Painter, in whose workshop he began his career and where he worked with other influential craftsmen. This was a large factory-like workshop, probably at Taras. He most frequently depicted theatrical scenes, especially ones from the Classical tragedies by Euripides, and mythological themes. Works One of his works shows Hades and Persephone in her palace in the underworld. The compositions and the mythological content are close to those of the Darius Painter, and the influences can be seen in his depictions of robes and faces. Other subjects include Hades kidnapped Persephone, Eos kidnapped Cephalus, and Castor and Pollux abducting the daughters of Leucippus. In the first two vases he is quite free in his presentation, he distributed the figures on different levels and separates them by tendrils ...
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Krater By The Underworld Painter Staatliche Antikensammlungen Munich 1
A krater or crater ( grc-gre, , ''kratēr'', literally "mixing vessel") was a large two-handled shape of vase in Ancient Greek pottery and metalwork, mostly used for the mixing of wine with water. Form and function At a Greek symposium, kraters were placed in the center of the room. They were quite large, so they were not easily portable when filled. Thus, the wine-water mixture would be withdrawn from the krater with other vessels, such as a ''kyathos'' (pl. ''kyathoi''), an ''amphora'' (pl. ''amphorai''), or a ''kylix'' (pl. ''kylikes''). In fact, Homer's ''Odyssey'' describes a steward drawing wine from a krater at a banquet and then running to and fro pouring the wine into guests' drinking cups. The modern Greek word now used for undiluted wine, ''krasi'' ( κρασί), originates from the ''krasis'' (''κράσις'', i.e., mixing) of wine and water in kraters. Pottery kraters were glazed on the interior to make the surface of the clay more impervious for holding wate ...
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Aphareus Of Messenia
In Greek mythology, Aphareus (Ancient Greek: Ἀφαρεύς), was a Messenian king. Family Aphareus was the son of Gorgophone and Perieres and brother of Leucippus. He was the husband of Arene (Arena or Arenae), daughter of Oebalus, and by her fathered Lynceus, Idas and Peisus (Pisus), though some report that Idas' actual father was Poseidon while Pisus was identified as the son of his father Perieres and thus his brother according to another author. Some called Aphareus' wife to be Polydora or Laocoosa. The patronymic ''Apharetidae'', derived from the name of Aphareus, is sometimes used to refer to Idas and Lynceus collectively. Mythology It is said that Aphareus together with his brother Leucippus inherited their father's kingdom upon his death, but the former kept the greater authority than the latter. Aphareus was credited with founding the city Arene in Messenia, which was named after his wife. When Hippocoon usurped the throne of Sparta, Tyndareus fled to his brother ...
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Anonymous Artists Of Antiquity
Anonymous may refer to: * Anonymity, the state of an individual's identity, or personally identifiable information, being publicly unknown ** Anonymous work, a work of art or literature that has an unnamed or unknown creator or author * Anonymity (social choice), a property of a voting rule, saying that it does not discriminate apriori between voters Organizations * Anonymous (hacker group), the collective name of loosely affiliated individuals who participate in hacktivism Film and television * Anonymous (Australian Playhouse), "Anonymous" (''Australian Playhouse''), an Australian television play * Anonymous (2011 film), ''Anonymous'' (2011 film), a 2011 film * Anonymous (TV series), ''Anonymous'' (TV series), a 2006 Irish television show * Anonymous (CSI), "Anonymous" (''CSI''), a 2000 episode of ''CSI: Crime Scene Investigation'' * Anonymous (NCIS: Los Angeles), "Anonymous" (''NCIS: Los Angeles''), a 2010 episode of ''NCIS: Los Angeles'' Music * Anonymous (band), ...
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Ancient Greek Vase Painters
Ancient history is a time period from the beginning of writing and recorded human history to as far as late antiquity. The span of recorded history is roughly 5,000 years, beginning with the Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500. The three-age system periodizes ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages varies between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was already exponentially increasing due to the Neolithic Revolution, which was in full progress. While in 10,000 BC, the world population stood at ...
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4th-century BC Deaths
The 4th century (per the Julian calendar and Anno Domini/Common era) was the time period which lasted from 301 ( CCCI) through 400 ( CD). In the West, the early part of the century was shaped by Constantine the Great, who became the first Roman emperor to adopt Christianity. Gaining sole reign of the empire, he is also noted for re-establishing a single imperial capital, choosing the site of ancient Byzantium in 330 (over the current capitals, which had effectively been changed by Diocletian's reforms to Milan in the West, and Nicomedeia in the East) to build the city soon called Nova Roma (New Rome); it was later renamed Constantinople in his honor. The last emperor to control both the eastern and western halves of the empire was Theodosius I. As the century progressed after his death, it became increasingly apparent that the empire had changed in many ways since the time of Augustus. The two emperor system originally established by Diocletian in the previous century fell int ...
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Arthur Dale Trendall
Arthur Dale Trendall, (28 March 1909 – 13 November 1995) was a New Zealand art historian and classical archaeologist whose work on identifying the work of individual artists on Greek ceramic vessels at Apulia and other sites earned him international prizes and a papal knighthood. Life Educated at the University of Otago (1926–29) and the University of Cambridge (1931–33), Trendall was professionally associated with the University of Sydney and Australian National University. He was Deputy Vice-Chancellor and Master of University House at the latter institution. From 1969 until his death he was Resident Fellow at La Trobe University in Melbourne. Wartime service In January 1940, with the encouragement of the Australian Army, Trendall, together with some colleagues at the University of Sydney, began to study Japanese codes. The others were the mathematicians Thomas Gerald Room and Richard Lyons and the classicist Athanasius Treweek. In May 1941 Room and Treweek att ...
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Krater
A krater or crater ( grc-gre, , ''kratēr'', literally "mixing vessel") was a large two-handled shape of vase in Ancient Greek pottery and metalwork, mostly used for the mixing of wine with water. Form and function At a Greek symposium, kraters were placed in the center of the room. They were quite large, so they were not easily portable when filled. Thus, the wine-water mixture would be withdrawn from the krater with other vessels, such as a ''kyathos'' (pl. ''kyathoi''), an ''amphora'' (pl. ''amphorai''), or a ''kylix'' (pl. ''kylikes''). In fact, Homer's ''Odyssey'' describes a steward drawing wine from a krater at a banquet and then running to and fro pouring the wine into guests' drinking cups. The modern Greek word now used for undiluted wine, ''krasi'' ( κρασί), originates from the ''krasis'' (''κράσις'', i.e., mixing) of wine and water in kraters. Pottery kraters were glazed on the interior to make the surface of the clay more impervious for holding wate ...
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Gigantomachy
In Greek mythology, Greek and Roman mythology, the Giants, also called Gigantes (Ancient Greek, Greek: Γίγαντες, ''Gígantes'', Γίγας, ''Gígas''), were a race of great strength and aggression, though not necessarily of great size. They were known for the Gigantomachy (or Gigantomachia), their battle with the Olympian gods. According to Hesiod, the Giants were the offspring of Gaia (mythology), Gaia (Earth), born from the blood that fell when Uranus (mythology), Uranus (Sky) was castrated by his Titan (mythology), Titan son Cronus. Archaic and Classical representations show Gigantes as man-sized hoplites (heavily armed ancient Greek foot soldiers) fully human in form. Later representations (after c. 380 BC) show Gigantes with Anguiped, snakes for legs. In later traditions, the Giants were often confused with other opponents of the Olympians, particularly the Titan (mythology), Titans, an earlier generation of large and powerful children of Gaia and Uranus. The vanq ...
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Antikensammlung Berlin
The Antikensammlung Berlin (Berlin antiquities collection) is one of the most important collections of classical art in the world, now held in the Altes Museum and Pergamon Museum in Berlin, Germany. It contains thousands of ancient archaeological artefacts from the ancient Greek, Roman, Etruscan and Cypriot civilizations. Its main attraction is the Pergamon Altar and Greek and Roman architectural elements from Priene, Magnesia, Baalbek and Falerii. In addition, the collection includes a large number of ancient sculptures, vases, terracottas, bronzes, sarcophagi, engraved gems and metalwork. History of the collection Foundation The collection's foundations were laid in the time of the Brandenburg Elector Friedrich Wilhelm I by ancient sculptures looted in 1656 from the ''Villa Regia'' Palace in Warsaw. The obtained sculptures were purchased in Italy by Polish kings Sigismund III Vasa and Władysław IV Vasa. This core of the collection, originally housed at the Berlin City ...
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Melanippe
:''The name Melanippe is the feminine counterpart of Melanippus.'' In Greek mythology, the name Melanippe () referred to several different people: * Melanippe, daughter of the Centaur Chiron. Also known as Hippe or Euippe. She bore a daughter to Aeolus, Melanippe or Arne (see below). She escaped to Mount Pelion so that her father would not find out that she was pregnant, but, being searched for, she prayed to Artemis asking for assistance, and the goddess transformed her into a mare. Other accounts state that the transformation was a punishment for her having scorned Artemis, or for having divulged the secrets of gods. She was later placed among the stars. *Melanippe, daughter of Aeolus and the precedent Melanippe (or else daughter of Hippotes or of Desmontes). * Melanippe, a Aetolian princess as the daughter of King Oeneus of Calydon and Althaea, daughter of King Thestius of Pleuron. As one of the Meleagrids, she was turned into a guinea fowl by Artemis after the death of her br ...
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Hellenistic Art
Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BC and end with the conquest of the Greek world by the Romans, a process well underway by 146 BCE, when the Greek mainland was taken, and essentially ending in 30 BCE with the conquest of Ptolemaic Egypt following the Battle of Actium. A number of the best-known works of Greek sculpture belong to this period, including ''Laocoön and His Sons'', ''Venus de Milo'', and the ''Winged Victory of Samothrace''. It follows the period of Classical Greek art, while the succeeding Greco-Roman art was very largely a continuation of Hellenistic trends. The term ''Hellenistic'' refers to the expansion of Greek influence and dissemination of its ideas following the death of Alexander – the "Hellenizing" of the world, with Koine Greek as a common language. The term is a modern invention; the Hellenistic World not only included a huge area covering the whole of the Aege ...
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Painter Of Louvre MNB 1148
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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