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Tron Kirk Surroundings
''Tron'' (stylized as ''TRON'') is a 1982 American science fiction action-adventure film written and directed by Steven Lisberger from a story by Lisberger and Bonnie MacBird. The film stars Jeff Bridges as Kevin Flynn, a computer programmer and video game developer who is transported inside the software world of a mainframe computer where he interacts with programs in his attempt to escape; it also stars Bruce Boxleitner, David Warner, Cindy Morgan, and Barnard Hughes. ''Tron'', along with ''The Last Starfighter'', has the distinction of being one of cinema's earliest films to use extensive computer-generated imagery (CGI). The inspiration for ''Tron'' dates back to 1976, when Lisberger became intrigued with video games after seeing ''Pong''. He and producer Donald Kushner set up an animation studio to develop ''Tron'' with the intention of making it an animated film. To promote the studio itself, Lisberger and his team created a 30-second animation featuring the first appeara ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steven Lisberger
Steven M. Lisberger (born April 24, 1951) is an American film director, producer and writer famous for directing ''Tron'' in 1982. Early life and education Lisberger was born in 1951 in New York City and grew up in Hazleton, Pennsylvania. Of his ethnic background, he said that his father was Jewish while his mother's side was half Jewish and half Christian, both native German. Lisberger attended The Hill School in Pottstown, and Tufts University. He went on to become a 1974 graduate of the School of the Museum of Fine Arts in Boston, Massachusetts. Career While attending Tufts University, Lisberger and five associates formed Lisberger Studios. Their first project of note was ''Cosmic Cartoon,'' which earned a Student Academy Award nomination in 1973. It was also featured in the nationally-released anthology film, '' Fantastic Animation Festival,'' in 1977. Through his company, Lisberger Studios, Lisberger directed the production of commercials, title sequences, and feature s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Last Starfighter
''The Last Starfighter'' is a 1984 American space opera film directed by Nick Castle. The film tells the story of Alex Rogan (Lance Guest), a teenager recruited by an alien defense force to fight in an interstellar war. It also features Robert Preston, Dan O'Herlihy, Catherine Mary Stewart, Norman Snow, and Kay E. Kuter. ''The Last Starfighter'', along with Disney's ''Tron'', has the distinction of being one of cinema's earliest films to use extensive "real-life" computer-generated imagery (CGI) to depict its many starships, environments and battle scenes. ''The Last Starfighter'' was Robert Preston's final role in a theatrical film. The character of Centauri, a "lovable con-man", was written with him in mind and was a nod to his most famous role as Professor Harold Hill in ''The Music Man''.''Crossing the Frontier: Making "The Last Starfighter"'' (behind-the-scenes retrospective), Universal Studios Home Video, 1999. There was a subsequent novelization of the film by Alan D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sequel
A sequel is a work of literature, film, theatre, television, music or video game that continues the story of, or expands upon, some earlier work. In the common context of a narrative work of fiction, a sequel portrays events set in the same fictional universe as an earlier work, usually chronologically following the events of that work. In many cases, the sequel continues elements of the original story, often with the same characters and settings. A sequel can lead to a series, in which key elements appear repeatedly. Although the difference between more than one sequel and a series is somewhat arbitrary, it is clear that some media franchises have enough sequels to become a series, whether originally planned as such or not. Sequels are attractive to creators and to publishers because there is less risk involved in returning to a story with known popularity rather than developing new and untested characters and settings. Audiences are sometimes eager for more stories about p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multimedia Franchise
A media franchise, also known as a multimedia franchise, is a collection of related media in which several derivative works have been produced from an original creative work of fiction, such as a film, a work of literature, a television program or a video game. Bob Iger, chief executive of the Walt Disney Company, defined the word ''franchise'' as “something that creates value across multiple businesses and across multiple territories over a long period of time.” Transmedia franchise A media franchise often consists of cross-marketing across more than one medium. For the owners, the goal of increasing profit through diversity can extend the commercial profitability of the franchise and create strong feelings of identity and ownership in its consumers. Those large groups of dedicated consumers create the franchise's fandom, which is the community of fans that indulge in many of its mediums and are committed to interacting with and keeping up with other consumers. Large franchis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cult Film
A cult film or cult movie, also commonly referred to as a cult classic, is a film that has acquired a cult following. Cult films are known for their dedicated, passionate fanbase which forms an elaborate subculture, members of which engage in repeated viewings, dialogue-quoting, and audience participation. Inclusive definitions allow for major studio productions, especially box-office bombs, while exclusive definitions focus more on obscure, transgressive films shunned by the mainstream. The difficulty in defining the term and subjectivity of what qualifies as a cult film mirror classificatory disputes about art. The term ''cult film'' itself was first used in the 1970s to describe the culture that surrounded underground films and midnight movies, though ''cult'' was in common use in film analysis for decades prior to that. Cult films trace their origin back to controversial and suppressed films kept alive by dedicated fans. In some cases, reclaimed or rediscovered films ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tron (video Game)
''Tron'' is a coin-operated arcade video game manufactured and distributed by Bally Midway in 1982. The game consists of four subgames inspired by the events of the Walt Disney Productions motion picture ''Tron'' released earlier in the summer. The lead programmer was Bill Adams. The music programmer was Earl Vickers. ''Tron'' was followed by a 1983 sequel, ''Discs of Tron'', which was not as successful. A number of other licensed ''Tron'' games were released for home systems, but these were based directly on elements of the movie and not the arcade game. Gameplay ''Tron'' consists of four sub-games based on events and characters in the movie. In general, the player controls Tron, either in human form or piloting a vehicle, using an eight-way joystick for movement, a trigger button on the stick to fire (or slow down the player's light cycle), and a rotary dial for aiming. The goal of the game is to score points and advance through the game's twelve levels by completing each of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academy Award For Best Visual Effects
The Academy Award for Best Visual Effects is an Academy Award given for the best achievement in visual effects. History of the award The Academy of Motion Picture Arts and Sciences first recognized the technical contributions of special effects to movies at its inaugural dinner in 1929, presenting a plaque for "Best Engineering Effects" to the first Best Picture Oscar winner, the World War I flying drama ''Wings''. Producer David O. Selznick, then production head at RKO Studios, petitioned the Academy Board of Governors to recognize the work of animator Willis O'Brien for his groundbreaking work on 1933's ''King Kong''. It was not until 1938 when a film was actually recognized for its effects work, when a "Special Achievement Award for Special Effects" was given to the Paramount film ''Spawn of the North''. The following year, "Best Special Effects" became a recognized category, although on occasion the Academy has chosen to honor a single film outright rather than nominate two ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
55th Academy Awards
The 55th Academy Awards were presented April 11, 1983, at the Dorothy Chandler Pavilion, Los Angeles. The ceremonies were presided over by Liza Minnelli, Dudley Moore, Richard Pryor, and Walter Matthau. Louis Gossett Jr. became the first African-American actor to win Best Supporting Actor for his performance as the tough and principled drill instructor Emil Foley in '' An Officer and a Gentleman''. Bhanu Athaiya also became the first Indian to win an Academy Award for Best Costume Design for Gandhi. This marked the first of 28 consecutive years where a Barbara Walters interview special aired before the ceremony. Walters had previously aired an interview special in 1981 and, in subsequent years, her special aired prior to the Academy's formal broadcast of celebrities walking the red carpet. It was also the only time George C. Scott attended an Oscars ceremony. ''Gandhi'' won eight awards, including Best Picture and Best Actor. Other winners included '' E.T. the Extra-Terrestri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academy Award For Best Sound
The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing. The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians. The first were Murray Spivack and Jack Solomon for '' Hello, Dolly!''. It is generally awarded to the production sound mixers, re-recording mixers, and supervising sound editors of the winning film. In the lists below, the winner of the award for each year is shown first, followed by the other nominees. Before the 93rd Academy Awards, Best Sound Mixing and Best Sound Editing were separate categories. For the second and third years of this category (i.e., the 4th Academy Awards and the 5th Academy Awards) only the names of the film companies were listed. Paramount Publix Studio Sound Department won in both years. Winners and nominees 1930s 1940s 1950s 1960s 1970s 1980s 1990s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academy Award For Best Costume Design
The Academy Award for Best Costume Design is one of the Academy Awards presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) for achievement in film costume design. The award was first given in 1949, for films made in 1948. Initially, separate award categories were established for black-and-white films and color films. Since the merger of the two categories in 1967, the academy has traditionally avoided giving out the award to films with a contemporary setting. Award The Academy Award for Best Costume Design is given out annually by the Academy of Motion Picture Arts & Sciences for the best achievement of film costume design of the previous year. Films that are eligible for the award must meet a series of criteria, including the requirement that the costumes must have been "conceived" by a costume designer. For this particular criteria, each submission is reviewed by the costume designer members of the Art Directors Branch prior to the ballot process. Fu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traditional Animation
Traditional animation (or classical animation, cel animation, or hand-drawn animation) is an animation technique in which each frame is drawn by hand. The technique was the dominant form of animation in cinema until computer animation. Process Writing and storyboarding Animation production usually begins after a story is converted into an animation film script, from which a storyboard is derived. A storyboard has an appearance somewhat similar to comic book panels, and is a shot by shot breakdown of the staging, acting and any camera moves that will be present in the film. The images allow the animation team to plan the flow of the plot and the composition of the imagery. Storyboard artists will have regular meetings with the director and may redraw or "re-board" a sequence many times before it meets final approval. Voice recording Before animation begins, a preliminary soundtrack or scratch track is recorded so that the animation may be more precisely synchronized to t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Computer Animation
Computer animation is the process used for digitally generating animations. The more general term computer-generated imagery (CGI) encompasses both static scenes (still images) and dynamic images (moving images), while computer animation refers to moving images. Modern computer animation usually uses 3D computer graphics to generate a three-dimensional picture. The target of the animation is sometimes the computer itself, while other times it is film. Computer animation is essentially a digital successor to stop motion techniques, but using 3D models, and traditional animation techniques using frame-by-frame animation of 2D illustrations. Computer-generated animations can also allow a single graphic artist to produce such content without the use of actors, expensive set pieces, or props. To create the illusion of movement, an image is displayed on the computer monitor and repeatedly replaced by a new image that is similar to it but advanced slightly in time (usually at a ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
