Una Hale
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Una Hale
Una Rosalind Hale (18 November 1922 – 4 March 2005) was an Australian operatic soprano, mainly known in her native country and in the United Kingdom. History Hale was born in Wayville, South Australia to Unitarian minister George Ernest Hale and Florence Elizabeth Hale, née Picken. She was educated at Adelaide's Methodist Ladies' College and the Adelaide Conservatorium. She left for Britain in 1946 to study at the Royal College of Music and appeared with the Carl Rosa Opera Company from 1949 to 1954, playing many leading roles, such as Violetta in Verdi's '' La Traviata'' Micaela ''Carmen'' and Marguerite in Gounod's ''Faust''. In 1954, Hale was engaged as a principal soprano at the Royal Opera, Covent Garden, where she sang most of the major lyric soprano roles. She was particularly noted for her portrayals of Ellen Orford in Britten's ''Peter Grimes'', Eva in Wagner's ''Die Meistersinger von Nürnberg'', The Marschallin in Richard Strauss's ''Der Rosenkavalier'', and Liu ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Lyric Soprano
A lyric soprano is a type of operatic soprano voice that has a warm quality with a bright, full timbre that can be heard over an orchestra. The lyric soprano voice generally has a higher tessitura than a soubrette and usually plays ingenues and other sympathetic characters in opera. Lyric sopranos have a range from approximately middle C ( C4) to "high D" (D6). This is the most common female singing voice. There is a tendency to divide lyric sopranos into two groups: light and full. Light lyric soprano A light-lyric soprano has a bigger voice than a soubrette but still possesses a youthful quality.Nashville Opera
There are a wide variety of roles written for this voice, and they may sing

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Peter Pears
Sir Peter Neville Luard Pears ( ; 22 June 19103 April 1986) was an English tenor. His career was closely associated with the composer Benjamin Britten, his personal and professional partner for nearly forty years. Pears' musical career started slowly. He was at first unsure whether to concentrate on playing piano and organ, or singing; it was not until he met Britten in 1937 that he threw himself wholeheartedly into singing. Once he and Britten were established as a partnership, the composer wrote many concert and operatic works with Pears's voice in mind, and the singer played roles in more than ten operas by Britten. In the concert hall, Pears and Britten were celebrated recitalists, known in particular for their performances of lieder by Schubert and Schumann. Together they recorded most of the works written for Pears by Britten, as well as a wide range of music by other composers. Working with other musicians, Pears sang an extensive repertoire of music from four centuries, ...
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Anna Pollak
Anna Pollak OBE (1 May 1912 – 28 November 1996) was an English opera singer who sang leading mezzo-soprano roles primarily with the Sadlers Wells Opera Company and the English Opera Group. She created several roles in 20th century operas including Bianca in Benjamin Britten's ''The Rape of Lucretia'' and Lady Nelson in Lennox Berkeley's ''Nelson''. Life and career Pollak was born in Manchester to an Austrian father and Russian mother and spent part of her childhood in the Netherlands. After finishing her education in Manchester, she began working as a stage actress and as a singer in musical comedy, pantomime, and revues. During World War II she worked for ARP, the British civil defense organisation, and entertained British troops at ENSA concerts. After the war, she auditioned for the newly re-opened Sadlers Wells Opera. She had no formal musical training, let alone training in opera, apart from encouragement and advice from the conductor Lawrance Collingwood and the soprano ...
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English Opera Group
The English Opera Group was a small company of British musicians formed in 1947 by the composer Benjamin Britten (along with John Piper, Eric Crozier and Anne Wood) for the purpose of presenting his and other, primarily British, composers' operatic works. The group later expanded to present larger-scale works, and was renamed the English Music Theatre Company. The organisation produced its last opera and ceased to run in 1980. English Opera Group Fleeing internal politics at Sadler's Wells Opera at the end of 1945, Britten and singers Joan Cross, Anne Wood, and Peter Pears joined with designer Piper and producer Crozier to found the English Opera Group. The new company's goal was to première Britten's operas, and to present other, mostly British, small-scale operas. Rosenthal, Harold. ''English Opera Group'' in Sadie, vol. 2, p. 52 The company's first project was to première Britten's chamber opera ''Albert Herring'' and give further performances of his opera ''The Rape of L ...
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Ruth (opera)
''Ruth'' is a 1956 sacred opera in English by Lennox Berkeley to a libretto by Eric Crozier after the Old Testament Book of Ruth. Premiered at the Scala Theatre, London. Recording *''Ruth'', Jean Rigby (mezzo-soprano), Mark Tucker (tenor), Mark Tucker (tenor), Yvonne Kenny (soprano), Claire Rutter (soprano), Roderick Williams (baritone) Joyful Company of Singers, City of London Sinfonia, Richard Hickox ChandosThe Gramophone - Volume 83, Issue 2 - Page 61 2005 - I should like to receive Lennox Berkeley's opera Ruth, since I have waited for this first recording for almost 50 years. Its sensitively drawn biblical drama, with a fine cast under Richard Hickox, is a reflection of the composer's own religious ... References

{{Portal bar, Classical music, Opera, Music Operas 1956 operas Operas by Lennox Berkeley ...
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Lennox Berkeley
Sir Lennox Randal Francis Berkeley (12 May 190326 December 1989) was an English composer. Biography Berkeley was born on 12 May 1903 in Oxford, England, the younger child and only son of Aline Carla (1863–1935), daughter of Sir James Charles Harris, former British consul in Monaco, and Royal Navy Captain Hastings George FitzHardinge Berkeley (1855–1934), the illegitimate and eldest son of George Lennox Rawdon Berkeley, the 7th Earl of Berkeley (1827–1888). He attended the Dragon School in Oxford, going on to Gresham's School, in Holt, Norfolk and St George's School in Harpenden, Hertfordshire. He studied French at Merton College, Oxford, graduating with a fourth class degree in 1926. While at university he coxed the college rowing eight. He became an honorary fellow of Merton College in 1974. In 1927, he went to Paris to study music with Nadia Boulanger, and there became acquainted with Francis Poulenc, Igor Stravinsky, Darius Milhaud, Arthur Honegger and Albert Rouss ...
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Turandot
''Turandot'' (; see below) is an opera in three acts by Giacomo Puccini, posthumously completed by Franco Alfano in 1926, and set to a libretto in Italian by Giuseppe Adami and Renato Simoni. ''Turandot'' best-known aria is "Nessun dorma", which became globally popular in the 1990s following Luciano Pavarotti's performance of it for the 1990 FIFA World Cup. Though Puccini first became interested in the subject matter when reading Friedrich Schiller's 1801 adaptation,. ''Freely translated from Schiller by Sabilla Novello:'' . he based his work more closely on the earlier play ''Turandot'' (1762) by Count Carlo Gozzi. The original story is one of the seven stories in the epic ''Haft Peykar''—a work by twelfth-century Persian poet Nizami ( 1141–1209). Nizami aligned his seven stories with the seven days of the week, the seven colors, and the seven planets known in his era. This particular narrative is the story of Tuesday, as told to the king of Iran, Bahram V (), by his c ...
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Giacomo Puccini
Giacomo Puccini (Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming from the late-Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera, he later developed his work in the realistic ''verismo'' style, of which he became one of the leading exponents. His most renowned works are ''La bohème'' (1896), ''Tosca'' (1900), '' Madama Butterfly'' (1904), and ''Turandot'' (1924), all of which are among the most frequently performed and recorded of all operas. Family and education Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca, Italy, in 1858. He was the sixth of nine children of Michele Puccini (1813–1864) and Albina Magi (1830–1884). The Puccini family was established in Lucca as a local musi ...
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Der Rosenkavalier
(''The Knight of the Rose'' or ''The Rose-Bearer''), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel ''Les amours du chevalier de Faublas'' by Louvet de Couvrai and Molière's comedy ''Monsieur de Pourceaugnac''. It was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt, Ernst von Schuch conducting. Until the premiere, the working title was ''Ochs auf Lerchenau''. (The choice of the name Ochs is not accidental, for in German "Ochs" means "ox", which describes the character of the Baron throughout the opera.) The opera has four main characters: the aristocratic Marschallin; her very young lover, Count Octavian Rofrano; her brutish cousin Baron Ochs; and Ochs' prospective fiancée, Sophie von Faninal, the daughter of a rich bourgeois. At the Marschallin's suggestion, Octavian acts as Ochs' ''Rosenkavalier'' by pre ...
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Richard Strauss
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. While his output of works encompasses nearly every type of classical compositional form, Strauss achieved his greatest success with tone poems and operas. His first tone poem to achieve wide acclaim was ''Don Juan'', and this was followed by other lauded works of this kind, including ''Death and Transfiguration'', ''Till Eulenspiegel's Merry Pranks'', ''Also sprach Zarathustra'', ''Don Quixote'', ''Ein Heldenleben' ...
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Die Meistersinger Von Nürnberg
(; "The Master-Singers of Nuremberg"), WWV 96, is a music drama, or opera, in three acts, by Richard Wagner. It is the longest opera commonly performed, taking nearly four and a half hours, not counting two breaks between acts, and is traditionally not cut. With Hans von Bülow conducting, it was first performed on 21 June 1868 at the National Theatre Munich, National Theater in Munich, today home of Bavarian State Opera. The story is set in Nuremberg in the mid-16th century. At the time, Nuremberg was a free imperial city and one of the centers of the Renaissance in Northern Europe. The story revolves around the city's guild of ''Meistersinger'' (Master Singers), an association of amateur poets and musicians who were primarily Master craftsman, master craftsmen of various trades. The master singers had developed a craftsmanlike approach to music-making, with an intricate system of rules for composing and performing songs. The work draws much of its atmosphere from its depictio ...
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