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Turkestan Series
Vereshchagin's Turkestan Series is a collection of 13 paintings produced by Russian artist Vasily Vereshchagin in the 19th-century. While initially purchased en masse by a Russian collector, the works have since been added to the collections of the Tretyakov Gallery in Moscow and the Russian Museum in Saint Petersburg. History In the 1867, Russian artist Vasily Vereshchagin (whom had recently finished studying painting in Paris) was informed that the Governor of Russian Turkestan, Konstantin von Kaufmann, required cartographers and painters for military service in Imperial Russia's Central Asian territories. Enticed by the freedom such a position would provide, Vereshchagin enlisted and was deployed to Samarkand in Turkestan, where a war had recently broken out between Russia and the Emirate of Bukhara. In the several years of intermittent fighting that followed, Vereshchagin was attached to the Russian army; he painted, and on occasion fought against the various nations that op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vasily Vereshchagin
Vasily Vasilyevich Vereshchagin (russian: Васи́лий Васи́льевич Вереща́гин, October 26, 1842April 13, 1904), was one of the most famous Russian war artists and one of the first Russian artists to be widely recognised abroad. The graphic nature of his realist scenes led to many of them never being printed or exhibited.Kowner, '' Historical Dictionary of the Russo-Japanese War'', p. 408. Years of apprenticeship Vereshchagin was born at Cherepovets, Novgorod Governorate, Russia, in 1842 as the middle of three brothers. His father was a landowner of noble birth, while his mother was of common origin and had Tatar roots. When he was eight years old, he was sent to Tsarskoe Selo to enter the Alexander Cadet Corps. Three years later, he entered the Sea Cadet Corps at St Petersburg, making his first voyage in 1858. He served on the frigate , which sailed to Denmark, France and Egypt. Vereshchagin graduated first in his list at the naval school, but left ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ethnography
Ethnography (from Greek ''ethnos'' "folk, people, nation" and ''grapho'' "I write") is a branch of anthropology and the systematic study of individual cultures. Ethnography explores cultural phenomena from the point of view of the subject of the study. Ethnography is also a type of social research that involves examining the behavior of the participants in a given social situation and understanding the group members' own interpretation of such behavior. Ethnography in simple terms is a type of qualitative research where a person puts themselves in a specific community or organization in attempt to learn about their cultures from a first person point-of-view. As a form of inquiry, ethnography relies heavily on participant observation—on the researcher participating in the setting or with the people being studied, at least in some marginal role, and seeking to document, in detail, patterns of social interaction and the perspectives of participants, and to understand these i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
They Attack Unaware
In Modern English, ''they'' is a third-person pronoun relating to a grammatical subject. Morphology In Standard Modern English, ''they'' has five distinct word forms: * ''they'': the nominative (subjective) form * ''them'': the accusative (objective, called the 'oblique'.) and a non-standard determinative form. * ''their:'' the dependent genitive (possessive) form * ''theirs'': independent genitive form * ''themselves'': prototypical reflexive form *''themself'': derivative reflexive form (nonstandard; now chiefly used instead of "himself or herself" as a reflexive epicenity for ''they'' in pronominal reference to a singular referent) History Old English had a single third-person pronoun '' hē'', which had both singular and plural forms, and ''they'' wasn't among them. In or about the start of the 13th century, ''they'' was imported from a Scandinavian source (Old Norse ''þeir'', Old Danish, Old Swedish ''þer'', ''þair''), where it was a masculine plural demonstr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Tretyakov (arts Patron)
Sergei Tretyakov (1834 - 25 July 1892) was a Russian philanthropist and patron of the arts, who co-founded the Tretyakov Gallery in Moscow with his brother Pavel Tretyakov. Tretyakov Gallery In 1851, Tretyakov and his brother Pavel Tretyakov acquired a property on the right bank of the Moskva River to use as offices, also using the building to house their art collection, which became known as the Tretyakov Gallery. Sergei's collection was smaller than his brother's, but also very valuable. The first work to be added to his collection was Alexey Bogolyubov Alexey Petrovich Bogolyubov (russian: Алексей Петрович Боголюбов; 16 March 1824 – 3 February 1896) was a Russian landscape art, landscape painter. Biography Bogolyubov was born in the Pomeranie village of Novgorod Gube ...'s ''Ipatievsky Monastery near Kostroma''. He later began collecting primarily works from Western European artists, especially French romantics and realists. On Sergei's death in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Left Behind (painting)
''Left Behind'' is a multimedia franchise that started with a series of 16 bestselling religious novels by Tim LaHaye and Jerry B. Jenkins. It focuses on a seven-year conflict between the Tribulation Force, an underground network of converts, and the New World Order-esque Global Community and its leader, Nicolae Carpathia, who is also the Antichrist. The primary element is a Christian dispensationalist view of the End Times; the pretribulation, premillennial, Christian eschatological interpretation of the Biblical apocalypse. The series has been adapted into five films to date. The original series of three films are '' Left Behind: The Movie'' (2000), '' Left Behind II: Tribulation Force'' (2002), and '' Left Behind: World at War'' (2005). A reboot starring Nicolas Cage, entitled simply ''Left Behind'', was released in 2014 through Cloud Ten Pictures. A sequel, '' Left Behind: Rise of the Antichrist'', directed by and starring Kevin Sorbo, was released in 2023. The series ins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Apotheosis Of War
''The Apotheosis of War'' is a mid 19th century painting by Russian war artist Vasily Vereshchagin. Following his completion of the painting, Vereshchagin dedicated his work "to all great conquerors, past, present and to come". Done in oil on canvas, the painting depicts a pile of skulls outside the walls of a city in Central Asia. It is considered part of Vereshchagin's Turkestan Series. The painting is now displayed in the Tretyakov Gallery in Moscow. History Background ''The Apotheosis of War'' was painted by Vereshchagin in 1871. At the time, Vereshchagin was residing in Munich, Germany, where he painted 13 works (including ''Apotheosis'') of art depicting his earlier travelling with the Imperial Russian Army as it moved throughout Central Asia, Russian conquest of Central Asia, fighting against various factions and conquering what would become Russian Turkestan. As a classically-trained war artist, many of Vereshchagin's works were centered around battle scenes betwee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Defeatism
Defeatism is the acceptance of defeat without struggle, often with negative connotations. It can be linked to pessimism in psychology, and may sometimes be used synonymously with fatalism or determinism. History The term ''defeatism'' is commonly used in politics as a descriptor for an ideological stance that considers co-operation with the opposition party. In the military context, in wartime, and especially at the front, ''defeatism'' is synonymous with treason. Under military law, a soldier can be accused of being defeatist if he refuses to fight by voicing doubt of the ideological validity of national policy; thus, existential questions such as "Is the war already lost?" and "Is the fight worth the effort?" are defeatism that connote advocacy of an alternative end-to-the war other than military victory. "Defeatism" in Nazi Germany Defeatism became a buzzword in Germany following its capitulation in 1918, particularly among the Nazi Party led by Adolf Hitler, who routinely bl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Crystal Palace
The Crystal Palace was a cast iron and plate glass structure, originally built in Hyde Park, London, Hyde Park, London, to house the Great Exhibition of 1851. The exhibition took place from 1 May to 15 October 1851, and more than 14,000 exhibitors from around the world gathered in its exhibition space to display examples of technology developed in the Industrial Revolution. Designed by Joseph Paxton, the Great Exhibition building was long, with an interior height of , and was three times the size of St Paul's Cathedral. The introduction of the sheet glass method into Britain by Chance Brothers in 1832 made possible the production of large sheets of cheap but strong glass, and its use in the Crystal Palace created a structure with the greatest area of glass ever seen in a building. It astonished visitors with its clear walls and ceilings that did not require interior lights. It has been suggested that the name of the building resulted from a piece penned by the playwright Doug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Munich
Munich ( ; german: München ; bar, Minga ) is the capital and most populous city of the States of Germany, German state of Bavaria. With a population of 1,558,395 inhabitants as of 31 July 2020, it is the List of cities in Germany by population, third-largest city in Germany, after Berlin and Hamburg, and thus the largest which does not constitute its own state, as well as the List of cities in the European Union by population within city limits, 11th-largest city in the European Union. The Munich Metropolitan Region, city's metropolitan region is home to 6 million people. Straddling the banks of the River Isar (a tributary of the Danube) north of the Northern Limestone Alps, Bavarian Alps, Munich is the seat of the Bavarian Regierungsbezirk, administrative region of Upper Bavaria, while being the population density, most densely populated municipality in Germany (4,500 people per km2). Munich is the second-largest city in the Bavarian dialects, Bavarian dialect area, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orientalism
In art history, literature and cultural studies, Orientalism is the imitation or depiction of aspects in the Eastern world. These depictions are usually done by writers, designers, and artists from the Western world. In particular, Orientalist painting, depicting more specifically the Middle East, was one of the many specialisms of 19th-century academic art, and the literature of Western countries took a similar interest in Oriental themes. Since the publication of Edward Said's ''Orientalism (book), Orientalism'' in 1978, much academic discourse has begun to use the term "Orientalism" to refer to a general patronizing Western attitude towards Middle Eastern, Asian, and North African societies. In Said's analysis, the West Essentialism, essentializes these societies as static and undeveloped—thereby fabricating a view of Oriental culture that can be studied, depicted, and reproduced in the service of Imperialism, imperial power. Implicit in this fabrication, writes Said, is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Landscape Painting
Landscape painting, also known as landscape art, is the depiction of natural scenery such as mountains, valleys, trees, rivers, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. Two main traditions spring from Western painting and Chinese art, going back well over a thousand years in both cases. The recognition of a spiritual element in landscape art is present from its beginnings in East Asian art, drawing on Daoism and other philosophical traditions, but in the West only becomes explicit with Romanticism. Landscape views in art may be entirely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emirate Of Bukhara
The Emirate of Bukhara ( fa, , Amārat-e Bokhārā, chg, , Bukhārā Amirligi) was a Muslim polity in Central Asia that existed from 1785 to 1920 in what is modern-day Uzbekistan, Tajikistan, Turkmenistan and Kazakhstan. It occupied the land between the Amu Darya and Syr Darya rivers, known formerly as Transoxiana. Its core territory was the fertile land along the lower Zarafshon river, and its urban centres were the ancient cities of Samarqand and the emirate's capital, Bukhara. It was contemporaneous with the Khanate of Khiva to the west, in Khwarazm, and the Khanate of Kokand to the east, in Fergana. In 1920, it ended with the establishment of the Bukharan People's Soviet Republic. History The Emirate of Bukhara was officially created in 1785, upon the assumption of rulership by the Manghit emir, Shah Murad. Shahmurad, formalized the family's dynastic rule (Manghit dynasty), and the khanate became the Emirate of Bukhara. As one of the few states in Central Asia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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