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UAIOE
''UAIOE'' is the fourth studio album by German industrial band KMFDM, released on October 7, 1989 by Cash Beat Records. Background Vocalist Raymond Watts had left the group midway through the recording of the previous album, '' Don't Blow Your Top''. Release ''UAIOE'' was released in 1989 on Cash Beat Records in Germany, on Deutschland Strikeback Records in the United Kingdom, and on Wax Trax! Records in the United States. A remastered reissue of ''UAIOE'' was released 12 September 2006, featuring new liner notes and photos of the band. Reception ''UAIOE'' received somewhat positive reviews. Andy Hinds of AllMusic said the work sounded more complete than previous releases, and called "More & Faster" the band's first classic song. Robert Christgau said the album was "groovier than the noise norm" and said the guest vocalists "add personality". Track listing Personnel *En Esch – guitars, vocals, programming *Sascha Konietzko – bass, vocals, guitars, synths, programmin ...
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KMFDM
KMFDM (originally Kein Mehrheit Für Die Mitleid, loosely translated by the band as "no pity for the majority") is a multinational industrial band from Hamburg led by Sascha Konietzko, who founded the band in 1984 as a performance art project. The band's earliest incarnation included German drummer En Esch and British vocalist Raymond Watts, the latter of whom left and rejoined the group several times over its history. The trio recorded the band's earliest albums in Germany before Konietzko and Esch moved to the United States, where they found much greater success with seminal industrial record label Wax Trax!. German guitarist Günter Schulz joined in 1990; both he and Esch continued with the band until KMFDM broke up in 1999. Konietzko resurrected KMFDM in 2002 (Esch and Schulz declined to rejoin) on Metropolis Records, and by 2005 he had assembled a consistent line-up that included American singer Lucia Cifarelli, British guitarists Jules Hodgson and Steve White, and British ...
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KMFDM Albums
KMFDM (originally Kein Mehrheit Für Die Mitleid, loosely translated by the band as "no pity for the majority") is a multinational industrial band from Hamburg led by Sascha Konietzko, who founded the band in 1984 as a performance art project. The band's earliest incarnation included German drummer En Esch and British vocalist Raymond Watts, the latter of whom left and rejoined the group several times over its history. The trio recorded the band's earliest albums in Germany before Konietzko and Esch moved to the United States, where they found much greater success with seminal industrial record label Wax Trax!. German guitarist Günter Schulz joined in 1990; both he and Esch continued with the band until KMFDM broke up in 1999. Konietzko resurrected KMFDM in 2002 (Esch and Schulz declined to rejoin) on Metropolis Records, and by 2005 he had assembled a consistent line-up that included American singer Lucia Cifarelli, British guitarists Jules Hodgson and Steve White, and British ...
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Don't Blow Your Top (album)
''Don't Blow Your Top'' is the third studio album by German industrial band KMFDM, released on February 12, 1988 by Cash Beat Records. A remastered version of the album was released on 12 September 2006, featuring new liner notes and photos of the band. Track listing All songs written and composed by En Esch and Sascha Konietzko unless otherwise noted. Vinyl/Cassette release CD release Reception Andy Hinds from Allmusic said that ''Don't Blow Your Top'' "sounds a little flimsy when compared to the band's pile-driving later work", and that it sounds "like a combination of early Meat Beat Manifesto, ''Twitch''-era Ministry, and even...the more primitive stuff of Alien Sex Fiend." Personnel *Sascha Konietzko – bass, vocals, guitars, synths, programming *En Esch – vocals, guitars, drums, programming *Raymond Watts Raymond Watts (also known by his former stage names Nainz, Nainz Watts and Ray Scaballero) is an English musician, the founding and sole member of the ind ...
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Naïve (album)
''Naïve'' is the fifth studio album by German industrial band KMFDM, released on November 15, 1990 by Wax Trax! Records. It was recorded following KMFDM's return from their first visit to the United States and subsequent tour with Ministry. It was also the first record they released after signing directly to Wax Trax! Records. Background The album was out of print for over a decade due to copyright infringement: the seventh track "Liebeslied" used unauthorized samples from a recording of "O Fortuna", from Carl Orff's 1930s cantata ''Carmina Burana''. The album was recalled approximately three years after being released. Copies today are rare and considered collector's items. In addition to this, " Godlike" samples " Angel of Death" by Slayer. All of the tracks on the album, except for the original mixes of "Die Now-Live Later", "Liebeslied" and "Go to Hell" were subsequently available on other discs. The album was re-released as ''Naïve/Hell to Go'', with some songs remixed ...
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Electric Guitar
An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar (however combinations of the two - a semi-acoustic guitar and an electric acoustic guitar exist). It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities on the amplifier settings or the knobs on the guitar from that of an acoustic guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz and rock guitar playing. Invented in 1932, the electric guitar was adopted by jazz guitar players, who wanted to play single-note guitar solos in large big band ensembles. Early proponents of the electric guitar on ...
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1989 Albums
File:1989 Events Collage.png, From left, clockwise: The Cypress Street Viaduct, Cypress structure collapses as a result of the 1989 Loma Prieta earthquake, killing motorists below; The proposal document for the World Wide Web is submitted; The Exxon Valdez oil tanker runs aground in Prince William Sound, Alaska, causing a large Exxon Valdez oil spill, oil spill; The Fall of the Berlin Wall begins the downfall of Communism in Eastern Europe, and heralds German reunification; The United States United States invasion of Panama, invades Panama to depose Manuel Noriega; The Singing Revolution led to the independence of the Baltic states of Estonia, Latvia, and Lithuania from the Soviet Union; The stands of Hillsborough Stadium in Sheffield, Yorkshire, where the Hillsborough disaster occurred; 1989 Tiananmen Square protests and massacre, Students demonstrate in Tiananmen Square, Beijing; many are killed by forces of the Chinese Communist Party., 300x300px, thumb rect 0 0 200 200 1989 Loma ...
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Aidan Hughes
Aidan Hughes is a commercial artist. He was born in 1956 in Merseyside, England, and was trained as an artist by his father, himself a landscape painter. In the 1980s, Hughes published a pulp-style magazine called ''BRUTE!''. ''Brute!'' has become an occasional pseudonym for Hughes as well. Hughes usually works in a very high contrast style, often black and white, but more often black and white accented with one other color. He claims influence from American comic book artist Jack Kirby, the painter John Martin, and (most apparently) from Russian propaganda posters. Aidan Hughes created most of the album covers for the industrial band KMFDM. Two of KMFDM's music videos ("A Drug Against War," "Son of a Gun") were animated versions of Hughes's artwork. His other work has included outdoor murals, including the 75 metre mural in Barga, Italy, during 2003 which has since been covered over with an earth bank; and a wide variety of advertisements, including pieces for the Ba ...
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Adrian Sherwood
Adrian Maxwell Sherwood (born 20 January 1958, London, England) is an English record producer specialising in the genre of dub music. He has created a distinctive production style based on the application of dub effects and dub mixing techniques to other forms of electronic dance music and popular music outside of the genre. He has worked extensively with a variety of reggae artists as well as the musicians Keith LeBlanc, Doug Wimbish and Skip McDonald. Sherwood has remixed tracks by Coldcut, Depeche Mode, The Woodentops, Primal Scream, Pop Will Eat Itself, Sinéad O'Connor, and Skinny Puppy. In his role as a record producer he has worked with a variety of record labels; however, his best-known label is On-U Sound Records which he founded in 1979. Sherwood has been a member of the band Tackhead. He considers himself tone deaf, and focuses on making sounds and noises rather than melody. Career Sherwood was co-founder of Carib Gems and Pressure Sounds, and founder of Hitrun R ...
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Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound * Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum * Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment *AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 *Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD Computing *, an HTML element, see HTML5 audio See also *Acoustic (other) *Audible (other) *A ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Audio Mastering
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in cas ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ...
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