Tsukumo Happy Soul
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Tsukumo Happy Soul
is a Japanese manga written and drawn by Kendi Oiwa is a Japanese manga artist. Some of his major works include ''Goth'', ''Welcome to the N.H.K.'', a one-shot, ''Tsukumo Happy Soul'' published in ''Monthly Shōnen Ace'', Kadokawa Shoten , formerly , is a Japanese publisher and division of Ka .... It was serialized in Shōnen Ace in 2003, from July to October, later becoming a 172-page tankoban. Plot When an object is cherished for 99 years a deity is born within that object; also known as a Tsukumo deity. Yukiji's companion, Tamakichi, is a deity; he was born from a certain item her mother left behind. As Yukiji enters Mizuhozaka Girls’ Academy Tamakichi constantly puts in a troublesome appearance. Yukiji's hopes for a good school life looks dimmer and dimmer. Characters Shinazuki Tamakichi: A perverted Tsukumo whose object he comes from is a pink vibrator with a happy face, the blunt of many jokes in the chapters. You find out many of his habits right off th ...
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Kendi Oiwa
is a Japanese manga artist. Some of his major works include ''Goth'', ''Welcome to the N.H.K.'', a one-shot, ''Tsukumo Happy Soul'' published in ''Monthly Shōnen Ace'', Kadokawa Shoten , formerly , is a Japanese publisher and division of Kadokawa Future Publishing based in Tokyo, Japan. It became an internal division of Kadokawa Corporation on October 1, 2013. Kadokawa publishes manga, light novels, manga anthology magazines su ...'s manga magazine, and the manga serialization of '' Assassin's Creed IV: Black Flag''. References External links Kenji Oiwaat Media Arts Database * Manga artists Living people Year of birth missing (living people) {{Japan-artist-stub ...
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Shōnen Manga
is an editorial category of Japanese comics targeting an audience of adolescent boys. It is, along with manga (targeting adolescent girls and young women), manga (targeting young adult and adult men), and manga (targeting adult women), one of the primary editorial categories of manga. manga is traditionally published in dedicated manga magazines that exclusively target the demographic group. Of the four primary demographic categories of manga, is the most popular category in the Japanese market. While manga ostensibly targets an audience of young males, its actual readership extends significantly beyond this target group to include all ages and genders. The category originated from Japanese children's magazines at the turn of the 20th century and gained significant popularity by the 1920s. The editorial focus of manga is primarily on action, adventure, and the fighting of monsters or other forces of evil. Though action narratives dominate the category, there is de ...
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Manga
Manga (Japanese: 漫画 ) are comics or graphic novels originating from Japan. Most manga conform to a style developed in Japan in the late 19th century, and the form has a long prehistory in earlier Japanese art. The term ''manga'' is used in Japan to refer to both comics and cartooning. Outside of Japan, the word is typically used to refer to comics originally published in the country. In Japan, people of all ages and walks of life read manga. The medium includes works in a broad range of genres: action, adventure, business and commerce, comedy, detective, drama, historical, horror, mystery, romance, science fiction and fantasy, erotica ('' hentai'' and ''ecchi''), sports and games, and suspense, among others. Many manga are translated into other languages. Since the 1950s, manga has become an increasingly major part of the Japanese publishing industry. By 1995, the manga market in Japan was valued at (), with annual sales of 1.9billion manga books and manga magazi ...
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Tsukumogami
In Japanese folklore, ''tsukumogami'' (付喪神 or つくも神, lit. "tool ''kami''") are tools that have acquired a kami or spirit. According to an annotated version of ''The Tales of Ise'' titled ''Ise Monogatari Shō'', there is a theory originally from the ''Onmyōki'' (陰陽記) that foxes and tanuki, among other beings, that have lived for at least a hundred years and changed forms are considered ''tsukumogami''. In modern times, the term can also be written 九十九神 (literally ninety-nine ''kami''), to emphasize the agedness. According to Komatsu Kazuhiko, the idea of a ''tsukumogami'' or a ''yōkai'' of tools spread mostly in the Japanese Middle Ages and declined in more recent generations. Komatsu infers that despite the depictions in Bakumatsu period ukiyo-e art leading to a resurfacing of the idea, these were all produced in an era cut off from any actual belief in the idea of ''tsukumogami''. Because the term has been applied to several different concepts in ...
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