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Chinese culture Chinese inventions Fashion accessories Hand tools Chinese traditional clothing (), also called (), (), ''fan of reunion'', are typically silk rigid hand fan which originated in China; they are typically circular or oval in shape. Up to the Song dynasty, the appears to have the most common types of the fans in China. These types of fans were mostly used by women in the Tang dynasty. with Chinese paintings and with calligraphy became very popular by the Song dynasty among court circles and artists and even continued to be in use even by the end of the 19th century. The was also used as part of the traditional Chinese wedding and was part of the ceremonial wedding rite. They continue to be produced and sold in present-day China and has become a common form of accessory in . The was also introduced in other countries, such as Japan. The also remained mainstream in China even after the growing popularity of the folding fans which originated in Japan. ...
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Chinese Culture
Chinese culture () is one of the world's oldest cultures, originating thousands of years ago. The culture prevails across a large geographical region in East Asia and is extremely diverse and varying, with customs and traditions varying greatly between Province (China), provinces, Cities of China, cities, and even towns as well. The terms 'China' and the geographical landmass of 'China' have shifted across the centuries, with the last name being the Qing dynasty, Great Qing before the name 'China' became commonplace in modernity. Chinese civilization is historically considered a dominant culture of East Asia. With China being one of the Cradle of civilization#Ancient China, earliest ancient civilizations, Chinese culture exerts profound influence on the philosophy, virtue, etiquette, and traditions of Asia. Chinese characters, Chinese ceramics, ceramics, Chinese architecture, architecture, Chinese music, music, History of Chinese dance, dance, Chinese literature, literature, ...
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Hanfu
''Hanfu'' () is the traditional styles of clothing worn by the Han Chinese. There are several representative styles of ''hanfu'', such as the (an upper-body garment with a long outer skirt), the (an upper-body garment with a long underskirt), the and the , and the (an upper-body garment with ku trousers). Traditionally, ''hanfu'' consists of a ''paofu'' robe, or a ''ru'' jacket worn as the upper garment with a ''qun'' skirt commonly worn as the lower garment. In addition to clothing, hanfu also includes several forms of accessories, such as headwear, footwear, belts, jewellery, and handheld fans. Nowadays, the hanfu is gaining recognition as the traditional clothing of the Han ethnic group, and has experienced a growing fashion revival among young Han Chinese people in China and in the overseas Chinese diaspora. After the Han dynasty, ''hanfu'' developed into a variety of styles using fabrics that encompassed a number of complex textile production techniques, part ...
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Chen Hongshou
Chen Hongshou (1598–1652), formerly romanized as Ch'en Hung-shou, was a Chinese painter of the late Ming dynasty. Life Chen was born in Zhuji, Zhejiang province in 1598, during the Ming dynasty. His courtesy name was Zhanghou (章侯), and his pseudonyms were Laolian (老莲), Fuchi (弗迟), Yunmenseng (云门僧), Huichi (悔迟), Chiheshang (迟和尚) and Huiseng (悔僧).Cihai: Page 431. He once trained under Lan Ying, and was skilled in painting peculiar human figures, landscapes, flower-and-bird. He utilized plump, profound brushwork and precise color, creating a unique style. He always painted illustrations and made tapestry portraits. His two masterpieces, ''Shui Hu Ye Zi'' (水浒叶子) and ''Bo Gu Ye Zi'', were the rare examples among the Ming and the Qing dynasties. He was very famous at that time, called "Chen in South and Cui in North", together with Cui Zizhong. He also was skilled in calligraphy, poetry and prose. Works His works are kept in museums and gall ...
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Hanfu Accessories
Hanfu accessories () refers to the various form of fashion accessories and self-adornments used and worn with throughout Chinese history. consists of many forms of miscellaneous accessories, such as jewelries, (), ribbons, shawls, scarves, and hand-held accessories, etc. Jewellery Chinese jewellery, including Chinese carved jade jewellery, often features Chinese symbols and iconography, and auspicious symbols and images, which are themselves rooted in Chinese culture, legends and mythologies, and philosophy. These symbols often reveal the Chinese traditions which have guided the Chinese civilization for thousands of years and which currently continue to remain in use in present-days. Jade culture is an important aspect of Chinese culture, reflecting both the material and spiritual culture of the Chinese people. Jade is deeply ingrained in Chinese culture and played a role in every aspect of social life; it is also associated with positive qualities and aspects such as purity ...
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Shenyi
(; ; yr: ''sim.ui''), also called Deep garment in English, means "wrapping the body deep within the clothes" or "to wrap the body deep within cloth". The is an iconic form of robe in , which was recorded in and advocated in Zhu Xi's 《朱子家禮》. As cited in the , the is a long robe which is created when the ''"upper half is connected to the bottom half to cover the body fully"''. The , along with its components, existed prior to the Zhou dynasty and appeared at least since the Shang dynasty. The was then developed in Zhou dynasty with a complete system of attire, being shaped by the Zhou dynasty's strict hierarchical system in terms of social levels, gender, age, and situation and was used as a basic form of clothing. The then became the mainstream clothing choice during the Qin and Han dynasties. By the Han dynasty, the had evolved into two types of robes: the () and the ' (). The later gradually declined in popularity around the Wei, Jin, and Northern and Sou ...
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Hanfu
''Hanfu'' () is the traditional styles of clothing worn by the Han Chinese. There are several representative styles of ''hanfu'', such as the (an upper-body garment with a long outer skirt), the (an upper-body garment with a long underskirt), the and the , and the (an upper-body garment with ku trousers). Traditionally, ''hanfu'' consists of a ''paofu'' robe, or a ''ru'' jacket worn as the upper garment with a ''qun'' skirt commonly worn as the lower garment. In addition to clothing, hanfu also includes several forms of accessories, such as headwear, footwear, belts, jewellery, and handheld fans. Nowadays, the hanfu is gaining recognition as the traditional clothing of the Han ethnic group, and has experienced a growing fashion revival among young Han Chinese people in China and in the overseas Chinese diaspora. After the Han dynasty, ''hanfu'' developed into a variety of styles using fabrics that encompassed a number of complex textile production techniques, part ...
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Chinese Embroidery
Chinese embroidery refers to embroidery created by any of the cultures located in the area that makes up modern China. It is some of the oldest extant needlework. The four major regional styles of Chinese embroidery are Suzhou embroidery (Su Xiu), Hunan embroidery (Xiang Xiu), Guangdong embroidery (Yue Xiu) and Sichuan embroidery (Shu Xiu). All of them are nominated as Chinese Intangible Cultural Heritage. History Chinese embroidery has a long history since the Neolithic age. Because of the quality of silk fibre, most Chinese fine embroideries are made in silk. Some ancient vestiges of silk production have been found in various Neolithic sites dating back 5,000–6,000 years in China. Currently the earliest real sample of silk embroidery discovered in China is from a tomb in Mashan in Hubei province identified with the Zhanguo period (5th–3rd centuries BC). After the opening of Silk Route in the Han dynasty, the silk production and trade flourished. In the 14th century, the ...
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Silk
Silk is a natural protein fiber, some forms of which can be woven into textiles. The protein fiber of silk is composed mainly of fibroin and is produced by certain insect larvae to form cocoons. The best-known silk is obtained from the cocoons of the larvae of the mulberry silkworm ''Bombyx mori'' reared in captivity (sericulture). The shimmering appearance of silk is due to the triangular prism-like structure of the silk fibre, which allows silk cloth to refract incoming light at different angles, thus producing different colors. Silk is produced by several insects; but, generally, only the silk of moth caterpillars has been used for textile manufacturing. There has been some research into other types of silk, which differ at the molecular level. Silk is mainly produced by the larvae of insects undergoing complete metamorphosis, but some insects, such as webspinners and raspy crickets, produce silk throughout their lives. Silk production also occurs in hymenoptera ( bee ...
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Ivory
Ivory is a hard, white material from the tusks (traditionally from elephants) and teeth of animals, that consists mainly of dentine, one of the physical structures of teeth and tusks. The chemical structure of the teeth and tusks of mammals is the same, regardless of the species of origin, but ivory contains structures of mineralised collagen. The trade in certain teeth and tusks other than elephant is well established and widespread; therefore, "ivory" can correctly be used to describe any mammalian teeth or tusks of commercial interest which are large enough to be carved or scrimshawed. Besides natural ivory, ivory can also be produced synthetically, hence (unlike natural ivory) not requiring the retrieval of the material from animals. Tagua nuts can also be carved like ivory. The trade of finished goods of ivory products has its origins in the Indus Valley. Ivory is a main product that is seen in abundance and was used for trading in Harappan civilization. Finished ivory pr ...
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Bamboo
Bamboos are a diverse group of evergreen perennial flowering plants making up the subfamily Bambusoideae of the grass family Poaceae. Giant bamboos are the largest members of the grass family. The origin of the word "bamboo" is uncertain, but it probably comes from the Dutch or Portuguese language, which originally borrowed it from Malay or Kannada. In bamboo, as in other grasses, the internodal regions of the stem are usually hollow and the vascular bundles in the cross-section are scattered throughout the stem instead of in a cylindrical arrangement. The dicotyledonous woody xylem is also absent. The absence of secondary growth wood causes the stems of monocots, including the palms and large bamboos, to be columnar rather than tapering. Bamboos include some of the fastest-growing plants in the world, due to a unique rhizome-dependent system. Certain species of bamboo can grow within a 24-hour period, at a rate of almost an hour (equivalent to 1 mm every 90 seco ...
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Jiaobeijiu
(), also known as () in ancient times, is a traditional Chinese nuptial ceremonial rite where newlywed couples interlinking and crossing their arms to sip () from two separated cups to their future marital happiness, to promise their lifelong love and to make the vows of no separation in the presence of their guests. This nuptial ceremony can be traced back to the ancient times and already existed in the Qin dynasty; it is suggested that its earliest form had probably started in the late Neolithic period of China; since then, the rite was transmitted down from generation to generation. This ceremony was so common that it gradually became a standard practice in Chinese wedding that people eventually began to refer to marriage as . This ceremonial rite is still a common practice in Chinese wedding in present-day. Origins and evolution The early form of the was known as in ancient times and probably started in the late Neolithic period. As a wedding custom, the can be tr ...
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Traditional Chinese Marriage
Traditional Chinese marriage () is a ceremonial ritual within Chinese societies that involves not only a union between spouses, but also a union between the two families of a man and a woman, sometimes established by pre-arrangement between families. Marriage and family are inextricably linked, which involves the interests of both families. Within Chinese culture, romantic love and monogamy was the norm for most citizens. Around the end of primitive society, traditional Chinese marriage rituals were formed, with deer skin betrothal in the Fuxi era, the appearance of the "meeting hall" during the Xia and Shang dynasties, and then in the Zhou dynasty, a complete set of marriage etiquette ("six rituals") gradually formed. The richness of this series of rituals proves the importance the ancients attached to marriage. In addition to the unique nature of the "three letters and six rituals", monogamy, remarriage and divorce in traditional Chinese marriage culture are also distincti ...
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