Tumaritis
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Tumaritis
In Sundanese and Javanese wayang, Tumaritis is a place (there is a difference of opinion whether it is a village or country) or a mythological abode of the Punokawan clown-servants. Ward Ki Semar is the doyen of the place. That it is often preceded by ''Karang'', which means "garden" or "place". Tumaritis considered as an ideal place in which all kinds of people live together in harmony In music, harmony is the process by which individual sounds are joined together or composed into whole units or compositions. Often, the term harmony refers to simultaneously occurring frequencies, pitches ( tones, notes), or chords. However .... In addition, people can also coexist with other creatures in there without harming each other. References * {{cite book, title=Shadows of Empire: Colonial Discourse and Javanese Tales, url=https://books.google.com/books?id=UHBBal6w30wC&dq=myth+tumaritis&pg=PA288, author=Sears, Laurie J., publisher=Duke University Press, year=1996, isbn = 0822316978, ...
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Sundanese Language
Sundanese (: , ; Sundanese script: ) is a Malayo-Polynesian language spoken by the Sundanese. It has approximately 40 million native speakers in the western third of Java; they represent about 15% of Indonesia's total population. Classification According to American linguist Robert Blust, Sundanese is closely related to the Malayic languages, as well as to language groups spoken in Borneo such as the Land Dayak languages or the Kayan–Murik languages, based on high lexical similarities between these languages. History and distribution Sundanese is mainly spoken on the west side of the island of Java, in an area known as Tatar Sunda (Pasundan). However, Sundanese is also spoken in the western part of Central Java, especially in Brebes and Cilacap Regency, because these areas were previously under the control of the Galuh Kingdom. Many place names in Cilacap are still Sundanese names such as Dayeuhluhur, Cimanggu, Cipari and so on. Until 1600 AD, Sundanese was the sta ...
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Javanese Language
Javanese (, , ; , Aksara Jawa: , Pegon: , IPA: ) is a Malayo-Polynesian language spoken by the Javanese people from the central and eastern parts of the island of Java, Indonesia. There are also pockets of Javanese speakers on the northern coast of western Java. It is the native language of more than 98 million people. Javanese is the largest of the Austronesian languages in number of native speakers. It has several regional dialects and a number of clearly distinct status styles. Its closest relatives are the neighboring languages such as Sundanese, Madurese, and Balinese. Most speakers of Javanese also speak Indonesian for official and commercial purposes as well as a means to communicate with non-Javanese-speaking Indonesians. There are speakers of Javanese in Malaysia (concentrated in the West Coast part of the states of Selangor and Johor) and Singapore. Javanese is also spoken by traditional immigrant communities of Javanese descent in Suriname, Sri Lanka an ...
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Wayang
, also known as ( jv, ꦮꦪꦁ, translit=wayang), is a traditional form of puppet theatre play originating from the Indonesian island of Java. refers to the entire dramatic show. Sometimes the leather puppet itself is referred to as . Performances of wayang puppet theatre are accompanied by a ''gamelan'' orchestra in Java, and by '' gender wayang'' in Bali. The dramatic stories depict mythologies, such as episodes from the Hindu epics the ''Ramayana'' and the ''Mahabharata'', as well as local adaptations of cultural legends. Traditionally, a is played out in a ritualized midnight-to-dawn show by a ''dalang'', an artist and spiritual leader; people watch the show from both sides of the screen. performances are still very popular among Indonesians, especially in the islands of Java and Bali. performances are usually held at certain rituals, certain ceremonies, certain events, and even tourist attractions. In ritual contexts, puppet shows are used for prayer rituals (held in ...
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Punokawan
In Javanese ''wayang'' (shadow puppets), the ''panakawan'' or ''panakavan'' (''phanakavhan'') are the clown servants of the hero. There are four of them – ''Semar'' (also known as ''Ki Lurah Semar''), ''Petruk'', '' Gareng'' and '' Bagong''. ''Semar'' is the personification of a deity, sometimes said to be the ''dhanyang'' or guardian spirit of the island of Java. In Javanese mythology, deities can only manifest themselves as ugly or otherwise unprepossessing humans, and so ''Semar'' is always portrayed as short and fat with a pug nose and a dangling hernia. His three companions are his adopted sons, given to ''Semar'' as votaries by their parents. ''Petruk'' is portrayed as tall and gangling with a long nose, ''Gareng'' as short with a club foot and ''Bagong'' as obese. The panakawan always appear in the second act of a wayang performance – ''pathet sanga'' – as servants to the hero of the story regardless of who that hero is. Similar characters appear in other Indonesia ...
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Semar
Semar is a character in Javanese mythology who frequently appears in wayang shadow plays. He is one of the punokawan (clowns), but is in fact divine and very wise. He is the dhanyang (guardian spirit) of Java,Geertz, 23. and is regarded by some as the most sacred figure of the wayang set. Holt, 144. He is said to be the god Sang Hyang Ismaya in human form.Budihardja, "Grepen uit de Wajang," ''Djawa'' II (1922), 22-23; cited in Holt, 145. The name Semar is said to derive from the Javanese word ''samar'' ("dim, obscure, mysterious"). He is often referred to with the honorific, "Kyai Lurah Semar" ("the venerable chief"). Description In depictions, Semar appears with a flat nose, a protruding lower jaw, a tired eye, and bulging rear, belly, and chest. He wears a checkered hipcloth, symbolizing sacredness. Like the other panakawan, the wayang kulit puppet does not have the elaborate openwork and ornamentation characteristic of the heroes In wayang wong, Semar always leans forwa ...
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Harmony
In music, harmony is the process by which individual sounds are joined together or composed into whole units or compositions. Often, the term harmony refers to simultaneously occurring frequencies, pitches ( tones, notes), or chords. However, harmony is generally understood to involve both vertical harmony (chords) and horizontal harmony ( melody). Harmony is a perceptual property of music, and, along with melody, one of the building blocks of Western music. Its perception is based on consonance, a concept whose definition has changed various times throughout Western music. In a physiological approach, consonance is a continuous variable. Consonant pitch relationships are described as sounding more pleasant, euphonious, and beautiful than dissonant relationships which sound unpleasant, discordant, or rough. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Counterpoint, which refers to ...
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Asian Mythology
{{Short description, none This is a list of mythologies native to Asia: *Buddhist mythology *Chinese mythology *Christian mythology (in Western Asia) *Georgian mythology *Greek mythology (see Greco-Buddhism) *Hindu mythology **Ayyavazhi mythology **Tamil mythology **Vedic mythology *Hittite mythology and religion *Indo-Iranian mythology **Ossetian mythology **Persian mythology **Scythian mythology *** Assianism **Zoroastrianism *Indonesian mythology **Balinese mythology *Islamic mythology *Japanese mythology **Oomoto **Shinto *Kanglei mythology *Korean mythology *Meitei mythology (Manipuri mythology) *Mesopotamian mythology **Ancient Mesopotamian religion ** Babylonian mythology *Mongol mythology **Tengriism (indigenous Mongol & Turkic belief) *Philippine mythology **Anito ** Gabâ **Kulam * Semitic mythology and **Arabian mythology **Jewish mythology *Shamanism in Siberia *Tungusic creation myth *Turkic mythology ** Tatar mythology *Vietnamese mythology Asian Asian may refe ...
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Javanese Mythology
The mythology of Indonesia is very diverse, the Indonesian people consisting of hundreds of ethnic groups, each with their own myths and legends that explain the origin of their people, the tales of their ancestors and the demons or deities in their belief systems. The tendency to syncretize by overlying older traditions with newer foreign ideas has occurred. For example, the older ancestral mythology might be merged with foreign mythology, such as Hindu, Islam, or Christian biblical mythology. Foreign influences Some native Indonesian ethnic groups that were isolated from the rest of the world until recent centuries have their own native myths and gods. These native mythologies are relatively free from foreign influences, such as Torajans, Nias, Bataks, Dayaks and Papuans. By contrast, Javanese, Balinese,and Sundanese were influenced by Hindu-Buddhist Indian mythology as early as the 1st century CE. Hindu gods, legends and epics such as ''Ramayana'' and ''Mahabharata'' wer ...
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