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Tungna
The Tungna ( Nepali: टुङ्ना) is a plucked string instrument from the Northern Himalayan region: Nepal, Tibet, Sikkim and Bhutan. It is made from a single piece of carved wood. The front hollow body (which serves as the sound-box) is covered with stretched animal skin on which the 'bridge' sits. The Tungna has four strings which is anchored to the keys and body at both ends and the 'bridge' acts as a cantilever thus maintaining the tension of the strings. It is mostly played by the people in the Himalayan Kingdom of Nepal mainly by the Tamang, Sherpa and Gurung people during auspicious occasions, gatherings and festivals. The musicians play the Tungna and sing songs, which they compose themselves especially to welcome the New Year or during the harvest season. Most households of this mountain region have at least one Tungna in their house. See also *Navneet Aditya Waiba *Music of Nepal *Dramyin *Arbajo The aarbajo () is a Nepali four-string lute used as a rhythm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dranyen
The dramyin or dranyen (; dz, dramnyen; ) is a traditional Himalayan folk music lute with six strings, used primarily as an accompaniment to singing in the Drukpa Buddhist culture and society in Bhutan, as well as in Tibet, Ladakh, Sikkim and Himalayan West Bengal. It is often used in religious festivals of Tibetan Buddhism (cf. tshechu). The instrument is played by strumming, fingerpicking or (most commonly) plucking.Dancing on the demon's back: the dramnyen dance and song of Bhutan by Elaine Dobson, John Blacking Symposium: Music, Culture and Society, Callaway Centre, University of Western Australia, July 2003 The dramyen, ( |
Dramyin
The dramyin or dranyen (; dz, dramnyen; ) is a traditional Himalayan folk music lute with six strings, used primarily as an accompaniment to singing in the Drukpa Buddhist culture and society in Bhutan, as well as in Tibet, Ladakh, Sikkim and Himalayan West Bengal. It is often used in religious festivals of Tibetan Buddhism (cf. tshechu). The instrument is played by strumming, fingerpicking or (most commonly) plucking.Dancing on the demon's back: the dramnyen dance and song of Bhutan by Elaine Dobson, John Blacking Symposium: Music, Culture and Society, Callaway Centre, University of Western Australia, July 2003 The dramyen, ( |
Rubab (instrument)
Rubab, robab or rabab (Pashto/Persian: رُباب, Kashmiri : رَبابہٕ, Sindhi: (Nastaleeq), रबाब (Devanagari), Azerbaijani/ Turkish: Rübab, Tajik/ Uzbek ''рубоб'') is a lute-like musical instrument.David Courtney, 'Rabab'Chandra & David's Homepage/ref> The rubab is one of the national musical instruments of Afghanistan; and is also commonly used in Pakistan in areas inhabited by the Pashtun and Baloch, and also played by Sindhi people in Sindh, by Kashmiri people in Kashmir, and by the Punjabis of the Punjab. Three variants of the rubab are the ''Kabuli rebab'' of Afghanistan, the ''Seni rebab'' of northern India, and the ''Pamiri rubab'' of Tajikistan. These proliferated throughout West, Central, South and Southeast Asia. The Kabuli rebab originates from Afghanistan, and it derives its name from Arabic '' rebab'' 'played with a bow'; in Central Asia and the Indian subcontinent, however, the instrument is plucked and is distinctly different in construc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arbajo
The aarbajo () is a Nepali four-string lute used as a rhythm instrument (Tālabājā ()). It is the traditional instrument of the Gandarbha caste of musical performers, and is considered a companion to the Nepali sarangi. The Gandarbhas consider the aarbajo to be the "male instrument", the sarangi the "female." The aarbajo is used less than in the past, and been replaced by the sarangi, which was considered in 1999 to have superseded the aarbajo in common use.. ''... one of the most important of these rites is puja 'worship' performed to music of the sararigi and the arbajo, believed to be its predecessor.''. ''...ancestry are not confined to the damai, but are prevalent in the folklore of other Indo-Nepalese occupational castes. ... always accompanied by the cow's hoof, which became the (now extinct) plucked lute arbajo (Helffer 1977:51)... The instrument has historically been played by Gandarbha performers at festivals, such as the "Chaiteti" festival. Although considered the o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Nepal
Music of Nepal refers to the various musical genres played and listened to in Nepal. With more than fifty ethnic groups in Nepal, the country's music is highly diverse. Genres like Tamang Selo, Chyabrung, Dohori, Adhunik Geet, Bhajan, Filmi music, Ghazal, Classical music, songs and Ratna music are widely played and popular, but many other less common genres are yet to be cataloged. Western musical genres like Rock, Metal, Hip-Hop, Rap, R&B also regularly feature on the Nepalese music charts. Most of the country's musical bands are based in the Kathmandu valley. Musical genres from Tibet and India have greatly influenced Nepalese music. Genres Tamang music The Tamang community is well known for the Damphu, a traditional instrument. Tamang Selo music is accompanied by the Damphu and Tungna. It is said that British people derived the idea of making drum sets from Damphu during their stay in India. Some modern Tamang Selo music also shows influences of western and Indian instruments ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rubab (instrument)
Rubab, robab or rabab (Pashto/Persian: رُباب, Kashmiri : رَبابہٕ, Sindhi: (Nastaleeq), रबाब (Devanagari), Azerbaijani/ Turkish: Rübab, Tajik/ Uzbek ''рубоб'') is a lute-like musical instrument.David Courtney, 'Rabab'Chandra & David's Homepage/ref> The rubab is one of the national musical instruments of Afghanistan; and is also commonly used in Pakistan in areas inhabited by the Pashtun and Baloch, and also played by Sindhi people in Sindh, by Kashmiri people in Kashmir, and by the Punjabis of the Punjab. Three variants of the rubab are the ''Kabuli rebab'' of Afghanistan, the ''Seni rebab'' of northern India, and the ''Pamiri rubab'' of Tajikistan. These proliferated throughout West, Central, South and Southeast Asia. The Kabuli rebab originates from Afghanistan, and it derives its name from Arabic '' rebab'' 'played with a bow'; in Central Asia and the Indian subcontinent, however, the instrument is plucked and is distinctly different in construc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seni Rebab
The Seni rebab (Hindustani: सेनी रबाब ( Devanagari), ( Nastaleeq), Punjabi: ਸੇਨੀ ਰੱਬਾਬ), also known as the Seniya rabab (Hindustani: सेनिया रबाब ( Devanagari), ( Nastaleeq)) is a plucked string instrument used in northern India that is said to have been developed by, and to have taken its name from, the notable musician Tansen in the time of the emperor Akbar the Great. It has "a large hook at the back of its head, making it easier for a musician to sling it over the shoulder and play it even while walking." It has been used in Hindustani classical music and religiously, in Sikh music. The rebab influenced the development of the sarod, another Indian musical instrument. Three types of Sikh musician - rababis, ragis and dhadhis - flourished during the period of the Sikh gurus. History As the ''Dekhani rabāb'', the instrument was listed as a native instrument of Central India by Mughal chronicler Abu'l Fazl. It was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Instrument
String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the strings with their fingers or a plectrum—and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow. In some keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classical music (violin, viola, cello and double bass) and a number of other instruments (e.g., viols and gambas used in early music from the Baro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yusufzai
The Yusufzai or Yousafzai ( ps, یوسفزی, ), also referred to as the Esapzai (, ) are one of the largest Pashtun tribes, tribes of ethnic Pashtuns. They are natively based in Khyber Pakhtunkhwa, Pakistan, to which they migrated to from Suliman mountains during the 16th century, but they are also present in smaller numbers in parts of Afghanistan, including Kunar Province, Kunar, Kabul, Kandahar and Farah Province, Farah. Outside of these countries, they can be found in Rohilkhand, Bannu Ghoriwala (Mughal Khel), Balochistan Sibi (Akazai) and Chagai, Pakistan, Chagai (Hassanzai). Their name may originate from the names of the ''Aspasioi'' and the ''Aśvakan'', who were the ancient inhabitants of the Kunar, Swat District, Swat, and adjoining valleys in the Hindu Kush. Most of the Yusufzai speak a Northern Pashto, northern variety of Pashto and some Southern Pashto, southern variety of Pashto (as in case of Bannu, Mughal Khel) and Afghan dialect Persian language, Persian; the Yu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peshawar
Peshawar (; ps, پېښور ; hnd, ; ; ur, ) is the sixth most populous city in Pakistan, with a population of over 2.3 million. It is situated in the north-west of the country, close to the International border with Afghanistan. It is the capital of the province of Khyber Pakhtunkhwa, where it is the largest city. Peshawar is primarily populated by Pashtuns, who comprise the second-largest ethnic group in the country. Situated in the Valley of Peshawar, a broad area situated east of the historic Khyber Pass, Peshawar's recorded history dates back to at least 539 BCE, making it one of the oldest cities in South Asia. Peshawer is among the oldest continuously inhabited cities of the country. The area encompassing modern-day Peshawar is mentioned in Vedic scriptures; it served as the capital of the Kushan Empire during the rule of Kanishka and was home to the Kanishka Stupa, which was among the tallest buildings in the ancient world. Peshawar was then ruled by the Hephtha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greco-Buddhist Art
The Greco-Buddhist art or Gandhara art of the north Indian subcontinent is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism. It had mainly evolved in the ancient region of Gandhara. The series of interactions leading to Gandhara art occurred over time, beginning with Alexander the Great's brief incursion into the area, followed by the Maurya Empire, Mauryan Emperor Ashoka converting the region to Buddhism. Buddhism became the prominent religion in the Indo-Greek Kingdom, Indo-Greek Kingdoms. However, Greco-Buddhist art truly flowered and spread under the Kushan Empire, when the first surviving devotional images of the Buddha were created during the 1st-3rd centuries CE. Gandhara art reached its zenith from the 3rd-5th century CE, when most surviving motifs and artworks were produced. Gandhara art is characterized by Buddhist subject matter, sometimes adapting Greco-Roman elements, rendered in a style and forms that are hea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Navneet Aditya Waiba
Navneet Aditya Waiba is an Indian Nepali-language folk singer and the daughter of the late Hira Devi Waiba, the pioneer of Nepali folk music. Navneet and younger brother Satya Aditya Waiba (producer/manager) are the only artists in the Nepali folk music genre who sing and produce authentic traditional Nepali folk songs without adulteration or modernisation using mostly organic and traditional Nepali music instruments. Early life Navneet Aditya Waiba was born to mother Hira Devi Waiba and father Ratan Lal Aditya, and was raised in the hill town of Kurseong in Darjeeling, West Bengal, India. Both Nanveet and Satya grew up in a musical environment owing to their mother and grandfather Sri Singh Man Singh Waiba who also happened to be their mother's musical mentor/coach. Education and previous career Navneet obtained her Master of English (MA) degree from North Bengal University, West Bengal, India. She worked as a senior flight purser with Cathay Pacific Airlines ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
