Tuanku Nan Renceh
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Tuanku Nan Renceh
Tuanku Nan Renceh was an Islamic cleric (ulama), leader and commanding figure highly regarded in Indonesia as a fighter against the Dutch colonialism in the battle known as the Padri War from 1803-1838. Not much is known about this figure, other than his charismatic status. He is also known for his commitment to upholding the Shari'a. From the Dutch record, he was considered an antagonist figure, who was responsible for the violence in the Plateau of Padang. The real name of Tuanku Nan Renceh was Abdullah. He was born in Nagari Kamang in 1780 and died during the Padri War. He was a disciple of the prominent ulama of his time, Tuanku Nan Tuo.Azra, A., (2004), ''The Origins of Islamic Reformism in Southeast Asia: Networks of Malay-Indonesian and Middle Eastern 'Ulamā' in the Seventeenth and Eighteenth Centuries'', University of Hawaii Press, . After receiving Tuo's teaching, he became a ''padri'', a group of people who advocated for the puritanical approach in Islam inspired by Mu ...
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Makam Tuanku Nan Renceh
The Turkish makam (Turkish: ''makam'' pl. ''makamlar''; from the Arabic word ) is a system of melody types used in Turkish classical music and Turkish folk music. It provides a complex set of rules for composing and performance. Each makam specifies a unique intervalic structure (''cinsler'' meaning genera) and melodic development (''seyir''). Whether a fixed composition (''beste'', ''şarkı'', ''peşrev'', ''âyin'', etc.) or a spontaneous composition (''gazel'', ''taksim'', recitation of ''Kuran-ı Kerim'', ''Mevlid'', etc.), all attempt to follow the melody type. The rhythmic counterpart of makam in Turkish music is usul. Comparison in use in Turkish classical to folk music Turkish Classical Music and Turkish Folk Music are both based on modal systems. Makam is the name of the scale in classical music, while Ayak is the name of the scale in folk music. Makam and Ayak are similar; following are some examples: Yahyalı Kerem Ayağı : Hüseyni Makamı Garip Ayağı : Hicaz ...
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