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Tundale
The ''Visio Tnugdali'' ("Vision of Tnugdalus") is a 12th-century religious text reporting the otherworldly vision of the Irish knight Tnugdalus (later also called "Tundalus", "Tondolus" or in English translations, "Tundale", all deriving from the original Middle Irish ''Tnúdgal'' meaning 'desire-valour' or 'fierce valour'). It was "one of the most popular and elaborate texts in the medieval genre of visionary infernal literature" and had been translated from the original Latin forty-three times into fifteen languages by the 15th century, including Icelandic and Belarusian. The work remained most popular in Germany, with ten different translations into German, and four into Dutch. With a recent resurgence of scholarly interest in Purgatory following works by Jacques Le Goff, Stephen Greenblatt and others, the vision has attracted increased academic attention. The work The Latin text was written down shortly after 1149 by Brother Marcus, an Irish itinerant monk, in the Scots Mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hell
In religion and folklore, hell is a location in the afterlife in which evil souls are subjected to punitive suffering, most often through torture, as eternal punishment after death. Religions with a linear divine history often depict hells as eternal destinations, the biggest examples of which are Christianity and Islam, whereas religions with reincarnation usually depict a hell as an intermediary period between incarnations, as is the case in the dharmic religions. Religions typically locate hell in another dimension or under Earth's surface. Other afterlife destinations include heaven, paradise, purgatory, limbo, and the underworld. Other religions, which do not conceive of the afterlife as a place of punishment or reward, merely describe an abode of the dead, the grave, a neutral place that is located under the surface of Earth (for example, see Kur, Hades, and Sheol). Such places are sometimes equated with the English word ''hell'', though a more correct translatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Visions Du Chevalier Tondal
The Getty Tondal, also known as ''Les visions du chevalier Tondal'' is an illuminated manuscript from 1475, now in the Getty Museum. It is a French version and is the only surviving fully illuminated manuscript of the '' Visio Tnugdali.'' It has 20 miniatures by Simon Marmion and elaborate borders with "CM" for the initials of Margaret of York, Duchess of Burgundy and her husband Charles the Bold. The text was scribed by David Aubert in Ghent, while the miniatures were done in Valenciennes, where Marmion was based. Only the fifteen pages with two-column miniatures and five pages with single column miniatures have borders. There are only 45 folios, meaning that most have miniatures. The manuscript is fully available online. History Origin The Getty Tondal was commissioned by Margaret of York, Duchess of Burgundy during the 1470s. During this time she had other works she requested or collected for her own personal reading quarters. She was one of the most powerful women of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Vision Of Adamnán
''The Vision of Adamnán'' or ''Adamnán's Vision'', also spelled ''Adomnán'', in Irish ''Fís Adamnáin'' (or ''Adomnáin''), is a work of visionary literature written in Middle Irish in two parts, the first dating to the 11th century and the second the early 10th. It has sometimes been dated as early as the 8th or 9th century. Its authorship is unknown. The third-person narrative describes a vision of heaven and hell attributed to Adamnán (d. 704 AD), abbot of Hy and Iona and primary biographer of Saint Columba. ''The Vision of Adamnán'' appears in ''The Book of the Dun Cow'' and the Speckled Book, both held by the Royal Irish Academy, and two additional manuscripts. About 5,000 words long, it was influenced by the '' Apocalypse of the Seven Heavens'', the '' Vision of Paul'', and writings by Gregory the Great. It is the earliest Irish visionary work to use the literary device of a bridge that souls must cross as part of a sorting ordeal, and marks the origin of visionary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Patrick's Purgatory
St Patrick's Purgatory is an ancient pilgrimage site on Station Island in Lough Derg, County Donegal, Ireland. According to legend, the site dates from the fifth century, when Christ showed Saint Patrick a cave, sometimes referred to as a pit or a well, on Station Island that was an entrance to Purgatory. Its importance in medieval times is clear from the fact that it is mentioned in texts from as early as 1185 and shown on maps from all over Europe as early as the fifteenth century. It is the only Irish site designated on Martin Behaim's world map of 1492. Location In the nineteenth century there was some confusion about the actual site of St Patrick's Purgatory—whether it was on Station Island or Saints Island on Lough Derg, County Donegal. For instance the early nineteenth-century Ordnance Survey maps of Ireland (1837–42) locate the Purgatory on Saints Island. However, its location on Station Island is a tradition that continues unbroken from the Middle Ages. It is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacomijne Costers
Jacomijne Costers (c. 1462 – 1503) was a nun and author whose vision of the afterlife, shown during a near-death experience, was written down in ''Visioen en exempel'' ("Vision and Exemplum"). Biography Costers lived in the Facons Monastery in Antwerp. Facons, originally called ''Valkenbroek'', was a convent belonging to the Augustinian Congregation of Windesheim, and at the end of the 15th century there were concerns about the apparent lax discipline in the convent. In 1489 the plague struck the convent, and Jacomijne Costers was one of its victims. She survived, but was shown a vision in which devils took her to face Christ. These devils asserted a right to her sinful soul, and initially Christ seemed to agree with them; the intervention of Mary (besides her patron saint John the Evangelist and Augustine, patron saint of her order) saved her. She was sent through hell and purgatory, and given the assignment to recount her vision to help restore spiritual order to her house. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Congregation Of Windesheim
The Congregation of Windesheim ( la, Congregatio Vindesemensis) is a congregation of Augustinian canons regular (i.e., ecclesiastics living in community and bound by vows). It takes its name from its most important monastery, which was located at Windesheim, about four miles south of Zwolle on the IJssel, in the Netherlands. This congregation of canons regular, of which this was the chief house, was an offshoot of the Brethren of the Common Life and played a considerable part in the reform movement within the Dutch and German Catholic Church in the century before the Protestant Reformation. History The Brethren of the Common Life, which did not strictly conform as an order or congregation, had become obnoxious to the mendicant friars and the object of their attacks. To remedy this, their founder, Gerard Groote, advised on his deathbed in 1384 that some of the brethren should adopt the rule of an approved Order. His successor, Florence Radewyns, carried this advice into effec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodcut
Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print. The block is cut along the wood grain (unlike wood engraving, where the block is cut in the end-grain). The surface is covered with ink by rolling over the surface with an ink-covered roller (brayer), leaving ink upon the flat surface but not in the non-printing areas. Multiple colors can be printed by keying the paper to a frame around the woodblocks (using a different block for each color). The art of carving the woodcut can be called "xylography", but this is rarely used in English for images alone, although that and "xylographic" are used in connection with block books, which are small books containing text and images in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Aubert
David Aubert (before 1413 – working 1449-79) was a French calligrapher who transcribed and adapted courtly romances and chronicles for the court of the Duke of Burgundy. In addition to finely presented works, illuminated at Bruges and other centres, for the Dukes Philip the Good and Charles the Bold and the Duchess Margaret of York, he completed manuscripts for Antoine de Bourgogne and Philippe de Croy. He was the son of the ducal accountant and calligrapher Jean Aubert, and his elder brother worked as an administrator, members of a family with a tradition of public service in the Burgundian court, though his first mention as a scribe in the ducal service dates to 1463, after which he was salaried as a ducal secretary until Philip's death, and seems to have followed, at least some of the time, the very mobile court around the Duchy. In 1469, following the death of Philip the Good, he was an inventory-taker of the late Duke's library. He then produced at least eight manusc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles The Bold
Charles I (Charles Martin; german: Karl Martin; nl, Karel Maarten; 10 November 1433 – 5 January 1477), nicknamed the Bold (German: ''der Kühne''; Dutch: ''de Stoute''; french: le Téméraire), was Duke of Burgundy from 1467 to 1477. Charles's main objective was to be crowned king by turning the growing Burgundian State into a territorially continuous kingdom. He declared himself and his lands independent, bought Upper Alsace and conquered Zutphen, Guelders and Lorraine, uniting at last Burgundian northern and southern possessions. This caused the enmity of several European powers and triggered the Burgundian Wars. Charles's early death at the Battle of Nancy at the hands of Swiss mercenaries fighting for René II, Duke of Lorraine, was of great consequence in European history. The Burgundian domains, long wedged between the Kingdom of France and the Habsburg Empire, were divided, but the precise disposition of the vast and disparate territorial possessions involved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duchy Of Burgundy
The Duchy of Burgundy (; la, Ducatus Burgundiae; french: Duché de Bourgogne, ) emerged in the 9th century as one of the successors of the ancient Kingdom of the Burgundians, which after its conquest in 532 had formed a constituent part of the Frankish Empire. Upon the 9th-century partitions, the French remnants of the Burgundian kingdom were reduced to a ducal rank by King Robert II of France in 1004. Robert II's son and heir, King Henry I of France, inherited the duchy but ceded it to his younger brother Robert in 1032. Other portions had passed to the Imperial Kingdom of Burgundy-Arles, including the County of Burgundy (Franche-Comté). Robert became the ancestor of the ducal House of Burgundy, a cadet branch of the royal Capet dynasty, ruling over a territory that roughly conformed to the borders and territories of the modern region of Burgundy (Bourgogne). Upon the extinction of the Burgundian male line with the death of Duke Philip I in 1361, the duchy reverted to King ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margaret Of York
Margaret of York (3 May 1446 – 23 November 1503)—also by marriage known as Margaret of Burgundy—was Duchess of Burgundy as the third wife of Charles the Bold and acted as a protector of the Burgundian State after his death. She was a daughter of Richard, 3rd Duke of York, and Cecily Neville, and the sister of two kings of England, Edward IV and Richard III. She was born at Fotheringhay Castle, Northamptonshire, in the Kingdom of England, and she died at Mechelen in the Low Countries. Early life Duchess Isabella of Burgundy, the mother of Charles the Bold, was, through her blood ties and her perception of Burgundian interests, pro-English. As a granddaughter of John of Gaunt, she was consequently sympathetic to the House of Lancaster. She believed that Burgundian trade, from which the Burgundian State drew its vast wealth, depended upon friendly relations with England. For this reason she was prepared to favour any English faction which was willing to favour Burgundy. By 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
