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Tripadi
Tripadi (Kannada, lit. ''tri'': three, ''pad'' or "adi": feet) is a native metre in the Kannada language dating back to c. 700 CE. Definition The ''tripadi'' consists of three lines, each differing from the others in the number of feet and moras (Sanskrit ''matras''),, but in accordance with the following rules: *The first line has 4 feet, each with 5 moras, and a caesura at the end of the second foot. *The 6th and 10th feet of the ''tripadi'' are each required to have the metrical pattern of a ''Brahma'' foot: -\smile \ \mathrm \ \smile\smile\smile \ \mathrm \ -- \ \mathrm \ \smile\smile- \ \ where \smile (breve) denotes a short syllable, and - ( macron) a long one. *The remaining feet have either 5 moras or 4, chosen to satisfy the rules of Nagavarma II: Line 1 20 moras in four feet Line 2 17 moras in four feet Line 3 13 moras in three feet. *There is alliteration of the second letter of each line. Metrical structure An example, of a possible scansion (metrica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kannada Literature
Kannada literature is the corpus of written forms of the Kannada language, a member of the Dravidian family spoken mainly in the Indian state of Karnataka and written in the Kannada script. Attestations in literature span one and a half millennia, R.S. Mugali (2006), ''The Heritage of Karnataka'', pp. 173–175 with some specific literary works surviving in rich manuscript traditions, extending from the 9th century to the present. The Kannada language is usually divided into three linguistic phases: Old (450–1200 CE), Middle (1200–1700 CE) and Modern (1700–present); and its literary characteristics are categorised as Jain, Lingayatism and Vaishnava—recognising the prominence of these three faiths in giving form to, and fostering, classical expression of the language, until the advent of the modern era. Kittel in Rice E.P. (1921), p. 14Sastri 1955, pp. 355–365Narasimhacharya (1934), pp. 17, 61 Although much of the literature prior to the 18th century was r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kappe Arabhatta
Kappe Arabhatta ( kn, ಕಪ್ಪೆ ಅರಭಟ್ಟ) was a Chalukya warrior of the 8th century who is known from a Kannada verse inscription, dated to c. 700 CE, and carved on a cliff overlooking the northeast end of the artificial lake in Badami, Karnataka, India. The inscription consists of five stanzas written out in ten lines in the Kannada script. Stanza 2 (Lines 3 and 4) consists of a Sanskrit ''śloka''. Of the remaining stanzas, all except the first are in the ''tripadi'', a Kannada verse metre. Stanza 3 (lines 5 and 6), which consists of twelve words of which nine are Sanskrit loan-words in Kannada, is well known in a condensed version, and is sometimes cited as the earliest example of the ''tripadi'' metre in Kannada. However, neither stanza 3 nor stanza 4 strictly conform to the precise rules of the ''tripadi'' metre; they each have more than 18 moras in line two, in excess of the allowed 17. Location According to , the Kappe Arabhatta inscription overlook ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kannada Grammar
Standard Kannada grammar ( kn, ಕನ್ನಡ ವ್ಯಾಕರಣ) is primarily based on Keshiraja's Shabdamanidarpana (c. 1260 CE) which provides the fullest systematic exposition of Kannada language.''Studies in Indian History, Epigraphy, and Culture'' – By Govind Swamirao Gai, pp. 315''A Grammar of the Kannada Language'' F.Kittel (1993), pp. 3 The earlier grammatical works include portions of ''Kavirajamarga'' (a treatise on ''alańkāra'') of 9th century, ''Kavyavalokana'' and ''Karnatakabhashabhushana'' both authored by Nagavarma II in first half of the 12th century. Various grammatical aspects of Kannada include, tatsama–tadbhava, vibhakti pratyaya, kāla (tense-forms), linga (gender-forms), sandhi, samāsa, chandassu, alańkāra; and different poetrical metres such as ''vritta'', ''tripadi'', ''kanda'' (also called, ''choupadi'' or ''chaturpadi''), ''shatpadi'', sāngatya and others. The name given for a pure, true letter is ''akshara'', ''akkara'' or ''varna''. Eac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nagavarma II
Nagavarma II (mid-11th or mid-12th century) was a Kannada language scholar and grammarian in the court of the Western Chalukya Empire that ruled from Basavakalyan, in modern Karnataka state, India. He was the earliest among the three most notable and authoritative grammarians of Old-Kannada language (Keshiraja of c. 1260 and Bhattakalanka Deva of c. 1604 being the other two).Sahitya Akademi (1987), p. 476 Nagavarma II's reputation stems from his notable contributions to various genres of Kannada literature including prosody, rhetoric, poetics, grammar and vocabulary. According to the scholar R. Narasimhacharya, Nagavarma II is unique in all of ancient Kannada literature, in this aspect. His writings are available and are considered standard authorities for the study of Kannada language and its growth.Narasimhacharya (1988), p. 65 Nagavarma II was honored with the title "poet laureate" (''Katakacharya'') and "military teacher" (''Katakopadhyaya'') by Chalukya King Jaga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kannada Meter (poetry)
Kannada prosody (ಕನ್ನಡ ಛಂದಸ್ಸು (''Kannada Chhandassu'')) is the study of metres used in Kannada poetry, describing the rhythmic structure of a verse. The metres used include some metres borrowed from other traditions, and indigenous metres. Kannada literature, especially Old Kannada poetry, clearly exhibits the importance poets placed on metre. This can be seen in the number of types of metre used in Kannada poetry. History The earliest Kannada work on prosody was the ''Guṇagānkiyam'', which has been lost. Nagavarma I wrote a fairly complete work on prosody , called Chandombudhi. With a few additions by later writers, it still remains a standard work on Kannada prosody. Subdivisions Kannada metres are categorised as Amsha and Maatra (syllabic and quantitative), or as Vaidika and Laukika metres.Prof. T. V. Venkatachala Shastri, Kannada Chandaswaroopa, DVK Murthy Publication, Mysore 3rd Edition 2008 p.267-315 Amsha metres Amsha metres are based on Ams ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vishnu
Vishnu ( ; , ), also known as Narayana and Hari, is one of the principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism. Vishnu is known as "The Preserver" within the Trimurti, the triple deity of supreme divinity that includes Brahma and Shiva.Gavin Flood, An Introduction to Hinduism' (1996), p. 17. In Vaishnavism, Vishnu is the supreme being who creates, protects, and transforms the universe. In the Shaktism tradition, the Goddess, or Adi Shakti, is described as the supreme Para Brahman, yet Vishnu is revered along with Shiva and Brahma. Tridevi is stated to be the energy and creative power ( Shakti) of each, with Lakshmi being the equal complementary partner of Vishnu. He is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. According to Vaishnavism, the highest form of Ishvara is with qualities (Saguna), and have certain form, but is limit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madhava (Vishnu)
Madhava ( sa, माधव, Mādhava) is one of the primary epithets of Vishnu and his avatar Krishna. The word ''Mādhava'' in Sanskrit is a ''vṛddhi'' derivation of the word ''Madhu'' ( sa, मधु), which means honey. It is a title of Krishna, referring to his lineage as 'he who appeared the Madhu dynasty'. In the Bhagavad Gita, Arjuna addresses Krishna as Madhava (meaning "lord of fortune"; not to confused with a secondary name, Madhusudana, which means "slayer of the demon Madhu"). According to Adi Shankara's commentary on the '' Vishnu Sahasranama'' and the ''Narada Pancharatra'', Madhava means the consort (''dhava'') of the mother (''ma''), referring to Lakshmi, the goddess called the 'mother of the universe'. Alternatively, it means the 'one who is fit to be known through Madhu-vidya', or can mean the 'one who is the lord of ''ma'', or knowledge. Literature In the ''Skanda Purana'', Shiva mentions Madhava as an epithet of Vishnu, described as the one who holds the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scansion
Scansion ( , rhymes with ''mansion''; verb: ''to scan''), or a system of scansion, is the method or practice of determining and (usually) graphically representing the metrical pattern of a line of verse. In classical poetry, these patterns are quantitative based on the different ''lengths'' of each syllable. In English poetry, they are based on the different levels of ''stress'' placed on each syllable. In both cases, the meter often has a regular foot. Over the years, many systems have been established to mark the scansion of a poem. Overview Systems of scansion, and the assumptions (often tacit or even subconscious) that underlie them, are so numerous and contradictory that it is often difficult to tell whether differences in scansion indicate opposed metrical theories, conflicting understandings of a line's linguistic character, divergent practical goals, or whether they merely constitute a trivial argument over who has the "better ear" for verse. There is even a debate am ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alliteration
Alliteration is the conspicuous repetition of initial consonant sounds of nearby words in a phrase, often used as a literary device. A familiar example is "Peter Piper picked a peck of pickled peppers". Alliteration is used poetically in various languages around the world, including Arabic, Irish, German, Mongolian, Hungarian, American Sign Language, Somali, Finnish, Icelandic. Historical use The word ''alliteration'' comes from the Latin word ''littera'', meaning "letter of the alphabet". It was first coined in a Latin dialogue by the Italian humanist Giovanni Pontano in the 15th century. Alliteration is used in the alliterative verse of Old English, Old Norse, Old High German, Old Saxon, and Old Irish. It was an important ingredient of the Sanskrit shlokas. Alliteration was used in Old English given names. This is evidenced by the unbroken series of 9th century kings of Wessex named Æthelwulf, Æthelbald, Æthelberht, and Æthelred. These were followed in the 10th c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kannada
Kannada (; ಕನ್ನಡ, ), originally romanised Canarese, is a Dravidian language spoken predominantly by the people of Karnataka in southwestern India, with minorities in all neighbouring states. It has around 47 million native speakers, and was additionally a second or third language for around 13 million non-native speakers in Karnataka. Kannada was the court language of some of the most powerful dynasties of south and central India, namely the Kadambas, Chalukyas, Rashtrakutas, Yadava Dynasty or Seunas, Western Ganga dynasty, Wodeyars of Mysore, Nayakas of Keladi Hoysalas and the Vijayanagara empire. The official and administrative language of the state of Karnataka, it also has scheduled status in India and has been included among the country's designated classical languages.Kuiper (2011), p. 74R Zydenbos in Cushman S, Cavanagh C, Ramazani J, Rouzer P, ''The Princeton Encyclopedia of Poetry and Poetics: Fourth Edition'', p. 767, Princeton Unive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meter (poetry)
In poetry, metre ( Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breve
A breve (, less often , neuter form of the Latin "short, brief") is the diacritic mark ˘, shaped like the bottom half of a circle. As used in Ancient Greek, it is also called , . It resembles the caron (the wedge or in Czech, in Slovak) but is rounded, in contrast to the angular tip of the caron. In many forms of Latin, ˘ is used for a shorter, softer variant of a vowel, such as "Ĭ", where the sound is nearly identical to the English /i/. (See: Latin IPA) Length The breve sign indicates a short vowel, as opposed to the macron ¯, which indicates long vowels, in academic transcription. It is often used that way in dictionaries and textbooks of Latin, Ancient Greek, Tuareg and other languages. However, there is a frequent convention of indicating only the long vowels. It is then understood that a vowel with no macron is short. If the vowel length is unknown, a breve as well as a macron are used in historical linguistics (Ā̆ ā̆ Ē̆ ē̆ Ī̆ ī̆ Ō ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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