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Two Asperges Me, WAB 3
The two ' (Thou wilt sprinkle me), WAB 3, are sacred motets composed by Anton Bruckner. They are settings of the Latin Asperges me, the antiphon used for the celebration of Asperges. History In 1844/1845, Bruckner composed these two settings of ''Aperges me'' during his stay in Kronstorf.C. van Zwol, p. 700 They were presumably performed at that time.U. Harten, pp. 63-64 The manuscripts are stored in the ''Österreichische Nationalbibliothek''. The two motets were first published in band II/2, pp. 67–76 of the Göllerich/Auer biography. They are put in Band XXI/6 of the '. Music During his stay in Kronstorf Bruckner, composed these two settings of the '' Asperges me'' for mixed choir and organ (1844/1845). As for the former '' Asperges me'', the incipit ("''Asperges me''") is not composed and has to be intoned by the priest in Gregorian mode before the choir is going on. It is the first composition, at the end of which Bruckner has put his signature. Asperges me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Bruckner
Josef Anton Bruckner (; 4 September 182411 October 1896) was an Austrian composer, organist, and music theorist best known for his symphonies, masses, Te Deum and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asperges Me, WAB 4
' (Thou wilt sprinkle me), WAB 4, is a sacred motet composed by Anton Bruckner. It is a setting of the Latin Asperges me, the antiphon used for the celebration of Asperges. History In 1843–44, Bruckner composed this first setting of ''Asperges me'' during his stay in Kronstorf.C. van Zwol, p. 700U. Harten, p. 64 It is not known when it was performed at that time. The work, the original manuscript of which is lost, exists as a transcription by Arthur Bauer. The motet was first published in volume III/2, pp. 140–141 of the Göllerich/Auer biography. It is put in volume XXI/4 of the '. Music The work is a setting of 32 bars in F major of the ''Asperges me'' for mixed choir ''a cappella''. According to the Catholic practice, the incipit ("''Asperges me''") is not composed and has to be intoned by the priest in Gregorian mode before the choir begins. The score is in two sections. Section 1 (7 bars) begins with "''Domine, hysopo''" and ends with "''dealbabor''". Se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnold Schoenberg Chor
The Arnold Schoenberg Choir (german: Arnold Schoenberg Chor) is a Viennese/Austrian choir which was founded 1972 by Erwin Ortner, who is still its artistic director. The choir has a high reputation both among conductors and among critics and the musical scene in general. All members of the choir have broad experience and expertise in vocal music; most of them have graduated from or are currently studying at the Vienna University of Music and Performing Arts. The choir is named after Viennese composer Arnold Schoenberg. Repertoire The choir's repertoire covers a wide range from Renaissance to contemporary music, from '' a cappella'' works to large orchestral pieces and operas. The choir has worked with famous conductors such as Claudio Abbado, Riccardo Muti and Lorin Maazel – to name only a few. Moreover, it has performed in opera productions such as Schubert's ''Fierrabras'' at the Vienna State Opera, Messiaen's ''Saint François d'Assise'' and Berio's Cronaca del luogo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erwin Ortner
Erwin Ortner (born 15 December 1947, in Vienna) is an Austrian conductor, especially of vocal music. He is the founder and artistic director of the Arnold Schoenberg Chor. References External links * * Erwin OrtnerArnold Schoenberg Chor The Arnold Schoenberg Choir (german: Arnold Schoenberg Chor) is a Viennese/Austrian choir which was founded 1972 by Erwin Ortner, who is still its artistic director. The choir has a high reputation both among conductors and among critics and the ... Erwin Ortner (Choral Conductor)bach-cantatas.com wien.gv.at 2010 Male conductors (music) 1947 births Living people Musicians from Vienna 21st-century Austrian conductors (music) 21st-century male musicians {{Austria-conductor-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homophony
In music, homophony (;, Greek: ὁμόφωνος, ''homóphōnos'', from ὁμός, ''homós'', "same" and φωνή, ''phōnē'', "sound, tone") is a texture in which a primary part is supported by one or more additional strands that flesh out the harmony. One melody predominates while the other parts play either single notes or an elaborate accompaniment. This differentiation of roles contrasts with equal-voice polyphony (in which similar lines move with rhythmic and melodic independence to form an even texture) and monophony (in which all parts move in unison or octaves). Historically, homophony and its differentiated roles for parts emerged in tandem with tonality, which gave distinct harmonic functions to the soprano, bass and inner voices. A homophonic texture may be homorhythmic, which means that all parts have the same rhythm. Chorale texture is another variant of homophony. The most common type of homophony is melody-dominated homophony, in which one voice, often the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Passion Sunday
Passion Sunday is the fifth Sunday of Lent, marking the beginning of Passiontide. In 1969, the Roman Catholic Church removed Passiontide from the liturgical year of the Novus Ordo, but it is still observed in the Extraordinary Form, the Personal Ordinariates, the Anglican Communion, and by Lutherans. In Scotland, the day is known as Care Sunday. Fifth Sunday of Lent Until 1959, the fifth Sunday of Lent was officially known in the Roman Catholic Church as Passion Sunday. It marked the beginning of a two-week-long period known as Passiontide, which is still observed by Catholics who attend the Extraordinary Form or Catholics of the Anglican Ordinariate, Western Rite Orthodoxy, various denominations in Protestantism. In 1960, Pope John XXIII's Code of Rubrics changed the name for that Sunday to "First Sunday of the Passion" bringing the name into harmony with the name that Pope Pius XII gave, five years earlier, to the sixth Sunday of Lent, "Second Sunday of the Passion or Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canon (music)
In music, a canon is a contrapuntal (counterpoint-based) compositional technique that employs a melody with one or more imitation (music), imitations of the melody played after a given duration (music), duration (e.g., quarter rest, one measure, etc.). The initial melody is called the leader (or ''dux''), while the imitative melody, which is played in a different part (music), voice, is called the follower (or ''comes''). The follower must imitate the leader, either as an exact replication of its rhythms and Interval (music), intervals or some transformation thereof. Repeating canons in which all voices are musically identical are called round (music), rounds—"Row, Row, Row Your Boat" and "Frère Jacques" are popular examples. An accompanied canon is a canon accompanied by one or more additional independent parts that do not imitate the melody. History Medieval and Renaissance During the Medieval music, Middle Ages, Renaissance music, Renaissance, and Baroque music, Baroque ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unison
In music, unison is two or more musical parts that sound either the same pitch or pitches separated by intervals of one or more octaves, usually at the same time. ''Rhythmic unison'' is another term for homorhythm. Definition Unison or perfect unison (also called a prime, or perfect prime)Benward & Saker (2003), p. 53. may refer to the (pseudo-) interval formed by a tone and its duplication (in German, ''Unisono'', ''Einklang'', or ''Prime''), for example C–C, as differentiated from the second, C–D, etc. In the unison the two pitches have the ratio of 1:1 or 0 half steps and zero cents. Although two tones in unison are considered to be the same pitch, they are still perceivable as coming from separate sources, whether played on instruments of a different type: ; or of the same type: . This is because a pair of tones in unison come from different locations or can have different "colors" (timbres), i.e. come from different musical instruments or human voices. Voices wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doxology
A doxology (Ancient Greek: ''doxologia'', from , ''doxa'' 'glory' and -, -''logia'' 'saying') is a short hymn of praises to God in various forms of Christian worship, often added to the end of canticles, psalms, and hymns. The tradition derives from a similar practice in the Jewish synagogue, where some version of the Kaddish serves to terminate each section of the service. Trinitarian doxology Among Christian traditions a doxology is typically an expression of praise sung to the Holy Trinity: the Father, the Son, and the Holy Spirit. It is common in high hymns for the final stanza to take the form of a doxology. Doxologies occur in the Eucharistic prayers, the Liturgy of the Hours, hymns, and various Catholic devotions such as novenas and the Rosary. ''Gloria in excelsis Deo'' The Gloria in excelsis Deo, also called the Greater Doxology, is a hymn beginning with the words that the angels sang when the birth of Christ was announced to shepherds in . Other verses were added v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fugato
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short mai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lent
Lent ( la, Quadragesima, 'Fortieth') is a solemn religious observance in the liturgical calendar commemorating the 40 days Jesus spent fasting in the desert and enduring temptation by Satan, according to the Gospels of Matthew, Mark and Luke, before beginning his public ministry. Lent is observed in the Anglican, Eastern Orthodox, Lutheran, Methodist, Moravian, Oriental Orthodox, Persian, United Protestant and Roman Catholic traditions. Some Anabaptist, Baptist, Reformed (including certain Continental Reformed, Presbyterian and Congregationalist churches), and nondenominational Christian churches also observe Lent, although many churches in these traditions do not. Which days are enumerated as being part of Lent differs between denominations (see below), although in all of them Lent is described as lasting for a total duration of 40 days. In Lent-observing Western Churches, Lent begins on Ash Wednesday and ends approximately six weeks later; depending on the Christian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Septuagesima
Septuagesima (; in full, Septuagesima Sunday) is the name for the ninth Sunday before Easter, the third before Ash Wednesday. The term is sometimes applied to the seventy days starting on Septuagesima Sunday and ending on the Saturday after Easter. Alternatively, the term is sometimes applied also to the period commonly called Shrovetide or Gesimatide (the Pre-Lenten Season) that begins on this day and ends on Shrove Tuesday, the day before Ash Wednesday, when Lent begins. The other two Sundays in this period of the liturgical year are called Sexagesima and Quinquagesima, the latter sometimes also called ''Shrove Sunday.'' The earliest date on which Septuagesima Sunday can occur is January 18 (Easter falling on March 22 in a common year) and the latest is February 22 (Easter falling on April 25 in a leap year). Origins of the term ''Septuagesima'' comes from the Latin word for "seventieth." Likewise, ''Sexagesima,'' ''Quinquagesima,'' and '' Quadragesima'' mean "sixtieth," "f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
