Tristimulus
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Tristimulus
The CIE 1931 color spaces are the first defined quantitative links between distributions of wavelengths in the electromagnetic visible spectrum, and physiologically perceived colors in human color vision. The mathematical relationships that define these color spaces are essential tools for color management, important when dealing with color inks, illuminated displays, and recording devices such as digital cameras. The system was designed in 1931 by the ''"Commission Internationale de l'éclairage"'', known in English as the International Commission on Illumination. The CIE 1931 RGB color space and CIE 1931 XYZ color space were created by the International Commission on Illumination (CIE) in 1931. They resulted from a series of experiments done in the late 1920s by William David Wright using ten observers and John Guild using seven observers. The experimental results were combined into the specification of the CIE RGB color space, from which the CIE XYZ color space was derive ...
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Standard Illuminant
A standard illuminant is a theoretical source of visible light with a spectral power distribution that is published. Standard illuminants provide a basis for comparing images or colors recorded under different lighting. CIE illuminants The International Commission on Illumination (usually abbreviated CIE for its French name) is the body responsible for publishing all of the well-known standard illuminants. Each of these is known by a letter or by a letter-number combination. Illuminants A, B, and C were introduced in 1931, with the intention of respectively representing average incandescent light, direct sunlight, and average daylight. Illuminants D represent variations of daylight, illuminant E is the equal-energy illuminant, while illuminants F represent fluorescent lamps of various composition. There are instructions on how to experimentally produce light sources ("standard sources") corresponding to the older illuminants. For the relatively newer ones (such as series D), exp ...
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LMS Color Space
LMS (long, medium, short), is a color space which represents the response of the three types of cones of the human eye, named for their responsivity (sensitivity) peaks at long, medium, and short wavelengths. The numerical range is generally not specified, except that the lower end is generally bounded by zero. It is common to use the LMS color space when performing chromatic adaptation (estimating the appearance of a sample under a different illuminant). It's also useful in the study of color blindness, when one or more cone types are defective. XYZ to LMS Typically, colors to be adapted chromatically will be specified in a color space other than LMS (e.g. sRGB). The chromatic adaptation matrix in the diagonal von Kries transform method, however, operates on tristimulus values in the LMS color space. Since colors in most colorspaces can be transformed to the XYZ color space, only one additional transformation matrix is required for any color space to be adapted chromatically: ...
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Metamerism (color)
In colorimetry, metamerism is a perceived matching of colors with different (nonmatching) spectral power distributions. Colors that match this way are called metamers. A spectral power distribution describes the proportion of total light given off (emitted, transmitted, or reflected) by a color sample at each visible wavelength; it defines the complete information about the light coming from the sample. However, the human eye contains only three color receptors (three types of cone cells), which means that all colors are reduced to three sensory quantities, called the tristimulus values. Metamerism occurs because each type of cone responds to the cumulative energy from a broad range of wavelengths, so that different combinations of light across all wavelengths can produce an equivalent receptor response and the same tristimulus values or color sensation. In color science, the set of sensory spectral sensitivity curves is numerically represented by color matching functions. Sourc ...
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Primary Color
A set (mathematics), set of primary colors or primary colours (see American and British English spelling differences#-our, -or, spelling differences) consists of colorants or colored lights that can be mixed in varying amounts to produce a gamut of colors. This is the essential method used to create the perception of a broad range of colors in, e.g., electronic displays, color printing, and paintings. Perceptions associated with a given combination of primary colors can be predicted by an appropriate mixing model (e.g., additive mixing, additive, subtractive mixing, subtractive) that reflects the physics of how light interacts with physical media, and ultimately the retina. Primary colors can also be conceptual (not necessarily real), either as additive mathematical elements of a color space or as irreducible phenomenological categories in domains such as psychology and Philosophy of color, philosophy. Color space primaries are precisely defined and empirically rooted in psychop ...
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